 Hey, what's good y'all? It's your boy Don from the Don Show in France and we're back for another K-pop reaction video. Now today, what we're going to be doing is the choreography BTS 2019 MMA Dacerite Dionysus. We got dirty. Shout out to James. Yes, yes. So, check this out. Today, we're going to do this today, the dance practice and then when James come back, I think he feels better if we'll be doing like actual music videos. So, make sure you know that, okay? Now, other than that y'all, please make sure you hit the share button. Please make sure you like and ring that bell and make sure you subscribe, okay? We're moving on up on the subscribers and we want to thank y'all for that, okay? Now, also, I will put the link of the Don Show in France Instagram that is available now and it will let you know what kind of thumbnails we got meaning that you will know what videos is coming out or we already done, alright? And also, I have my second channel up. So, as the bros, me, Alanya and James, as we get our other channels up, we will put those descriptions, put the links in the description so you can check it out. But in that, y'all, let's go ahead and get started. Let's do it. Alright, three, two, one. You know the choreography going to be fired. Yep. I tell you, just like a 90s commercial, bro. It is. It really is. Let's go. Let's go. They not playing. Whoa. Yo. Come on. Yo. I love the shot. Yo, man. Let's go. Uh-huh. Getting the march together. That's crazy. Yeah, go in and walk in. Yeah, go in and walk in. I would have did a march coming in. No, that's just me. I would have did a march. Mm-hmm. Yeah. Yeah, don't fall. Let's go. Quick setup, too, with the chairs. Like that. Got it. Yeah, so the thing I'm going to talk about is, this is something that you definitely see on like big stage type performances. And the one thing when you're doing, it's one thing when you're like dancing on the ground, no props, it's just y'all ain't doing movement. But when you're starting to move props and do things like that, because there is, they do have to practice this without the props. I would imagine, so correct me if I'm wrong, but to have balance, because I can tell like balance is something that they made sure that they keep in mind while dancing. And that's one thing I want to commend them on. Right. And also, if you look at the people who are populating the background, the other dancers, they keep consistent with what they're doing and do it with, and make sure they put their energy towards it, even though there may be someone in front of them. There's a part in the video where he had people behind a particular set, and one of the dancers was off to the side, but he was in front of one of them. But I can still see that person moving just as energetically as the others. So I just love everybody's consistency and their effort throughout the whole transition, throughout the whole choreography, like it's all consistent. Everything is strong. Everybody's sticking to this part. It's just one thing I want to note on. Yeah. For me, I'm waiting to the middle. One thing I noticed about the choreography from BTS is when they, honestly, every band, when they get to the middle to the climax, that's when they snap in. So that's what I'm really waiting on, to see what they do there. Other than that, this is the setup for me. Let's see. I agree. I think there's always a setup. Oh yeah. Even if they can start high energy or low energy. Let's go. Here we go. Show the work. See what that footwork looks like. Yep. I knew it was coming. There's no way. You can hear this inner song. It was going to be some footwork in that. I like the opposite direction. Let's go. That was great. I'm sorry. I do know why in the middle right here. Yeah, he got my attention to do what they have. Yeah. You can tell he's about to snap. He got it. He got it. He got my attention. That's the one that snaps. Like, I'm sorry. I'm stuck. I'm stuck on dude. Let's go. Wait and watch that shot. Shout out to the camera, man. Yep. Let's go. Let's go. Man, it's talking. Got a hip hop bounce with the rock. My man's footwork. Let's go. I like that. I told you, man. I told you. Let's go back. Let's go back. I want to see that again. Let's go back, y'all. I'm sorry. The dude that's in the middle right now, he's caught my attention from when he started coming back and predominantly in the video. Okay. When you watch performances, as most of us already know, there's always that one person I'm looking for in the whole choreography that is, you know, that's really doing that thing. I remember a mentor of mine, Mr. Stafford Berry, there was a time where I was going through some training and he was just telling us. He said, like, in choreography, there is a bit of competition because that brings up the elevation of the choreography. He's like, okay, who can attract the most attention from the crowd? So it's like once, but at the same time, I'm all moving in unison. So how can you add your own flavor to the choreography and bring that out without, for one, without necessarily messing up the choreography? And then at the same time, it's like, okay, I see you. It's just one thing that I really like about, you know, doing performances and whatnot. At first, I wasn't, that was something that I wasn't into. But again, like just seeing the brother right there, he's got my attention. And I can tell he was going to be one of the ones that was going to snap when he started going in. Yeah, he started playing that work. He definitely did. All right, we're starting at one minute and 51 seconds. Yep. We'll have a touch of sound. Even how he's standing there, man. He's, yo, he's doing his thing, man. He going 100%. He is, bro. He got my attention, bro. Yeah. You can tell when artists love the choreo. I like that. I like that ground. Yeah, that ground was solid. Let's go. Yeah, this concept. Yo, who's a dude in the middle? Y'all can y'all tell me in the comments, kids. Let's go. Hey, I like that groove. That flow. That footwork is crazy. That flow nice. Let's go. Here they come. Set it up. Let's go. Yeah, you saw that set up from the back. Yeah. Let's go. I want him to go do something right here. That's going to be real snappy. Yeah. Let's go. I like how you dance. Yo, I'm sorry. I got to Sorry. I like how he, I'm sorry. Y'all like details as well. Like we like details. And so just how he even like danced down those steps. We gotta remember that those are on wheels. So let's keep that in mind. They're definitely in danger. Like they're in the same danger as like stunt double for movies. So we're gonna be, you know, dancing while stepping down, like walking and dancing down up and downstairs. Try doing that at your own peril. But just saying, just make sure there's some cushions at the bottom of the steps. But it's not an easy thing to do. Like I said, like to keep that energy and him stepping down the steps and then just dancing to the ambient on beat. Yes. Yeah. Yeah, he on gang. I seen what the fear of God outfit on too. Shout out to him. The fashion is dope. Oh yeah. He about to go off. You got to be able to go off. You don't waste this space and not go off. You have to. I will actually be sorry if this was terrible. Let's go. Oh my God. The whole delusion. Yep. Thank you. Thank you. What I say what I was waiting on, right? Was I tripping? No, I wasn't. Come on. Thank you. This is why I was waiting for it. This execution is. Let's go. Oh, all of it. All of it. All of it. All of it. Sheesh. Go off. Yep. Go off. Go off. Look at that. Let's go. Yep. Yeah. Come on. Yeah. Come on. Yep. Listen. Listen. Got a dubstep sound. You know they're going to go off. Why won't you? Sheesh. Now hold on. So notice the outfits. I know we want to talk about the dance, but notice the outfits. Yep. Okay. That plays a big part in it. All white backdrop, right? Okay. You've got a black light tables, cabinets, wherever they are. They're behind them, right? All the other artists in the back, the other dancers, other professional dancers in the back, they all got black on. But you notice that BTS got more color outfits on. So when they pop out and they do something like that on stage, you're going to be screaming. It's very. There's a duality when it comes to the dancing and the outfits that come along with it. There's a big duality and a parallel to that. Because what it does, for starters, it catches your eye and makes you pay attention to what's going on. And then when you have a deeper understanding of it, it'll just make sense to you, regardless of whether you're understanding clearly what's going on or you're just simply going to feel what they're doing. So essentially what Don is saying. So, wow. Yeah. Hashtag speechless. Oh my God. Amazing. Amazing. Come on. Wow. Come on. Oh, I'm hurting. Come on with the musicality. Sheesh. Nicki Minaj could have did that part. Let's go. Oh my God. Yeah, come on. I tell you, when they get to the end, they're going to get the snap in. Look at this. Golly. Come on. Let's go BTS. I'm going to be surprised. They started getting off right now. Come on. Let's go. Go back. Yeah. Go back. Yeah. They changed it from the, yeah. They got deeper into, they got deeper into the motion. Yep. Yep. There you go. See. Variations. Yes. Yes. Yes. I like the whole setup. Man. These cats is talking. Yeah. They are 18. Oh, damn. This is death. They've been practicing for hours for this. This had to be like a 16, 18 hour day. Oh, yeah. Because anybody got time to fall in off them chairs. Yeah. I know they switched over like three clothes. Yes. Excellent. Excellent. Excellent. That was great. That was really great. For real. That was great. That was great. And the main thing for me is that the more that we've been doing reaction videos, like I don't come with the same energy only because of the fact that it's like now you get a, you know, what we could say a veteran's eye. You know what I'm saying? So now I'm expecting at a certain time for the choreography or when we watch music videos for it to get crazy. Because one thing I respect about K-pop bands, the artists, all their music, when music video and dance practice all have a build up. It's like an intro to outro. I mean, yes, it can be abstract, but it has a certain order. So for me, I'm always going to keep saying to y'all, Hey, I'm waiting for that middle to come in. Because sometimes the first 30 seconds of the video will be crazy. But they get the snapping when they get to that middle and they get to the climax. It gets dangerous. And y'all know what I'm talking about. Yeah. You know, essentially you got to pay attention to, you know, however they, however they start again, it could be low tempo, high tempo, mid tempo, but really it's just kind of like the introduction. It's kind of like the, Hey, we're here. Pay attention. And as a, and it's literally levels as a stack, it's levels to it. And sometimes they'll flow from one level to another. And sometimes they'll technically like have it in a set and then jump to another level that has a different kind of tempo. So aside, no, I don't see why these guys haven't come to like World of Dance or something like that. Because I feel like they pulled up probably probably surprised that they low key pulled up. I like to be honest with you, I don't see too many people, if anybody at all like messing with them. Yeah. The K-pop, the whole K-pop movement is dangerous. Like I don't care if you don't like their music, but when their music videos and choreography touch the stage, they get it in. They get it in. You got to get credit where it's due. We wasn't asking if you like it. You just got to get credit where it's due. Because this is more because again, with dancing, there's always, there's theater that's to it. And these people doing more than just moving. They're telling the whole story. Yeah, it's easy just move. That's very easy. I see a lot of people that dance that are technically sound with movements. Yeah. But what are you saying? Yeah. So you can even like, for example, you know, again, just technically move to a beat, just a lot of people can do that. Anybody can do that. But doing a basic move to any style. How are you going to do that basic and what are you saying with that basic movement is what makes it different. And so then there's the more advanced level of just being able to tell a story and just how they tell their stories. Man. Yeah. Yes, it's going to always be something, man. So I definitely enjoyed this one. Like I said before, we got more on the way. We got more on the way. And I hope y'all like the little look like I told y'all last video. I want to keep playing with the look. We're trying to find it out. I got to do some more decorating in my home. So be patient with me. That costs money to get all that stuff. So, but listen, y'all, we appreciate y'all so much. We're trying to make sure we get all these videos out. Also, we got a question for y'all. So I have a lot of dance projects that I have filmed and I'm trying to stop. I want to put on this page or I want to put on my blog channel. So let me know if y'all want to put that playlist on here or you want to put on my other page. But other than that, y'all, we appreciate y'all so much. Thank you again. Thank you again on this journey. We will see y'all soon more on the way with a new decoration. Think of it like a canvas, like, you know, takes time to like paint stuff in. So yeah, it's like that. So more and more. And y'all know I'm about to get more hair products, the DC Marvel stuff on the walls. So, you know, we'll see. But other than that, we see y'all soon. Peace.