 Hey, all right, so checking this out It's a ton better. It's really really cool. The timing is working a lot better Like that little swing out there, and then you see this stops whoops and such herring over there That's super cool looks with there getting ready And it throws it so that's really neat. I think it's it's overall working a lot better It's definitely as you say so linear so some you know bumpy things as he got as the guy comes down My comments will be When he comes down here, I will keep that head up here. So he kind of looks where he's going It's kind of an odd thing for him to crawl down and kind of look down so much And then jump, you know, you could argue he would look down around here You know, he's looking everywhere including straight down Right and then as he continues on once he stops to me since he's jumping around here He will kind of lift his head and telegraphed to the audience. Well, that's kind of where I'm going He does this That's neat as you continue on you can start breaking it up where You know, you got to pose here and then everything starts moving So at this point, I would leave it here and then the head would start moving first So it would lead that whole action and then the body continues, you know The arm maybe and then the rest of the body same thing here you continue on Um, you know offset things the head would turn first It's at this point. That's neat. I like that. That's cool I love all this here. That's great. I love that pose especially with the hand here like that. It's neat Closing to this so then Molly last two comments would be once he gets off, right? So he is Running running hiding sees the thing and then the next pose is this and that's kind of a Um Sunday stroll he's kind of bored kind of it's not really reflecting Uh, I saw the prey. I'm ready. I'm ready to hunt this thing. Let's do this, you know, there's no It just was too casual just goes down and then It starts running here. So just you can go from here to you know, there could be a Instead of a step here, you could go and on that the foot would be already here and hit this back leg We'll be back here. I keep you already taking a step With you know, he might bring up this the spear a bit. He might already grab it. So it's a bit more energetic And having a pose to kind of reflect that that attitude a bit more And then the only last thing will be this. I think everything's great And that's the only part that feels rushed mainly because He gets to this point and and picks up the thing the spear But your anticipation is only like up to here like that thing Starts from below Goes up and then it's an immediate throw versus Bringing that arm all the way back here right He will go all you know, let's make crappy drawing But I'm seeing that this arm instead of being just like this will go all the way back For a bigger anticipation and then into that And it feels like the root I know it's still linear But let's watch out as you continue on it kind of shoots forward and then stops and it's it's it's quite the abrupt stop And I think you'd be okay with on this pose Uh, or that time of the throw That his leg could be here You know, and then you got you got that whole throw here, but he's totally off balance So that Then you take that step here the way you have it here. So it's a bit more obvious that he has to take that step on that throw Really through him off of balance That's it. I would say those are the big things that were tweaked And then go into spline and let's let's you know fine tune all the timing stuff and you're good to go. Let's work All right, there's an email you can sign up you can start whenever you want You can submit whatever you want you get 16 submissions either way a like and subscribe would be awesome. All right. Thank you