 Hello everyone. My name is Raphael Bastille and I'm a French graphic designer and graphic designer and artist and I used to work in my professional and personal projects with open source software and LibreFont. I will talk about a question we could have heard during the past talks how to find a font today. So I have some difficulties to find a font and it is something really important for graphic design workflow to find something precisely and quickly. For example, I used to have difficulties to find fonts by listens because I don't want to use commercial fonts and typefaces and I would like to be able also to find fonts similar to another font, maybe commercial or similar to another LibreFont and then I would like as a amateur type designer to put tags on my fonts and to edit fonts and add tags to find it easily. It can be about a time period or a feeling or I don't know tags extend the way we can search them but there is also of course classification already existing but they are not in my point of view they are not valid anymore for the for the contemporary use I mean the web use or font and the open source distribution. How to find a font equals for me to in the first step to how to identify your font. It leads to this question of course and also where to find a font. We can choose to host a lot of fonts in a personal hard drive but it's not my workflow and I think some most of designers don't want to have thousands of fonts in their laptop or computer. So I think the answer is on the internet. This is the biggest way to find a font today and this is the best way to find license specific fonts. So the problem is how can we identify fonts and typefaces on the internet. One part of a solution can be a repository architecture I called UNIFID typefaces design which include font files source documentation and in details we can have the sources of the font in several formats. I mean I think about UNIFID font object which is a universal font source format. We can find also documentation and design guide about the font. If I want to fork it I want to know what was the initial idea of the initial designer. So maybe a take stay could be the design guide. Binary and web fonts, specimen images and in use images I think it's really important to see what kind of work designers have already done with this font. Maybe a summary just a summary it can be cool. And metadata file where we could find contributors tags as I said related fonts and tools because we all know that in an open source context tools are really important to communicate because it can be physical tools software and processes and I found really useful to see oh this typefaces is really cool what was the tool used for. So who can profit from UNIFID type design first type designers because it's easily to have boilerplate to start a project then specimen books as we saw. Font users of course because it's easier to find and web services like open font library the league of movable type, google web font type and other font services even commercial why not. So this is my github repository there is discussions about this question on the issues. This is my email address and my Twitter account. So I need you if you are interested to help to the discussion and to point the issues because it's like designing something really important like a standard so we don't have to make mistakes and I'm not at all a standard designer. So and yeah thank you very much for your attention. Thank you we have five minutes left for questions. It's not really a question but thank you for this presentation. I think it did indeed it's very important to question the categories and sorry to question the categories and the way of using fonts and especially on this idea of metadata and information on the history of the fonts, its references etc which I think was a bit missing in your font catalogue if I can just address a small critic on that and also more information on the licenses because for instance in manuals catalogue I think this is also a missing point I mean there are the name of the licenses but not specifically what they mean. So yeah. Yeah I think you I agree there is a huge work to do to teach designers to to read and understand licenses for font use. Do we have any other? Nope. Thanks very much. The next speaker please is Werdener I think. Werdener please.