 There were two main reasons that I wanted to study at QCA. Firstly, key people here that understood and related to my work and that I understood and related to their work, so that there was a very nice sort of exchange there and the quality of their print studio. I was really treating it just as a wall and then this language, written language, was coming out. Then I thought, oh well that's, I'd like the idea of the airport and multiple languages because what I like about airports is the vast array of people, the languages you hear, different shapes of people, it's everything, it's great, it's such a melting pot of stuff. It just sort of evolved because I was interested in the scale of it and I'd been interested in simple print forms that were taken on sculptural size elements. So all of a sudden these things sort of came together quickly and they went, oh well this would be fantastic because I could have these quite abstracted shapes which are made from negative areas of letter forms that could then be put together to form an abstract sort of written language and the wall was presented as this vast industrial scale wall so it was like creating giant sized graffiti for the wall.