 All right, let's watch us in full here. There is no sound That's cute Yeah, it's really good I like it I Think my main impression is I love that we have Little entrance and immediately there you might argue that Coming in like this it feels like the island is right there, but then he's like, huh surprised or is that a surprised Someone's coming and I need to hide to me. It feels more like oh That's where the food is, but then he comes in it's or she whatever Immediately looking at it. So this is kids, you know, this thinking out loud It's me being you know, maybe not the smartest and reading all of this But I think it could be interesting for the creature to come in but Either more just the head and an arm or the head here with an arm around here Where it's more like I'm looking over there with a broader head turn going to this going ah That's where it is then goes over there Then the thing is then the creature has another, huh? Where like what is that reaction to that feels like it's looking over this way? Goes over there. Definitely a closer look Checking one more time anybody there But then here checking again, and I think that's my main impression. There's a lot of checking There's a huh, huh over there, huh again over there check again And then over there check again That's probably the main impression that I have Apart from the awesomeness of using space and especially contrast of starting here and ending there. I like all of that so I think my My main impression or my main comments would be Subjectively to get him into like I want to get in here like and then looks around and Now he he saw it or it's it saw the creature saw the food Then it becomes more about well, I gotta Make sure that no one sees me and then you can add some more contrast because now it's a jump it's a jump And then it's low, but the thing is I have a probably this is just a destructive note, but just thinking out loud goes in there I think I would do a quick jump and then hide Completely then just have an eye come out go back and we don't quite know what's going to happen And then do like a swimmy because we see the body more than here. There's more to show off. We can do a fun little wavy creaturey Because at this point The creature doesn't know if anybody's over there. That's why I would go quick hide And now the creature looked and checked. Okay. Well, there's no one here and this could be a almost breaking the creature movement of walking Tiptoeing licking fingers. I'm not getting ready type of thing. Of course this thing about going Low here. I'm biased because hold on Because I did the clip a long time ago where a character, you know sneaks turn the sound off here jazz music be copyrighted sneaks in And then looks and then as a surprise Is relo and the big reveal is is in the shadow with the the the feet Doing that. This is why You're like, oh, let me find the replicates, but I think it'll be fun surprise You would see more in terms of showing off the creature whereas here you don't see Much right there And then at the end I'm just not sure What is looking at because it's all the same Unless he's looking at him. What's the best part? So I think this could be I mean, he could pick one up. Not sure picking the one up. Not sure. Oh, this one. This one must be the one Or it could be something where It's no looking around because if we've done all the looking here And this is just pure acting of I can't wait to try this. This must be awesome And maybe it's more like the way the creature picks it up and And maybe you're going to full detail a full profile open up the mouth And I don't know if the creature has a It's a big tongue you know, maybe it's like Instead of one like this, it's more I need to taste this and what's the weirdest way this creature could taste it Could it be You know profile the tongue comes on it's just kind of licking the outside or the big nostrils big up and And it sniffs the thing it puts almost half of it into its nose to that's not too bad. And then the tongue a little Okay, then then it eats And then realize oh, okay This is really good And then in there it was also when you do the whole thing kind of more profiling Then when you get into this it's more like profile to three quarter where you have a big turn It makes that even bigger And that is awesome. I love all of that And I'm going to assume this was sim Because that would be a massive pain To animate. It's also a bit soft. They feel like cotton balls I will probably give that a bit more weight and speed But then it's it also has a slight feel of This creature just goes in and just moves everything around and at the end didn't really eat too much where it's almost like And that's the only you know, I would lessen it's very subjective I would lessen the amount of them so that at the end it's not so much. You only have a few And then you can have during this here. You could see all the men there and he's still eating Crumbs falling out and he just ends up eating a lot This just feels like I just pushed everything away And I didn't really eat that much at the end that could be something And that's all of that Again subjective, but Since the creature like this so much, right? Ah Another thing could be is that Less of them right eats turns around And I like that you got to turn around all of this What if at the end I'm it's a such a destructive note, but for contrast You can see how this thing twirls around and then you end up with the creature actually Leg up like this Oh like oh I ate everything but still turning You know and it's back turning around the feet are up and turns around and at the end lays, you know, whatever Mouth this way or this way could be this way. Whatever it is, right? Oh Oh, this was great arm hanging Fee out. Oh, this was great So you go from contrast of Straight, you know tension. I got I got to do all of those things so much energy You got to be very careful in this excitement in that the end. It's uh, it's just Floppy and flat so you go from contrast in terms of the line and all that good stuff Anyway, very subjective and I know that's that's very destructive but um Yeah, I don't know. Uh, you pay me to tell you things as always you can just take whatever you, um Want to take out of this and actually I'm just seeing at the end here Who did the effects at the end using my um, mash. Okay. Okay. I didn't quite Finish an email there I guess, huh? Um, but yeah That's it a lot of subjective and uh and destructive notes there, but it's super fun to watch. I I really like it I like the idea of the sets the creature What it's doing All of that is really good stuff. I love it. Also when you go Oh Could also curl the tail up for like oh and you could almost maybe that could be too cliche Almost go dog-like and starts to wag its tail Coopy but I think it could be fun to treat this also as a bit of an emotional extension of Everything just goes up. Also, I don't know if you have I've never animated this guy if you have controls over these so it's a bit more like a Lizardy thing that goes back so that when the excitement happens Then you straighten this like everything in his body goes This is fantastic. And then you can go back and keep it down and all that stuff Anyway, that's it. I would say that's it, but that's it All right, there's an email you can sign up you can start whenever you want you can submit whatever you want You get 16 submissions either way the like and subscribe would be awesome. All right. Thank you