 Talking about rights. Could we mention all those rights? I think there was an interesting part in the survey as well, right? Because in some countries you just sign an NDA, you're not allowed to do anything, and in some other countries you actually own your work, right? And you get some extra money later on. Could you perhaps tell us a bit more about this? Yes, so in some countries this authorship contract is signed, and it means that you own the translation. Whereas in most cases, I think especially if you work for streamers, for instance, you are not the owner of your translation. When we used to work for the Croatian public broadcaster, we would sign, that was a bit of a silly situation, we would sign the authorship contract post-Festum, when we would already have delivered all the translations. And this was actually now looking back, this was just a way of them finding a legal way to pay us. There was nothing, and this contract also said one of the lines was you are not the owner of the translation. But you bear all the responsibility, of course, which is also something that is not fair, I think. I think that there could be a way of paying translators more, especially now in the age of streaming, for instance, we have been talking about these nano payments, like this streaming, when you stream music, a model when people who are authors of a certain song get a very small percentage. So maybe we should explain this, because when you own the rights for your translation, what happens very often that I don't know at the end of the year or at some sort of period, you get extra money. So you were paid fast per minute, right, to translate something and then because the work is streamed or I don't know shown in cinemas or whatever, you get some royalties, right? Yes, yes, as in, in some other, I don't know, screenwriters, for instance, who are currently on strike in the United States. But anyway, so there are ways, I think of making sure that happens that these rights are protected better, but not a lot of initiative has been taken by stakeholders, and they change because of the very active work of associations. Well, for instance, creation association managed to achieve the so audio visual translators are now recognized by the Ministry of Culture as artists. And you can also, if you fulfill certain conditions of years of experience quality work etc, you can answer, you can become a member of something that it could be best described as the artists association, become recognized as an artist by the state, and then the state will cover your pension contributions, for instance, you don't have to do it, which are quite steep if you have to do it yourself. So at least, you know, some movement has taken place in some countries towards at least recognizing the work and also monetary recognition. The negotiations well done on this actually. Thank you I just started the work so other colleagues could continue that work I remember negotiations at the Ministry of Culture which were not very forthcoming in the beginning but then you know after a couple of discussions they sort of realize that something needed to be done, they have taken now the fight so the association for better working conditions even further. You can now become a member of the association of journalists who are who have certain subgroups in the association and one of them is now devoted to audio visual translation which I think is brilliant because if politicians are afraid of anybody, it's the journalists so it's a good association to be in.