 All right, we got a teaser here. Let me see. This is 40 seconds, but let's just play the whole thing in full There's some sound Can I get the chicken kale salad no bacon and no crouton and let me guess dressing on the side actually no dressing Is that all a triple chocolate? Cupcake I was only gonna have one bite one bite only one bite you always say this and then you pig out Excuse me your lunch. All right Hold on that speaks to me Now in terms of kind of shot selection and Less animation was I've seen these kind of cool to see it. I've never seen it like that before I'm so used to these kind of renders Watch out for this shot. This is really short. I'm not sure It's a bit jarring because there are a lot of longer shots, right longer longer ish long and then suddenly it's kind of wow And then back into this. That's kind of long long This is Not too long. I think this works I just wonder if there's something where I Don't know if you want to edit and bring the The cupcake line in sooner do some creative editing there and cut this and Then finish maybe cupcake in this. Let me see She talks right away. I don't miss do some it's almost like extending This shot a little bit. I'm just worried that there's just a lot going on But we have it's very short and then you have movement down movement this way movement this way There's a lot going on and it's hard to Grasp quickly what's going on? So that would be my my first note and even for a teaser. I wonder if we can even cut her out Keep it clean. Just for these are the characters This is fine. This is fine Fine enough. I never noticed how I know she has like a slight smile, but it's almost I don't know if you want to either change it to she's annoyed that you know She had to wait for blah blah blah or empathetic of oh no, what happened to her, but this is like almost like I don't have a reading a smile into it, but That could be something Watch out. It's still a bit harsh that move up. How we just lock into this I like the visual transition, but I would still Love for this to continue to go up and then down And then I know this cuts the blue button in the short Okay, I think it would still work as it actually continues that downwards motion there That's fine. I think we are we're holding a bit long on this I'm not sure if you're gonna add to any music and maybe that's why We're holding on this. I think this could be shortened just a bit To get to that a bit sooner and then audio wise. I'll make this a bit louder come here That'll boot That's a bit weird. I will cut that out And then the we at the end as well, and I wonder if we can Push this Please where we can watch out that it we're not too Bring them sound here that the shape is not too broken there that it's more Like you want to get it that I am but rolled in lips Pl and then play really see Don't what feels like We're missing the tongue for the place Right Watches again, and then you could even push the corners in a bit more. So it's good. Please please And watch out. I like that. There's some good You can probably push a little bit more. I feel I see some fine fine fine movement But please and a little bit more. She's really holding it imagine. She's kind of straining her head a little bit So it's not she feels a point a bit just a bit lock and especially watch out when you have A move like this is a bit of a translate in there You can see this where I see stuff going on in here But the orientation and angle of that head doesn't really change making this very World space or head aligned or Ikea and whatever that the rig is Is set to at that point so watch out for that And just for that shot, I will bring that hand down So we don't have that connection point there almost the tangent almost But clean that up a bit there and then you can see how much movement there is I like that the fingers are sliding down the glass But if you have that much forearm movements going down Then I would have more in the hands coming down with it with a slight change in the fingers And even on that slide you could have a little bit of the fingers coming inwards And the other hand it's a bit hidden here. We don't quite see it. It's okay In terms of what the wrist is doing compared to the upper arm But then I would still have a little bit of a change in the fingers That's for that one for this That's why I don't like that That's okay, so again, it's interesting seeing it render like that. I think you can have slight broader Chest and head accents Especially can I have the chicken kale that they say a little that you have to accentuate every single line word there, right? It just feels a bit Simplified in the one axis up And the one axis down. It's almost like she can start like this down And then can I she can go up with a slight rotation to the side So then when she says that she can come back in with a little bit of ny as well So side roll with a little bit of accents there And then the no bacon you could have almost a little bit of a tilt there not huge I'm not saying the head goes from this to this but just a bit strong. She feels just a bit locked in this axis And then the shoulders at to me. It's almost like she It's like this a little bit Can I have a little bit of this? It's almost like she tenses up a bit to me I will bring up the shoulders a tiny bit and then no croutons and you have it there So imagine we're going a bit higher. So now she set that whole order and now she can exhale And then Actually again, she's she's fairly stiff there But she's really looking forward to that cupcake. So actually, I think that's where I will bring in the the biggest Tilt in the head with a little bit of twist in the bar just a bit Like this is a whole different thing of I'm going to order this That seems healthy and I want actually something else Well, it's a no dressing part. It's not the cupcake yet, but actually So grumpy Is that all I don't know if you can or if you want to put in that detail, but once that Plate is down like a less light slide of this with a little bit of movement in here See here, I love this here. That's what I was almost thinking about before but That type of change a little bit more Just something like that in here would be great. That's great. I love all this. Like I said, don't it's a bit short I still love this how you go down with that tilt Just watch out the only thing that I felt like once she's here Like that's a a much lower eye line compared to Here where I buy it here So just keep that eye line up there and then they both follow that's okay This one I don't think I mentioned that before Like is she looking at this guy? And then at him, I guess so, huh? Technically she would have to turn around a bit more. I don't know if you want to Tweet that a little bit. I think it's okay. I guess I guess you could be more because you have a little bit of eye What if you go full profile? It's a bit cleaner that she looks there, but the only thing I would say is it's quite the Big head turning here where I would start involving the chest a bit more So it doesn't feel so separated here And then what I said about that bump at the end there. Yeah That is kind of that. All right. Thanks All right, there's an email you can sign up you can start whenever you want you can submit whatever you want You get 16 submissions either way a like and subscribe would be awesome. All right. Thank you