 Alrighty, new shot here, let's check this out. It's very cool. It's cool to see that rigged action. So it's very appealing. I think looking at this, my main impression, it's that it's a bummer that everything is contained within this box in a way, in terms of most of it until the end. Meaning that it would be needs to have this where she comes in here. So that we land, let me think out loud here. So it's basically a wider arc so that we have less of a perspective for shortening type of thing where we can kind of play a bit more with squash and stretch and the lines and just contrast in the posing. So it feels like she's just jumping up, looking this way where it's almost like a sideways jump into that. I'm not saying it's wrong. And you have a nice compression. I think you can probably, it feels a bit like you can hold this just a couple more frames of it longer there. It's not too bad. There's something slightly off right through there in terms of the holds. And then that moves down. It might just be how you go back with the roof and then back forward again. There's something where it just feels, it's a bit even, one, two, three. Yeah, it's not even like that. I don't know, there's something where you can just give it that extra sauce. To me, it feels like if we would push that a bit more, going this way, we can really play with the long shapes, maybe a stronger squash, hold a couple more frames. So it doesn't just go straight down, but we have a bit more into this for reach. Was then that way, was you can easily take this line and just bring it out a bit. We can extend this set a bit so that she would land. You know, you can still go from here to here, then from here to here and still have those pieces there. So that when she runs, we really have more left to right. So let me just double check. So she would exit further away from us so that it's less towards us. Because here, we're just, we're not seeing a lot in terms of what the line of action is and any type of reversal or anything. It even poses like this, it just gets a bit too stacked. Where I feel like if we were just a bit more three quarter we could play and see a bit more in terms of what the body is doing. It just feels very contained versus giving this a bit more contrast to go foo, foo, foo, that type of stuff. If that makes sense. Even the second jump here feels like we're having a little bit of hang time and then it gets immediately sucked down. And I feel that one needs, that one feels more like a pull down. The first one is not too bad. I do like the contrast in timing. I would still just hang one or two more frames here and have potentially even like one frame taken out and this frame taken out into that. I know these are minimal things. But the main thing is that just the silhouette just gets all muddied because of the tail overlaps, we're losing the arm silhouette. Here the connection, if this was already a bit more three quarter we could play a bit more with some more visible stuff. But I like the set. I like what you have, like the complexities of one, two, that they're different jumps and with that little bit of a hop and go and with a bit of a look back to see just in case. The only thing I would say is that this could work just because we are so stacked here. But if you do the thing of more of this then I would actually have her look this way because if she comes from here the danger would be in this area. So it would make more sense for her to look this way. But then we might lose her face because if she's already three quarter and looks over this way then I can see what the problem could be. As in like returning the face and we can't see the eyes. This gives us more of an opening. Even in three quarter we would see more of her face. I mean, if I'm gonna change everything in the shot what you could do is jump. So from here jump, land, but then compress and then go back against the wall looking up a bit. Some other creature jumps past. Then you have the, and let's go. And then that way that look over here makes sense for the creature now. You know, the one that's hunting her jumped over there and missed the fact that she is hiding here. I know this changes the shot completely but just as an idea throwing it out there just in case. And that's that for that one. All right, there's an email. You can sign up, you can start whenever you want. You can submit whatever you want. You get 16 submissions. Either way, a like and subscribe would be awesome. All right, thank you.