 And they've wildly mistreated Monique. I hate it, I hate how they've treated her. She's so talented. And because she tells the truth, they scared, they hate it. What do they hate? Voices, black people. Yeah, just shut your mouth. What'd they tell LeBron? Shut up and shoot. Shoot. Play, shoot. Shut up and dribble. Shut up and dribble. Don't boss talk one on one. One on one. Yeah, we gonna talk. Hold on, hold on. I know y'all were talking about it. Cat Williams with, We going back to that? But no, did you get to see Monique? Yeah, we just talked about it. I was about to bring that back up though, because Monique said something about, what's that, Monique, the one that she did, what's the her job? Parkers. What do you want mama to join? Well, I want to join that one. That's a fraternity, they're only interested in men. Good, so am I. Parkers, she said, and I thought it was good, she said she made $55,000 right there in episode. And she was mad about it. Is that good, so I'm asking you, is that bad? That was bad, because schedule, well at that time, I schedule left. Schedule left when I was doing scandal. And I got arrested? You came and sat with me in a holding cell for hours. I owe you. I think I was making $75,000 a week. But that's a way after, Parkers. But $75,000 a week is scheduled left, that's the lowest they can pay you as a lead. Oh, we didn't know. As a lead, that's the lowest you can get paid for the first three seasons. I'm not sure how many seasons the Parkers had. They did a lot, they did a lot. After the third season, you can renegotiate based on the success of the show. That's where people go from $75,000 a week to $750,000 a week. You gotta help me a little bit, bro. So whatever happened after the third season, I mean, if they kept her at that number, that's ridiculous. But you gotta help me on this because I know people, when you sign these contracts, when you deal with these deals, is it something you can't negotiate? Not negotiable where $75,000 when you renegotiate. It's just like the NBA. First three, you signed them for three seasons. Correct. Boom, on your rookie contract. When the third season is, that was another thing that was happening too. When on the scandal, my third season, that next fourth season, I was about to be on some friends' cash, like friends looking like Matthew Perry out here. You know what I'm saying? I was about to be looking like Charlie Sheen out here. Okay. Or minus the tire's blood. So I was about to be making some heavy money. Right. And I think that scared some people, but nonetheless, whatever, that was wrong. And they've wildly mistreated Monique. I hate it. I hate how they treated her. She's so talented. And because she tells the truth, they scared, they hated it. What do they hate? Voiced just black people. Yeah, just shut your mouth. What'd they tell LeBron? Shut up and shoot. Shoot. Shut up and dribble. Shut up and dribble. Excuse me? So, you know what I mean? I think now it's the cat said this right, 2024 is a year of the truth. Well, tell the truth. I mean, you know, I'm not scared of nothing. You can't kill me twice. And you know, it allows, I was in this model my whole life though, like every so often reinvent yourself. State to your core values, the truths of who you are, integrity, morality, you know, loyalty, dignity, class, discipline. But then reinvent yourself. That's real. You know, reinvent yourself. You don't have to be stuck in one thing your whole life. And educate yourself. And stay educated. Have to, could be a consummate student. Kobe taught me that. You know, we're never too old to study. We have to be learning every day. In this generation, do you see more and more people talking about, talking out, could even with Taraji. Taraji spoke out about it as well. Yeah, because they're feeling safer. But there, some people, there's two sides of this. There's people just clout chasing. All right? I just want to say something just to, you know, Cassidy got that 30 million out of me. Now, everybody telling on story. Girl, that happened in 1972. You just now, you talking about what? Big daddy came, they do, you know, and it now drives through in Los Angeles 1978. You know what I'm saying? Like, okay, like we, we, come on, man. But you know what I'm saying? But there's no statute on certain things. But I mean, you know, there's, you got in a fight with Method Man in a hotel room, you know, back in 1991. I mean, come on. But the stuff that is relevant is you got to, we don't know what kind of recovery that happened. You know, mental PTSD and scars and damages that by speaking about it, by being able to come out and say, this happened to me and now it's not having this thing that's, you know, preferably this dark cloud that's over your life affecting your interpersonal relationships with your spouse or interpersonal relationships with a significant other. Are your kids, are your family members because of some damages that's been happening to you? You know, sometimes the only freedom is to speak. Wow. But bullying come apart too, because then yes, you, you have that freedom now with your family, but then if you're a person that look on social media and read these comments and stuff like that, then. That's where you got to be thick skinned. And you're going to come out here and be prepared to get some clap backs, some fire, some shots back you better have on a Teflon vest. Right? So, you know, that's why I don't read, sometimes I read the comments, sometimes I don't want one. Yeah, cause you respond. Yo, I come, I clap, I clap back. I'm like, Katie, clap back. I clap back. He giving something, mommy. He giving it, he giving it. You know, if I'm feeling froggy, I might leap out there, you know what I'm saying? But, you know, like Katie, a clap back, but somebody told me a long time ago when, you know, dead, like a movie review was coming out or when, you know, movies were coming out and I'd be so nervous, opening weekend, like, what's this movie going to do? And like, what the reviews are, what's Ebert going to see? You say, you know what I mean? What's the back when Siskel was a little, I was like, what's Siskel and Ebert going to say? And they say, if you're going to read the positive ones, you got to read the bad ones too. Or not, don't read them at all. So people got comments, you know, with comments people, I advise everybody, whether you're famous, whether you're not, be easy on the comments. And people be easy on people that are in the public eye, that post, be easy on what you say in the comments because a lot of people out here wouldn't be able to stand out here for two seconds without being broke down to their first molecule. No, that's so true, man. You, like I said, when I think about you, man, the way you snap in the character, man, you are, not only are you blessed, but you're so talented, bro. Thank you, man. I appreciate that. I see you on 2B, to be honest with you, it pushes that platform up because your acting ability is so real, bro. And I don't care, that's a great point. Bro, you a beast, man. That's a good point. I told, you know, whether I'm on 2B, whether I'm on... No matter where you at. I have to do, once they say action, I have to do my job. You a beast, bro? I have to do my job. I'm telling you. Yeah, man, I just... If it wasn't, I'd be real with you. You really bring it. Like, you made, you, man, you so... Is he underrated? Yeah. Yes. Well, whether underrated, at least maybe I'm rated, could be rated, I'm gonna continue to do good work. You killed it. And, you know, that's the blessing of it all. You know, growing up in this business, I am a master of my craft in filmmaking, television. And so now, it's like, I'm making it. I'm not calling nobody, you know, waiting on, sitting in my house, waiting for somebody to call me with my phone or send me a script. I've been due diligence. My due diligence has been on point. I mean, I've been writing. I've been, I have a full slate of film, television, partnering with strategic, strategic partnering with financiers and big money backers that I'm making my own movies and putting other talent, putting other talented artists in position to be successful and giving them shots because, you know, damn the gatekeepers that they don't... We on boss talk one on one. One on one.