 I'm excited because you got to write, I would say relatively later, by 38 years old to get your first TV writing job. That was very exciting. How did that happen? Oh, it is. You wrote her breasts. It's a picture of Sarah Jessica Parker, and it says, written by Liz Tuchillo. I had a friend of mine, I started watching the show. I would have been on for already four seasons, and I loved it so much. I had a friend who knew Michael Patrick King, who was the showrunner and genius behind the whole thing. But at the time he was an artist working in the theater. Oh, that was a long way before that. Oh, he'd already become very successful. No, the show had already been on the air for four years, and extremely successful. He had a dishwasher and a disposal. Oh, he was on it. He was already a superstar. Anyway, I just asked my friend if I could meet with him, and she didn't really want to have me meet him. She's embarrassing to ask a friend. Will you meet my friend because she's really a fan? I was hoping to get a playwright at the time, and I was hoping that maybe if I met him he would like me enough that maybe for his next show that he would think of me, because I was hustling and trying to make it still in a big city. We met and we had this amazing connection, and it had been a time when all the women in the show were going to be single, and for the next season they all had sort of lost their men, and they were going to start out again in their late 30s single, and I was in my late 30s single, and I'm from New York. So it all sort of clicked in this magical way. But I would say 90% of the population of New York is women in their late 30s who are single. But I got the interview. That's the difference. So it wasn't a special, it wasn't Kismet. Yet that is true. I guess that is true. I'm not doubting your quality of writing.