 You're being in the media industry. You know, so when they release their song singles album, they always come, they always have their media tours running. Why is it always out of the soul get it right when it comes to pushing the music in the industry? But it seems because they did, they saw themselves as a global brand from the very beginning. They never saw themselves as a Kenyan brand. And you see, once you start to think globally outside of your borders, you start to position yourself and work towards a bigger goal. You understand? If you're limited, you say, ah, my name is Aniwa Nairobi. Then you're limited to Nairobi. That means after the person in Naivasha doesn't know you. You know what I mean? Because all you're focused on is Nairobi. So because they position themselves as a global brand, they delivered global standards, which I'm sure even you yourself, you appreciate. What do you want to remember South to solve four? The first time anyone saw the Nishike video and this country went awry when all the government officials and our ministers and Rabla said, no, no, no, this is nakedness. This is CGWATCH. And I was sitting there and I was like, boys, shut less is a crisis. Yet you came up on Bamburi Beach, Bombasa, Kedogo, Kedogo. One of my what you want, I'm a shutty. Come on now. Come on. Yes. That was, that was a highlight moment for me in the industry because they broke, they broke down a wall that had always been there. And it opened the door for so many others after that. Hi, guys. My name is Sando Bartonjo, talent manager, event organizer and industry plug. Industry plug. I know things, I know things, I know people, I know people. You run things. I run things. You can't be like this. Get keepers. Get keepers, I play. I open the gates because I don't like the get keeping story. I hate it. I think it makes it very sad for industry. It's very sad for industry. Yes. All right. Now to ask you this. Is it Kenyan artists have excuses? Is it that they are get keepers? A bit of both, but right now in the era we're living in now, in the time we're in now, it's a time for everything African about African artists. So we're thriving. Artists in the 254 have understood the assignment. Finally, when we ask who's here, can your machine work and be one of their competitors and so on, please kindly know. We're not going down that road right now. So now they've started listening, which is now earning them the results. People have started strategizing, brand placement, brand positioning. Our artists are winning. I mean, have you seen the color showcase? From Lisoudo to Lisenia Manasse to Karun, the ones who are coming up soon. Bro, we represented Kenya so well. So, so well. Yeah. Now we're here for the soul first. I believe this will be Saudi soul's last dance. Unfortunately. Well, that's what they've said. Okay, listen, me I'm praying. Deep, deep, deep, deep, deep. That one, you know the way, like, you know, backseat boys say, you know, we're done. And then like after five years, you know, they'll be called for like a specialty thing and they'll do it. I'm hoping that's what's gonna happen. But we know they're just taking our haters, but it's the most heartbreaking thing, knowing that this is the last time we're gonna see all four of them on stage performing the greatest songs they've given this country and this world. What is that great song from Saudi soul? For me? Oh my God. Mama Papa featuring Della. Obviously, Lazizi. What's a timeless one for me? Nini Brighter Days, the one they did with the South African choir. Yes. That's my favorite. But to be fair, I think, I don't think Saudi soul can do wrong in my eyes. Like there's no song of theirs that I won't listen to to the end. Do you know what I mean? And even when you go out and they start playing a Saudi soul song, it makes me want to beat the DJ when the song doesn't play the whole way. Cause each of them brings something spectacular to the track every single time. You're being in the media industry. You know, so when they release their song singles album, they always come, they always have their media tours running. Why is it always that the soul get it right when it comes to pushing the music in the industry? But it's just because they did, they saw themselves as a global brand from the very beginning. They never saw themselves as a Kenyan brand. And you see, once you start to think globally outside of your borders, you start to position yourself and work towards a bigger goal. You understand? If you're limited, if you say, ah, my name is Aniwa Nairobi, then you're limited to Nairobi. That means, after the person in Naivasha doesn't know you. You know what I mean? Cause all you're focused on is Nairobi. So because they position themselves as a global brand, they delivered global standards, which is all, which I'm sure, even you yourself, you appreciate. Yeah. What is one thing you remember South to Soul 4? The first time everyone saw the Nishike video. And this country went away. When all the government officials and our ministers and Rabla said, no, no, no, this is nakedness. This is Sijewat. And I was sitting there and I was like, boy's shirtless is a crisis. Yet you came up to Bamburi Beach, Mombasa, Kedogo, Kedogo. One of my water owners was like, come on now, come on, yes. That was a highlight moment for me in the industry because they broke, they broke down a wall that had always been there. And it opened the door for so many others after that. Yes. All right, a message to South to Soul. God, I can't believe you guys are choosing to like take this hiatus. But you guys have been, are literally living legends from the 254. And I don't think we deserved you. I don't think you even hit a corner of what you're capable of doing. I know individually what you guys are about to deliver for us and for the greater world is going to be absolutely spectacular. I love you guys. So much to the core of me, you guys are family, you guys are friends, you guys have been supporters, you guys are pioneers, you guys are literally living legends. All right, thank you so much, my dear. Shukran. Nice time. Let's enjoy the night. All right. Let's go, let's go, let's go, let's go, let's go, let's go.