 Alrighty, let's play the whole thing in full with sound here But you can't do this to me. I started this company You know how much I sacrifice Alright, this is very very cool. You also have questions in the email. So let me go one by one here Concerns the camera so you are Asking you do you think I should have a closer shot and have the camera follow him Or do you think maybe I should add other characters in there in the foreground? So that's a couple of things here So I would say I mean you might argue that this is the somewhat half We are a bit low and then we are a bit high almost a bit like either here nor there Where either you want to cut off the hair more or less. I feel like you can be If this is your top line here, I think you can be this low, right? I would tilt down and then as he gets up you can easily tilt up You might argue what are we missing here? We might be missing this So you can do a bit of a compromise you can you can globally translate away from it not overall, but just like not throughout the shop, but as a whole so That we can frame down a bit, but he's just overall maybe you know from here to here Kind of scaled down a bit visually, but you can still then have a little bit of a follow with the cameras We can tilt up a bit. You can always adjust, you know the paper and even if you just cut off here You know me and we still see the paper there. I think that's okay as long as it's not higher than this So there's room some breathing room for the glasses. I think that's okay. I do like your idea of Of people now that being said and this works also without it But looking at this it could be cool. Well, let me be all fancy here By fancy, I mean not fancy at all, but imagine this is somewhat of a shoulder and then you got whatever I'm not gonna go attempt to draw anything with my minimal skills here, right? But imagine and then you got another guy here or person or character No need to limit this to guys Okay People are watching me scribble like it idiot. All right with the thing that I like about this and Let's go back to let's go red. Let's go red This what I like about this idea is that you have the top frame You have these characters here and even have the table in a way. They're all encroaching if that's a word You know, it's kind of like this oppressing frame around the character making it more comfortable. It's just making it You know more oppressive and less happy for him in a way because you know, he freaks out everybody's against him You know how much I sacrifice and here it's all empty Which you know again, maybe there's just some more stuff with people over the shoulder That could add to that to the oppressive officer feeling in a way now that being said You would have to How far are we here? He is mainly in this half because you can easily have that paper here can land there so we are That's how far this goes Yeah, I mean if you globally move him so he sits Here at the beginning right and then you got your shadowy figure here and you got your shadowy figure here So it's still kind of an offset from the middle Composition so that when he gets up and see how far he travels this way You still have he would end up being here And it would still work and if he gets a bit too close and edgy here because we are Translating overall again, not throughout the shop, but just overall as a starting point overall backwards. So Something like this right move the camera back so that he's a bit smaller in frame We will have more room anyway so you can do a little bit of tilt up right and you can have shadowy figures in the foreground really something very dark and Blurred out just to give us that that feeling of you know corporate overlords Watching and over him and telling him what to do. I like that idea again. You don't have to do it But you're the one suggesting it and I would say yes, I'll like it. That's awesome Now the other thing that you have here also tried to have in gesturing pointing at the paper with his glasses at the beginning But I feel like it's too much. So I'm probably taking that out unless you think otherwise to be honest. I missed it But you can't do this to me then I watch it again with oh, yeah This almost felt like Was your intersecting it looks like it just felt like a dirty key where it has a bit of a linear bump or something where it Just felt like a not so clean arc But I also like the idea But you can't do this But then it would almost be I would try a version I mean obviously would work without it But I'm curious if you do something if he goes down and then it's not this slow bump into this But it's more Hmm, you can't do this with me and is tapping Quickly, you know the glasses like two or three times onto that section there So it kind of matches the you know the energy where it's a slow read the way The way the way tap-ta-ta-taps get a bit of a bit of a jolting energy, right? You can't do this to me. So it's almost like he's saying it slowly and he gets up slowly But he's slowly boiling already and it kind of comes out Through his glasses, but he's kind of containing it I started this company and then as he gets, you know more desperate, but imagine inside it's boiling It's boiling. It's boiling and he's shaking inside where then he's bursting But he could have a little bit of a moment of as you realize this way. What is going on? Ta ta ta ta ta wa wa wa wa wa wa wa wa and then Then you can get up, you know if that makes sense It's almost like you have a a Little bit of subtext that kind of trickles out of him kind of reveals itself It's almost like a micro expression, but through a a prop acting like a prop micro expression Prop acting. I don't know. Whatever you want to call this, but I don't know that could be kind of neat list then No, I think that's it. There's not a question, but that's for something else The different shots to me. So let me look at this Well, one other thing is since I'm listening to this with headphones on could you gets I will copy the room tone But you can't do this to me It's a bit tricky. She breathes a lot. I Started this company. Oh Right there company after company right there after this There's a little bit of for me you can barely see it. I bring it up right there from there and Here you're fading out the sound. It's not much But you have that room tone that humming and buzzing that I would some of you can mix and extend Till around here You need to fill in that gap because it's extremely picky and probably someone watches this over crappy headphones or TV or something You're probably what you won't even hear it. But you know, you got that Humming buzz tone whatever that's part of the audio file and he's talking and then clearly you fade out and it's complete silence And it comes back. I'm just picky about sounds stuff like that. It's cool to make that a bit more seamless You know how much I sacrificed What I like about this here you're hinting hinting Out of walk back and I wonder could we push this more the cool thing is I like this right measures and sitting Getting up and being more like what is going on and he has all of this It's a lot of movement a lot of post changes. Could we push this even more and go You know how much after he does this right that that move back have him take a step back a step and a half So it's almost like he can't believe this and he's walking away from them He wants distance between the oppressing people here and himself I think that would be kind of neat give it again some depth of the scene use that in the in the shot I think that could be really cool But you can't do this to me But you can't do this to me also in your next pass you might be But you can't do this to me You can't do this to me as this as the ends. I wonder if you can widen those eyes Big and bigger. It's like way way way way way you can't do this to me again That's why this whole white a minute also trickles through into his glasses and he taps that paper a couple times But reason being is that a we can see his eyes a bit more Also, because I feel like during this section here After all of this until here and I will put in a couple eye darts obviously not random stuff But to me it's like he read this Goes wait a minute and then his wheels are turning in here And he realizes wait a minute. What are they going to do? So he's processing stuff and that's why I would I would have a couple darts was like way way processing processing processing and then Then he realizes what's going on and it's his his expiration exasperation here. I Started this company. You know, it's a bit more focused was he realized. Okay. This is what's happening this company Yeah, and that's a different thought process because of I'm gonna flip out You know how much I sacrifice and that's it There's some things here like that even if you don't move it back the way You could you know, watch out you got some twinning arms there And you're gonna have to keep going in there to really match all the nuances in the audio especially at the end You know how much I sacrifice sacrifice like they did the energy and the yelling There's actually a clip here. Hold on This is part of an acting analysis. I'm gonna do in the future probably pretty soon as from the illusionist It's a long long clip and he flips out here. So Watch this guy You will not Says that but that type of if you look at what's going on obviously in the face you haven't done that yet, but just the As I say in the in the you'll see that in there in the acting analysis But I like how he's trapped inside this box Like he's still regal and noble and stuff and he can't completely flip out and flailing his arms around going ah But within that box. He is still going crazy, right that gestures Contained within this box, but it's all bananas if you look at all of this isn't real time Watch watch his face in the head Oh There's a little tiny tiny the the what's it called like the jitters, but you know the little tremble tremble in the in the face So good Just a little bit of them here How the heck was down so to me it would be something like that at the end The energy and the shaking and the high frequency stuff in his head just something to Think about as you continue on which I'm very much looking forward to so Yeah, that is kind of it. I'm gonna leave that up to you. You can let me know as always via email your thoughts Yeah, that's it, I mean I can't wait to see this whatever you're gonna do your great animator I will I'm sure everything you're doing is going to be awesome So let's let's talk this out so I can see what your thoughts are and looking forward to your next mission. Thank you All right, there's an email you can sign up you can start whenever you want you can submit whatever you want You get 16 submissions either way a like and subscribe would be awesome. All right. Thank you