 A little over a year ago, we shared the story surrounding a mysterious discovery that was once claimed to have been made deep within cave systems within Ecuador, which some believe were originally man-made. A discovery that, although now concealed from the world, was photographed, studied, and documented thanks to the array of artifacts which had been amassed by an individual known as Father Crespi, an entire seemingly alien metallic library complete with hundreds of sheets of gold, platinum, and other precious metals hammered out to reveal an astonishing unknown language clearly left by a people of tremendous capabilities. The caves in which this find is claimed to have been made is known as Cueva de los Teos, and although such discovery is denied by the Ecuadorian authorities, the Ecuadorian and interestingly United Kingdom's governments funded an extensive search of the cave systems soon after the claims became public. It attracted the attention of numerous individuals who traveled into the depths of these caves, including Neil Armstrong, the first man on the moon. What we wish to focus on this video, however, is the enormous seemingly man-made caverns which are found to be within the cave systems. We feel, if these cave systems are indeed one day admitted as having been artificially hewn from the bedrock, then this would undeniably reveal tremendous flaws in academia's claims as to the geology and indeed true history of the area. The cave system is so enormous it has yet to be fully explored by modern man, yet what has been explored has revealed highly compelling features which cooperate earlier claims of an artificial origin. The Morita portal, for example, named after Juan Morita, the individual who claims to have originally discovered the metallic library, is clearly of an artificial nature. The question is, why go to such lengths to construct this natural-looking cave system? Was it all created merely to hide this library? And if so, how important could the information held within be? And why did such a find attract the attention of the first man on the moon? Did the astronaut know something we are yet to discover? When Morita signed affidavit, dated 8th of July 1969, in which he confessed to a meeting with the Ecuadorian president, where he received complete control over his discovery, provided he could provide photographic evidence and an independent witness cooperating the discovery. When Morita met with Von Daniken in 1972, he took him to a secret entrance through which they entered a large artificial hall within the cave system. Apparently, Von Daniken never got to see the library itself. He wrote in his book, The Gold of the Gods, quote, The passages all form perfect right angles. Sometimes they are narrow, sometimes wide. The walls are smooth and often seem to be polished. The ceilings are flat and at times look as if they were covered with a kind of glaze. My doubts about the existence of the underground tunnels vanished as if by magic, and I felt tremendously happy. Morita said, passages like those extended for hundreds of miles under the soils of Ecuador and Peru, end quote. We feel the question now is, who went to these unimaginable efforts so far back within history? Why create such a place deep within the earth with such an intended illusion of natural origin if you did not seek to hide something? Many still believe that the truth is still hidden deep inside its unexplored caverns, a truth that will force us to completely rewrite the history of mankind. Are the legends true surrounding Cuevo de los Teos? Did it once indeed contain an ancient metallic library left to us by an ancient civilization? We find the evidence to suggest so. Highly compelling. Honduras, Central America. Within the deep and dark jungles of this region, large expanses have remained untouched by humans for thousands of years. Practically impenetrable, the native plants alone can grow up to 70 meters in size. Whatever it is that lay in this place, it has remained out of reach from countless astute adventurers who have ventured into these unknown forests in search of the legendary treasure which the trees have protected for millennia. The ancient city was first recorded by Hernón Cortes in 1526. Less than five years after vanquishing the Aztecs, he came to the colonial town of Trudillo, on the north coast of Honduras, to look for the mythical city of gold. Cortes' search for this Central American elder Arado marks the beginning of the known hunt for Sardad Blanca. In 1939, American researcher Theodore Maud claimed he found evidence of large ruins deep in the jungles. He also told of an ancient legend told to him by payer guides. A story of immense temples with large stone staircases leading to their entrances, and of a giant gold statue of a monkey god in the center of the city. The oral legends of the Pec-Indians, who inhabited the territory of Honduras 2,500 years before Christopher Columbus, corroborates this report. The heart of the temple was a huge level stone platformer which was the statue of the monkey god himself. The steps of this platform were said to have been flanked by a colossal image of a frog on one side and the crocodile on the other. All accounts agree that the city was stacked full of gold, whoever they were, they were clearly a very wealthy people. The white city was also said to have been the birthplace of the Aztec god Quetzalcoatl. According to the ancestors of the indigenous Pec people, whose exact genealogical origin is still a complete mystery, he built a white city of immense proportions. The city was a sacred place of great beauty and was stuffed to the brim with gold. Many have claimed to have found it in the past, yet they have all lack proof of their discovery, many began to believe it was just a myth. However, for a very long time, visitors to the jungle who have become lost, those lucky enough to escape its clutches, have reported stumbling across this large city lost deep within the dense jungle. And along the Platano River, many mysterious ancient petroglyphs have been discovered carved into the rocks by an as yet unknown ancient jungle civilization. These are now suspected to be marker stones leading to the city. These reports led a team of explorers into these deep forests in search of this amazing place. And they have actually managed to locate prehistoric foundations and ancient mounds, which are indeed linked to the fabled city of Arsadad Blanca. Using lidar technology, they were able to locate a complex of mounds, ancient ruins, canals, roads, and terraces all leading into an impenetrable section of jungle, all suddenly becoming visible from laser reflections off the tree canopies in the Moskvisha region of the Honduras rainforests. With plant life 70 meters in height, and with foliage many centuries old, the team has barely scratched the surface of this immense place. And have not yet been able to penetrate the forest sufficiently to enter the central city ruins. What amazing treasures could be laying in this place? Could it really be stacked full of ancient gold? All stories attributed to this mystical place have so far been confirmed as true, so there is no reason to doubt the other information, meaning that there is a very high possibility of a mountain of ancient gold, cast by an as yet unknown civilization resting in the central American jungle, just waiting to be found. An upart or out of place artifact comes in many shapes and sizes, some clearly being or containing an anomalous object, which no matter how desperately some attempt to discredit, the evidence is clear for all to see. This category of upart, unsurprisingly, often falls victim to theft. However, the other category actually litters the display cases of museums all over the world. These artifacts are being more easily explained away, and as such, they are often attached to a less impressive historical tale than that which was actually experienced. Stonehenge is probably the most iconic ancient site within Western Europe, an ancient site that for many years was to blame for many heated arguments between different individuals, all convinced of its past purpose. Now largely accepted to be a celestial calendar and a meeting place for many ancient people who came together at solstices to hold elaborate and purportedly promiscuous festivals. However, the true age of Stonehenge, or indeed how the stones were once balanced atop of one another, or the precise knowledge of celestial activities displayed, is still unknown. Although to those who study the many other seemingly impossible ancient feats found all over Earth, Stonehenge is clearly a relic of a far more ancient civilization than any which artifactual evidence have been found for. In 1808, William Cunnington, one of Britain's earliest professional archaeologists, discovered what has become known as the crown jewels of Stonehenge. They were found within a large Bronze Age burial mound, today known as Bush Barrow. Within the Barrow, Cunnington found ornate jewelry, including an intricately decorated dagger. Quote, the very finest goldwork involved in the making and positioning of literally tens of thousands of tiny, individually made components, each around a millimeter long and around a fifth of a millimeter wide, said David Dawson, director of the Wiltshire Museum in Devises, where the micro gold working achievements are on permanent display. The amazing process involved in creating the handle of just one dagger included up to 140,000 tiny gold studs, each just a third of a millimeter wide. The first stage involved manufacturing extremely fine gold wire, just a little thicker than a human hair. The end of the wire flattened to create a stud head, then cut with a very sharp razor, no more than a millimeter below the head. This delicate procedure was then repeated literally tens of thousands of times. An incredible ancient artifact, found near one of the most enigmatic ancient sites in the world. Yet, amazingly, academia continues to deny the existence of out-of-place artifacts. Instead, opting to explain the construction of such marvelous work, by claiming it was somehow the work of children, due to their more acute site, this regardless of the clearly controversial evidence at hand. Who created such astonishing microscopic jewelry? Were these amazing artifacts, once the possession of the actual builders of Stonehenge? Incredible items that are clearly amazing ancient oparts.