 and start to move them out of the theater. That's as simple as it is, right? All those type of things. You start to pack them up. It's going to go past some things. Evacuate people who are just sitting in the bed. They're not actually being cared for in a sense of. The diplomat has broken arms and they are going to be evacuated to level three at Marrakech. For the imputed members. We're going to talk about three like them. The least severe one is the T-hack, the Toxin Fiction, or about with ambulances or with, I mean, helicopters. So we were talking, we were talking about just this being a, you know, part of your art as you do your analysis and determine what's important. From the bottom to the front of your heart. That's an excellent point. This piece, all the way looking at altitudes of, let's say, artillery weapons, long-range artillery weapons, and then your assets, your aerial assets, the conflicting do so. There are a nonprofit organization that tries to standardize these to seek substance. So I'll go a little bit into the specifics. So you have initial access, execution, persistence.