 Okay, so you were doing this IAP workshop today? Yeah. Was it good? Yeah. It was good, it was good. And what about the teacher, the facilitator? Well... Kind of like you, but me? No, you mean not physically. It's like, you know, the way you behave. Ah, I see. Yeah, a little bit... Skeet-soyed maybe, precisely. Right. Farnu, yeah. I'll see what you mean there. And you're going to do that, right? Yeah, you're doing that too. Yeah, I think it's... Cutting? Editing. You mean montage, mise-en-scene? Yeah, cutting over there precisely. Yeah, like in this very moment. Yeah. I mean you can switch between somebody speaking, somebody listening or writing, you know, you have J-Cut, L-Cut. Well, you know a lot about that. Yeah. See? And also, yeah, it's not just about speaking. I mean, you want to have maybe, let's imagine this was, I don't know, some sort of a short, you want to have a sense of the space. So maybe you can put the camera around there, so you have some sort of a wide shot, just to get the area of the space. And then maybe two cameras, one there, maybe, I don't know, to cover my interaction with you. I mean, the camera is probably there, right here, and then 180 degrees, you got to put the camera right here. Yeah. And then, I mean, I don't want to spoil too much. You will see, you will have fun. Yeah, it's more like, you know, video artisan. That's the word he was using to describe himself. Video artisan? Yeah. What's that? Hey, people, I'm trying to sleep here, okay? Be quiet. Yeah, man.