性格我們很快如宿班即在此他倆會買擯燈可以做 這個這個這個這個這是這是這是這這個這個它是那你下午休息哦因为我马至巴罢了别ます别谢谢虎唐人兴旺但包括?!"可差点 但是我还没ERO�我們會用手機轉移到中間你會經常聽到原來的聲音從而轉移到韓國和英文所以在中間的中間你會聽到我們在中間的聲音在中間的聲音你會聽到製作人的聲音從另一邊的房間所以她是能夠轉移到另一邊所以這是技術的部分不然我覺得我們可以開始所以因為我們是一個國際節目所以我會開始在英文再次祝福大家我很高興你來這裡會有很重要的討論在DUNA Part 5我的名字是Mate Gaspar我是一位學者在大學的大學還有一位學生在英文學院的DUNA Part 5所以這兩隻手機在我手上希望能夠讓我有很好的討論和我們的 guest在這裡我確定你們所見的兩位在DUNA Part 5最後一天有一位是寫的特別的 guest我會解釋我問她為什麼DUNA Part為何我問她為什麼DUNA Part為何DUNA Part為何DUNA Part為何DUNA Part為何DUNA Part為何DUNA Part為何DUNA Part為何DUNA Part為何DUNA Part為何DUNA Part為何DUNA Part為何DUNA Part為何DUNA Part為何DUNA Part為何DUNA Part為何DUNA Part為何DUNA Part為何DUNA Part為何DUNA Part給我們我不願意給你們機會去談論表演所以就開始跟藝術人跟創作人和表演的創作人我也想請你們作為一位這個討論的同學來反映在大部分的什麼時候我們嘗試做一個適合跟創作人來反映表演還有這一點我也想作為一位這個討論的關於表演在香港或是兩位不一樣不夠雖然我們有兩位創作人所以我們作為這個討論好好早安我叫康奈然我自己有點不完全但是比較有趣的歷史我開始我們叫我們叫我們叫我們叫我們叫我們叫我們叫我們叫我們叫我們叫我們叫我們叫我們叫我們叫我們叫我們叫我們叫我們叫我們叫我們叫我們叫我們叫我們叫我們叫我們叫我自己的工作和相似的問題我本來有幾個產品關於羅馬的問題讓我先解釋在英國語言如果你說Gypsy不一定是OK的但可能Grystoff會說其他話我寫了很多因為我寫了很少在香港的羅馬還有很久的推介但我也有很多介紹在羅馬社區我發現有些人也比較喜歡Gypsy因為他們覺得羅馬總是不外出一般另外當然的意思是如果只要你認為羅馬是人A Gypsy character is an exotic character is a comic character is a joyful, a gleeful musician for the most part, not only but for the most part.當然,他們最主要的演員是白色演員他們在中華白色人的意見中說話他們的意見中說話他們想要演繹那種智慧的演繹他們不必令他們 critical or in a bad way或是沒有意見的他們只是一個 funny exotic character你可以看到這在大部分的香港人的工作在香港人的大部分的香港人我不會確定你會知道我們沒有這個數字因為很好的原因不夠正確的問問你你不可以問你在香港人的數字所以那些數字沒有這個數字我們有幾百萬人在地區可能是7%至10%的人但是一個大大的社會我從我的個人體驗上我可以告訴你我從中年開始從中九年開始也许这是我们的最兴趣的一部分我认为只有两位企业企业企业企业企业在香港的企业企业继续地代表了中国文化 rather than the exotic character一位是余安os Monachy他作为最大的企业企业企业还有他作为企业企业企业有两对企业企业只能认为余安os Monachy fooling very no Boss历史这里上浴和然后陆建永裁判 comic剨是他倆吃了本 slackby theonroha try to say but we didn'tand then finally trained a crown witnessso to say this guy has to diehis dog and said yesI am the crown witnessand I test the fact thatthat they ate me up他們指出我們這次的聖誕禮,我們只收了一隻鵝鵝 from Christ when we crucified Him because that's why the two legs are crucified by the single nail because the other one was stolen by the Roma which is a board from them but you will be able to tell us more from the so-called Roma anthem.Anyway, it was a musical piece and then being up in here you might be familiar with the show Muck in some translation called Scum but anyway the original actual translation is Muck which is a very complex story and I won't tell you about it but it shows you a sort of the birth of the right wing extreme mason in Hungary but it's about two girls who get adoptedand one of the girls is a Roma girl and I can't I don't have the time to now tell you about the whole piece and I think this might sound strange taken out of the whole context of the piece but to me the highlights of that show wasor one highlight let's say many highlights but one highlight of the show was when the Roma girl who was adopted stole a purse from the communityand I found it extremely brave on the theatre maker side to show this kind of extreme cliché about the Roma that they steal in a piece which showed the whole issue in a very complex mannerso I think in a way I don't know if I'm making myself clear enough but in a way the fact that you don't refrain from that kind of criticism or that kind of color or that kind of anecdotal thingit shows you that your shows me at least that this particular theatre maker who both writes and shows is very free of prejudice but I don't know if any of you have seen it but it's a very complex playI can send it to you the text as well in German and in English. I have to translate it into German. Anyway, so for me I would argue that these two theatre makers were the most white theatre makers with the most complex attitude toward the Roma communitythe representation of the Roma on stage and then in 2000 although the lecture show was after that but that's hardly the point in 2008 and nine I don't know if you were if you are aware but there was a series of attacks against the Romathere was a completely random nine villages were attacked randomly nine houses and nine different villages where the attackers were simply put neonazis didn't know who lived there the only thing they knew was that it was Roma who lived there and in one case they were mistakenwhat they did was they threw a lot of cocktails on the rooftop and when the house was a place and the family started to flee they were waiting in ambush and they shot themand this went on and on and you know you read in the paper one day after the other yet again one other incident and yet another incident and to me this was shocking that the Hungarian theatre for the first few yearsnot many but still didn't react to this that they were you know the Hungarian theatre which historically is very social critical so before the wall came downHungarian theatre was very well known for social criticism for you know reading between lines so winking at the audience and understanding that actually staging whatever classic play is actually about todayand it's a critical view of our present society that suddenly in a free society where you were free to put whatever you wanted on stage for a few years there was no reaction to thisso we were playing our you know city and state theatres were performing their Chekhovs and Fidoz and Shakespeare's on a very high level many of thembut hello do you read the papers like what's going on anyway and so but then in 2010 there started a reaction to this thankfully and one famous show was called the Chipsi on the stage of the Katronijac theatre which is the most renowned most established stage of the theatre I would argue in Budapestand it was a very problematic show and I don't have the time to go into the details now but I'm happy to send you my article again but I still applaud the effort to deal with the issuesso what they did they took classic play which constituted Act 1 and then commissioned a new play about the attacks which constituted Act 2and I would like to emphasize one element that there was in the show there was a suspicion that the Roma family that the father of the family impregnated his daughterand the problem was that it was never made clear whether this was truewhich was you know one of the worst cliches that you can think ofand the independent theatre which is an actual theatre within the independent scene they call them the independent theatrethey are a Roma theatre mostlythey started a correspondence with the director of the Katronijac theatre who is also the director of the showGabor Matipublicizing him for thatand for not having a Roma expert or asking about a Roma expertwhether a Roma expert was involved in the showfootnote we have unfortunately very few Roma actors although the numbers are growingso many might first ask the questionhow come Roma characters are not played by Roma actors to begin withand you can correct me if I am wrongbut I am afraid that would be unrealisticbecause we don't have enough Roma actors by farbut I would like to point to the fact that now the Academy of Theatre and Filmis choosing just in these weeks is electing a new deancorrectivelyand there are two candidatesand I would just like to point to the fact that there was a debate on Tuesdayabout this issue or about the two applicationsand I ask them a question about quotaswhether they have anyI said beforeI know the word quota drives you up the wallso I realize thatbut ok maybe it's not the best ideabut anything that would sort of start a trend toward more womenbeing admitted to this institutionbecause the problem begins with not nearly enough applicantsand sadly enough both candidatessort of said no not reallyand one of the candidates said well actually we would have to start withsecondary school studentswhich is I agree that's why I want to startbut I just wanted to point out thatwhereas the independent theatrealso has a program of traininga rumour actorsvery successfulsomehow many of them would never apply to this institutionwhich is the only one of the twobut anyway the longestthe one with the longest tradition of actingactors training and directorsso anyway I don't want to waste more timethere areI was trying to focus on the whiterepresentation of citymostly city and state theatresbut independent theatres as wellof the Roma characters on stagevery briefly my own company Panodramabut up a show after the attackscalled word for word which was a verbatim showwe interviewedsurvivors, neighboursmany other peopleand it became sort of ashow in a waythe first of its kindwhich I think was not uninterestingbut obviously I'm very partialbut I would like to just mention one more thingand because the others will talk about the Romapeople making the Roma theatreso I don't think that's my placeI would like to point to Constanza Mákraswho I don't know if you're familiar with herI'm sure you areso she's an Argentinianchoreographer who works in Germany a lotand she made a showcalled open for everythingwith checksif I'm not mistakenchecks,Sovakian,Polish and HungarianRoma communitiesand what happened wasshe conducted interviewswith the Roma peopleobviously through translationand she involved some of those peopleon the stagealong with her dancersand I'm not saying there weren'tthere weren't some points of interestingexchange between thembut she took the libertyof rewriting the materialsfrom the interviewseven though she didn't understandthe language obviouslyand she also didn't understandwhat was being said on her stageso the owners of these storiesRoma people were forcedto tell their own storiesin different wordswhich I thought was very problematicand she camethis became open for everythingbecame a huge successit traveled all around Europeshe was outside of Europe as welland with a friend I saw itI saw an open rehearsal in Budapestand then I saw the final productin Zurichand the Swiss loved itand it seemed to offer youan explanation of how the Roma arethey can dance and they can singthey are jollyand there are these issuesand now I understandthat was the feeling we hadthe Swiss audienceand we were shockedand we were outragedbecause it was completely superficialit had nothing to do with the very essenceof what we were talking aboutso finally just to finish upI think we have to be extremely carefulwe white people when makingtheater about Roma issuesand I'm sure you can tell mehow I fucked upbut at any rateI have to be extra sensitiveand extra cautious about thisthere is a lot more I could tell youbut I have completely abused my timeso I'm happy to send you my articlethank you very much謝謝謝謝現在我會繼續因為這幾個問題I have a very simple questionI hope that the Romacan't be fasterand after thisI would like to askChristopheryou broughtthe tableit was very goodthe beginning questionbut from the bottom of my heartI would like to talkabout where at leastif there are not manythe first scene of the Romawe are doingI think we have totell youthat you talked aboutyour own thoughtsand if you are the samethen you will take usin your thoughtsand we will talk about itbut in this presentationI hear myselfand I don't knowhow can I talk about itthe question I would like to askat the beginningthis tea and whatit's in a very dramaticthe atmosphereit sounds very strongI thinkand then I will takethe questionthe wholethe wholeand it's verydiscoveryand it's verydiscoveryand it's verydiscoveryand it's verydiscoveryand I would like在你對於新加坡的文化,你能夠在其他地方,例如在新加坡,在新加坡,在新加坡,在新加坡,在新加坡,在新加坡,在新加坡,在新加坡,在新加坡,在新加坡,在新加坡,在新加坡,在新加坡,在新加坡,在新加坡,在新加坡,在新加坡,在新加坡,在新加坡,在新加坡,在新加坡,在新加坡,在新加坡,在新加坡,然後他就開始找到他很多年多的Sterotipia他就開始承認他有的想法他從他的心裡不知道他也不知道那種訓練不懂如果我對他講了如果他訓練了我對他講了我對他的想法不懂你根本就不懂我對他講了我對他講了我對他講了所以 once in Berlin I was invited to write a rap songand it was about hatred that am I allowed to be angry?Now this is a big topic for methat I should be having nice so that I would look whitethough I think my anger might be legalit's okay to feel anger about this and thatand once it happened that I will finish in like 3 minutesso I was going with the very same groupyou have seen to the countrysideand in the morning we went to the McDonald'sbefore getting on stage we were travellingand one of the kids asked for a shakethe shake fell offand everything was shaking all overso I turn overI turn back and I see that my fellowis given a bunch of napkins in his handsand he starts to wipe itand then I get so madhow dare youyou are giving him the napkinsI mean it's a fucking accidentwe have paid for itwe gonna pay for itit's your job to...you can't humiliate himand then it turned outmy friend was asking for the napkinfor himselfand then he made his choice to start to wipe upso he wasn't forced to do sobut still you know Iyou know I reacted very shittyand now you can see that I was too paranoidand I'm always wonderingcan you say that okay sirwe understand why you are so paranoidI mean it's a misunderstandingbut I understand why you felt like thatit's all cooland can you calm me downthere is a village in netherlandswhere there are all thesewhat do you...dimensiondimensionthe old people in dimensionbut they don't know about themselvesthey don't know that they are livingin a secret villagebecause there are all thepeople in the shopsthey are apollonursesand this makes me think ofhow great that isthat I think there is some problem with youbut I'm not saying that you should do thisor why don't you try thatI give you a chanceand you can try to live like mebut then I saywhat I can dowhat I can changehow I can approachI can't tell you what to dohow to bewhat to thinkI can change my own approachand I think this is thetheare you with meoh nono no noyou wellyes I'm trying tookI used to be a poker player as wellthey say that it's aknowledge basedme as it's a renciatelike a gameso you can't say thatwhy didn't you raisewhy didn't you throw your cards awayyou can't tell the dealerwhy didn't you put the six downon the riveryou just don't have the power to change thatI only can say why didn'tI raisewhy didn't I fold my cardsso the only thing youyou really have somethingthat you can changeis what you doyour own actsand how I approachso I can't tell the old peopleto remember your nameor remember that I am your sonor I can't tell my owndemand auntienot to be scared of beingwhat about meyes she's scared of the governmentit's amirebut why can't I justmake her feel happyby approaching to herinvadedI share youryou knowvaries and they mightfire at yourwhateverokI knew Istart speakingand then I justdon't know whatI startedwhere I feel ityesyesyes at the moment yesyes thank you forbeing hereand actually my fatheris a Hungarianso my motheris a real gypsyso I can alwaysfeel a bityes but careful with the HungarianRoma are Hungarian tooyes this is alwayswhat we teach to the kidsI mean noit's not something you teachI can offer them thingsthat you will have to be thinkingwho are gypsieswho are the Hungariansare you Hungarianbecause in yourID cardyou are Hungarian tooalso nowyou were using the word gypsyin Hungarianit isgypsygypsygypsygypsygypsygypsygypsygypsygypsygypsygypsygypsygypsygypsygypsygypsygypsygypsygypsygypsygypsygypsyRomaor somebodyhow would you call yourselfthat you should call yourselfbut it's okay to let you knowabout the fact thatAtsinganos comes from thisRoma is in the language gypsiesthey say that gypsies is somethingmisunderstanding because thetraveling Roma families weremasking them so they saidthat we are Egyptian kingswho were sent awayand now pleaselet us just wander aroundand that's how it becamethe Egyptian gypsiesbutyes maybe like thatit's in the Roma communityvery often the Roma saycall themselves Romaand call the white peopleHungariansbut that'sthey are entitledto do thatit's likeAmerican black peoplekidding aroundand saying hey nigger what's upthat doesn't give us the rightto call them niggersso it's like thatyesokkosanamany of you get pizzaand fast and most likemake itI haven't finished this oneand I promiseI won't say a sentencebut with the girlsthere were the twosisters of minein Berlin when I waswriting this rap songabout hatredand I saidmy muse is a whoresome say I shouldhank herand they were looking at mejust like thatwhat did you saythat wordI mean how can youand I waswhat I'm talkingsome otherstalk about my museand they saythat she's a whoreit's notbut it's aboutmy hatredand gypsythey would not listen meand I was so madand I'm the poetand I haveI'm not choosing a wordjust becauseI chose that wordon purposebut then I changedbecause if theyif it hurts themI just can't tell themthat I is stupid girlthen I had to changeand then I saidmy muse is unacceptablesome say I shouldhank herit's either angerconsuming meor I consume angerand then theywould listen to the rap songand then I learnedthatI will have tobe listening to it煉魚然後可以說MudeCut藝滟酥我找到這是圜桑這大說判明是這個這是臺語我們這欺拒這什麼也就是這感覺但這個這個我們也想利用自己的資源去提供我們這次的議題和盡情調查而且我想要和大家分享這次的議題我們應該會在這層面和這堆人之間和這群人之間在領導中留下的主動向我們說明自己的意思這件事完全跟我們說明我們這次的議題和我們在這層面我們沒有想過會聽到更多的詛咒所以現在我們想不斷地回到原本的歷史所以我們要先請教大家當這故事開始變得更好然後要發揮更好的歷史在那裡的時候我已經跟他們的建築物和設計師們相處在那裡的時候我已經跟他們的建築物和設計師們相處我在那裡的時候我已經跟他們的建築物和設計師們相處在那裡的時候我已經跟他們的建築物和設計師們相處所以我應該知道如何可以將這些建築物和設計師們進入藝術的卡通如何能做出這些工程你有沒有用到的體驗技術和使用技術在一方面,我曾經接觸過不同的角色,因為我最初是攝影剪輯師,我曾經在短片中發佈過這個問題當我準備了這個短片當我進入了這個問題我問了問題我看到了這個問題然後你開始學習然後你進入了這個問題然後你看到實際的實驗然後你開始學習然後你開始研究然後你開始學習然後你開始學習然後你開始學習然後你開始學習從最後之徵然後是從哪裡變 race我開始搞歷程後來就開始學習因為我懂得從哪裡我居上想燃起這個問題所以我做了一段短短的故事但我並沒有在過程中做過這件事因為我們創造了這件事我們一起表達了這件事所以我在訪問這些問題這些問題我並沒有在這件事中討論我們訪問這些問題我們訪問這些問題我們訪問這些問題我們訪問這些問題我們訪問這些問題所以這條路比我們更簡單因為我永遠沒有這個外面的眼睛我沒有必要做決定的事情因為我沒有必要給這些難題的問題答應但當你創造了一件事當你創造了一件事我認為當中有多少種風格但我認為當中有多少種風格但當中有多少種風格但當我相信這個原因當你現在回到這條路當你現在回到這條路當你現在回到這條路如果這個行動對於自己的身體這個行動對於自己的身體如果這個行動對於自己的身體或一邊有其他問題,會否有更大的要求?會否有更大的要求?會否有更大的要求?在一個方面,我不明白,我甚至不知道如果我能回到這個問題,或者在此跟大家分享我必須要說一下,Longer than it's important to involve people who can relate to this topicwho have experience of having what I have self confidence in here Here, I've made the instructions and the, and I was shooting the film我對這部電影的影響對我來說有很大的影響,但在我最愛的電影中,我曾經在我兒童的家庭中,回到我的小朋友,他曾經是我們最強烈的兒童,但是他非常好歷史,所以我今天也有這個想法,他卻不斷地答答我,他卻不斷地答我,我認為他的意義很重要,因為他在世上也有經驗,我也有談論過他的父親,當他看到的,他也有談論過他的父親,所以我們變成了一些大眾,之後的談論,我們在這個世界中,我認為我們在這個世界中,我們有在這個世界中,我們是在世界中的一種情緒我們相信我們的想法是可以的然後有一個人從我的觀點然後有一個不同的觀點然後讓我們改變我看著我的表演然後我必須意見那些人是沒有辦法的所以我們必須要向上衝因為我們從來沒有想過我想要把這個觀點帶進去因為我想這點在這裏我們每一個社藝的觀點每一個社藝的觀點都要感謝大家但是我真的也是我也是在這裏我和小朋友在這裏我們找到其實我們在這裏我們都很高興我們在這裏我們都很高興我們在這裏我們都很高興我們在這裏我們也很高興我們都很高興我們還可以因為我們都很高興但是我們在這裏我們都很高興我們都很高興我們都很高興我們從來沒有想過我們將可以認識楊詠欔的大陸感到我們可以認識那些人我們可以看過其他人我們可以看見市民的這一點的干預把市民的乳冷從民主地區的城區到民主地區的城區然後我們可以看見民主地區是個一個他想要藉這個事情用而為代表這是一個次數的選舉我們已經有棉花我們 我們已經有棉花所以這是一個意思要是我們決定我們可以選擇我們可以在這代表我們也是選擇這次的訪問是由我們來講的因為這次的訪問不只是訪問而是由我們來講的這次的訪問不只是訪問而是由我們來講的因為這次的訪問如果你可以看見在香港當中最多的一群人在其他地方我們想要這樣做當然你可以問這種問題所以我們想要這樣做因為你同樣的演員也有兩種不同的性格我們可以做什麼我們可以保持這個性格我們要保持這個性格所以我們要保持這個性格我們可以保持這個性格主要會肯定談論這個性格他在討論我們香港人太多,我們都很希望香港人這是我所展示的一種基礎所以我不認為這個禮拜應該存在在我們的生活中這是一個特別的禮拜這些我要用另一個演繹我對你們來說我對別人來說我對不用這句的我對夥伴自己來說我自然知道但是我都可以說各位想知道這個很有意思的動作這是我非常的喜歡的如果你和 제가想可能你為什麼只是夾夾夾夾夾夾因為當你不夠好的夾夾夾你不應該只夾夾因為沒有人知道我們是在愛術中說的我們是不侵犯的這也是一個非常重要的事因為我們有很多人在我們學校很喜歡我們很喜歡我們因為他們說不可以不可以在那裡瘋狂我們有些人瘋狂的事他們說我們要瘋狂因為我們有別人在那裡瘋狂我們是瘋狂我們是瘋狂我們�地洋空要瘋狂我們是瘋狂我們瘋狂我們瘋狂我們都不願意中國人我們未能在這處拥挽這就是利用我們瘋狂的理由現在我們要瘋狂我們都是瘋狂的那這是不是瘋狂在看待這是目前的成分因這個十字城我已經工作了十多年了,我已經工作了十多年,我已經工作了十多年,我已經做了幾部短片,我已經在這兩年期間做了幾部短片,在我的公司,我已經做了幾部短片,在我的公司,我是要好好地問,但是在這兩年期間,我們要說,我們沒必要說在這兩年期間我已經做了幾部短片,我已經做了幾部短片,我已經做了幾部短片,所以至於我們有幾個個人獲得了不同的經歷,我們一直都能透過也有不同的觀點,我們也有自己的經歷,例如我們也有自己的生活,我們也一起歇一樣的過程,像我們也曾經歇一樣的經歷,而且我們也曾經歇相關的過程,他給了我這道書他在這裏寫了一塊書這些肉依然太輕鬆了他的筋都用了它很容易讓人無所遮掩他就用了這些肉依然太輕鬆了在這裏會有應用的而且他還把這道書這就是我的對比我對這行動不利的,所以我認為,在這一次的進行,你得到的因素是,是做一個保留在手上的實際性的衝擊,而不是一個優先,而是一個優先的行動,因為在地面上,我認為,這不是一個優先,而是一個優先的行動,因為在這個地面上,我認為,沒有什麼不重要的負責人物,我認為,這不重要的負責人物,因為在這個地面上,我認為,而我心裡還有一段時間我心裡還有一段時間對 你們也知道我的意思是我心肺的驚喜是在我的心肺上我心裡有一個方法在我心裡的驚喜是在我的心肺上我心裡有一個方法我在這個程度上我心裡有一個方法這時候我會來過然後在我的心肺上這個社群並非代表行動,而是屬於一個很重要的政策。這個社群並非代表行動,而是屬於一個很重要的政策。這個社群必須對著提出的意見,如果你想清楚這個意見,這會令人變得更豪爽更豪爽這會令人變得更豪爽加上我比較喜歡我比較喜歡我比較喜歡我比較喜歡我比較喜歡我經常在很多時候提供這個問題給孩子們現在沒有真的他們的多數當他們看到他們的腦袋腦袋腦袋腦袋腦袋然後當然他們會死當然當然我也很多時候會想當然因為我可能會覺得我的腦袋真的真的我真的我也很想但我腦袋對不起其實我認為他們的小腸腿袋最有趣的是他們要在他們的腦袋腦袋腦袋他們要腦袋腦袋對,這次的訣竅已經成功了所以我們也要想清楚我們也要想清楚這不是一個自信的訣竅不是一個自信的訣竅是我們要找到的而是我們要想清楚我們也要想清楚我們也要想清楚我們也要想清楚我們也要想清楚我們也要想清楚我們也要想清楚我們也要想清楚我們也要想清楚我們也要想清楚我們也要想清楚我們也要想清楚謝謝謝謝我們只能順便找到這次的訣竅你們也要想清楚是不是還是我們要做你在嗎?哪裡會有朝鮮藍色?在哪裡會有國家呢?在西方和英國所有的國家都要在這裡對,這些國家還有很多英文也很好,而英文中的國語不算是雜語雜語兩個字雖然是雜語但是哪一個life是雜語我只是想說,對不起,但有一個很厲害的故事我不知道你是否 aware of the huge anti-Jewish sentiment in this country而且,這故事是非常深刻的Portian vests, which they, the state forbade to perform in the National Opera of Hungary因為他們沒有做這件事 with black performers當然,你可以說,在這個國家,他們很少在美國生活,所以讓我們有這個機會但是,他們做的是,完全白白的香港歌手他們自己是 African-American這個類似的對象,真的,這完全是對象,這個類似的對象會告訴我,我覺得這很重要,很高興,但在另一邊,我們也有這個機會,謝謝你