 All righty, let's check this out. There is no sound fun-looking rink. We got insert here and Cool, yeah, that works better cool. I'll probably extend this a little bit. I'll probably shorten just this section a little bit Start at the end Yeah, it seems like we're going home and it's just a bit too long right there Especially that expression. It's almost like a I Miss my my other finger or something And then this shows up, but then it would be Swoom, I think it's like another half second second in there But let me see your notes Okay, so you have this here the Twinning of the poses there. I think one thing you can do to tweak that. It goes from the beginning here Even with this I might even consider or I might you might consider It's breaking up that so it gets out of that like there's a nice line of action like a relaxed curve there but it still has a bit of a Somewhat parallel look to it. I know visually silhouette wise this is different, but it's just there's something about it being Could it be something where? That what is that first frame telling us it feels like there's a mix of relaxation But then also almost the sadness in that face. I know I'm reading sadness today. It's like like here But then at the same time also readiness because the arms are out and I wonder if that could be Just for you for the message that you want to portray or when it won't have come across Maybe think about like what do you want to tell the audience with that first frame? Was even here you have the look then it goes back as if you just saw something here And I would look at like what is the thought process we want to read in the face Because it's so specific to maybe you mention it and I forgot I'm also old Maybe I forgot what you said. Sorry, but Yeah, I think you mentioned that you might want to do something over the shoulder But like right now if I'm if I'm looking at this, it's almost like I am an audience that has never seen this before It's that there is a look over here. There's something there. It's like a mix between spaced out But they're not really it's like, oh actually this must be something here is looking at But then looking down here, but I can see that because of kind of that grab But then we're back to looking here back to looking here and then right at the end we're looking This even though it's not quite there. It's still kind of looking out around here ish So that's probably my one note for the beginning to kind of look out What do we want to read on that character's face and what's the focus and so on? Then we have That all makes sense. I still wonder if it's a bit short. It's probably okay reading all of this It's just you get to see this they're going big big symbol. Oh wait, there's text Okay, whoa, and then you miss it like you go from relentless to wait There's a number then we miss it. So just watch out in terms of time And maybe you want to do like once you spline this a little bit of a Keep alive a slight movement on there Then we have this I think that's cool. I like this a lot I like Drag and Lee with this that pose nice little twist there It might just be a bit slow Especially here it starts to slow down. Right. You got to look at that throw a bit of a new You know, this could be something. I don't know if you want to add some This like again, I'm blanking if you mentioned this before I feel like that was something that we discussed But maybe have some effect. So maybe as you throw this there's already some magical trail And then he starts to glow and then we can kind of buy this. Oh, okay interesting This is something that can somewhat hovered and it kind of grabs it The tricky thing is the way this reads now again I think this is this is going to be interesting once you spline this out how it is reads because we have this come in stops and Then it goes over there with that move here and it's it's not It's still not reading super well in terms of is it? Is that the finger moving it and watches again I guess I guess so maybe it's my playback is I know for some reason right before and I was watching this I felt like a weird thing of that slow down Like wait, this is not actual gravity. What's going on and then does that quick move through there? And then with this especially with this it feels also slow Like is it just kind of tapping it to change its hover Flow direction or is it a tap to kind of flick it into its its face? I'm still somewhat if you bought this there's a much of that works But at the same time, I would probably spline this sooner than later Kind of see how that feels but I do prefer to look of this where it feels more Intentional than it was before and then for this section what you could do instead of just doing this You can break this up and again this fills a bit to 20 and to mirror it and not Super dynamic especially here at the end. What if you start that transformation of? If that thing goes in here, what if the head starts first and almost what's going on? Is it lifting? Yeah, I mean it does go up. So what if it's more of a in here and then Like the chest the forms and transforms maybe one arm more than the other So instead of this it might be Almost like something up like this and then it goes down into that. You mean like it's different sections That will separately transform that into the final form And it's almost like this leg could be the last thing so you can land here This is still blue and somewhat out and then it transforms into the last Full red form and it with a little bit of a like a land with almost a shift I don't want to do like a little step on there and then step back Then that's cool. Looks as if it makes sense looks at himself And then again watch out like it's just I'm not sure Like The look it's it's beyond the huh something's missing. It's how long we stare at this with this face To me just gets into this this Melancholy feel I don't know. I don't know why I'm reading it like that today but these are my Subjective thoughts there And yeah, and I will probably have a little bit of beat there. You're mentioning that you're doing a longer idle I don't feel like that's that much longer. It's almost like you want to have a Swoo where it's overshoots comes up a bit like the arm goes to down down and up and this has a bit of a Bit of a a floaty feel I don't know or maybe a from up and down with a slight rotation in Y But I think I think these are like bigger ish thoughts that I have about this while at the same time Going it'd be great to spline this to kind of get the final feeling of especially this section through there And how this section is gonna feel But yeah, probably my biggest like maybe destructive notice the change of transformation since you're asking about In regard to the tuning issue right for transformation, I made minimal changes as I wasn't sure The gene of the pose. Yeah, I mean that could be something could be interesting how it's going through here And it starts to spread out in terms of what transforms so it's not all at the same time Yeah, I don't leave it at that. Let me know email me what you are thinking and how to move forward. All right, thanks All right, there's an email you can sign up you can start whenever you want you can submit whatever you want You get 16 submissions either way a like and subscribe would be awesome. All right. Thank you