 Uh, tidbit. What? Morsel? Conquat? Just fun words to say. You're dumb. Hey, welcome back to our stupid reaction theory. It's Corbin. Ricardo Montalbán. Sonny. I'm going to tweet half a month. You see. God damn it. Yes. Do you know who Ricardo Montalbán is? I think we're supposed to have a page on a follow-up. It's your Twitter account. I do. Today, uh, we are, uh, reacting to something from the new, uh, chapac with the pica. The pica. Uh, coming out. The pica. Yes. I think it's a little behind the scenes. Really? Of her getting into character, talking about the character a little bit. Okay. Okay. Obviously with no spoilers. Yeah, obviously. It was put out by the studio. There you go. Uh, and it comes out the 10th. We are very excited about this. I'm looking forward to this. Very much so. Um, but yes, uh, and it was not subbed, so our subbers subbed it. Thank you so much. Thank you subbing subbers. And as you guys know, they are the best subbers ever. In the history of subbing. That's true. It is true. Substitute teachers. Here we go. It's a strange dichotomy because at the one level, we are fighting for feminism and women's rights. And at another level, we may have put on a pedestal where their beauty is at a premium. Great makeup. Which is why taking away the beauty, attacking her with acid has become a weapon of choice. And it's time we challenged them. What Udikai is. Met these girls. The first step is when they see themselves in the mirror and the person looking back at them doesn't look like what they used to, but eventually their spirit takes over. And what they're looking like in the mirror doesn't matter anymore. What inspires me about them is their spirit. They've chosen to not be victims. They've chosen to be victorious. So we actually have four survivors who are in the film and it's amazing to see them perform in front of the camera with no inhibitions whatsoever. For me, that liberty was fun. It was emotional, liberating. It was a revelation to see how comfortable and confident they were. For the longest time, these girls were hesitant to be out in the open with their faces uncovered. Lakshmi played a very significant part during her time in the NGO with the other survivors. We have to move forward. We have to fulfill their dreams. And the biggest thing is that they're still in the open with their faces uncovered. These normal girls are just like me. My face looks good on anyone, but it's really good for me. And I'm smart. I'm smart. 2.0 is really how we start looking at them and the way we start treating them equally and giving them equal opportunities. And I'm really proud that they rightfully have come out in the open. They deserve as much dignity and respect as you and I deserve. For me, the kind of 0.2 is the fact that they can look at themselves in the mirror and smile at the reflection that's taken back in time without a blink of hesitation. That makes me even more excited to see the film. And it's quite great that... And it's one of those scenarios where you absolutely should use the acid attack survivors in your film. Had to. You had to. Sorry, something's playing. Yeah, like had to. It's a symbol of empowerment and stuff that you just because you think you can hurt us you can actually hurt it. Exactly. It's a beautiful message to send and I think it's amazing that these women are that strong in order to just... Because it annoys me when people say that, you know, like they're for some reason blaming these people for their face being... when they got acid thrown on them and what happened to their face and now they think they shouldn't be able to show their face because it makes other people uncomfortable. It's the exact same stupidity of these... I won't call them men. These males who say that women get raped because of the clothes they wear or what they look like. Yeah, no, you pig. That's because you can't control yourself. Yeah, and no, it should be... And parents, you should have enough understanding and compassion and empathy that if somebody, whoever it would be, anybody who doesn't fit into what we call normal, somebody who has their face burned with acid, somebody who's considered a little person, anybody with some kind of a disability and handicap with their arm missing in some way, it's up to parents to allow their kids to express their shock or whatever it may be and parent them through the situation. You know, sadly, there's a lot of parents out there who are transcendently stupid and they... Exactly. How do you in your right freaking mind tell a girl who was a victim of an acid burn to hide your face because society is going to be repulsed by it? What planet did you come from? Go back. Why are we not repulsed by the acid people? Not blaming the people that have nothing to do with it. That's the other thing I've said before that just astonishes me that we have in a world that a human being can be so freaking depraved and evil that they could throw acid on a girl. I don't care what she did. I don't care what she did. It's unconscionable and I love that a woman who's renowned for being considered one of the most beautiful women in the world is going to be the face of this girl. I would love to hear Dupika. I guarantee this is probably a life-changing film for her to do. I guarantee that at the end of the day when she had to take makeup off, it was emotional for her because those girls can't take the makeup off. I would really love to hear more about... I have a really strong feeling this is going to be one of Dupika's finest performance. I'm looking forward to it. I'm glad that the... I don't know if we've seen the woman at the helm of it. Yeah, if we have, I'm not remembering her. So forgive me if we're not giving her the respect she deserves, the director. But I'm glad it's a female. I am too, like we said it before. There's some films that have a poignancy because of who's directing it. Example. There's a poignancy and a touch to Schindler's list because Steven Spielberg is a Jew and has family that died in the Holocaust. So he's telling it from a certain perspective that in the same way I think any story where it affected you as a person, you'd be able to bring a level of nuance to it and an empathy that nobody else could bring. It's not that someone couldn't make a good film about this who was male, but I really think there's an empathy that's going to come to the film that otherwise wouldn't be there because it has a female director. This is the director of Razzie. Ah, so another great film to tell from a woman's perspective. Absolutely. And she also directed Tel Avar with Irfan that we've reacted to. It's written and produced and composed by Vashal Bardwash, but it's the one starring Irfan Khan. We saw the trailer a while ago and I think we heard really good things about it. So that's exciting that she has the reputation of making really good films. And we're great people. I'm really excited. January 10th, I believe, is when it comes out and I'm pretty sure that we're going to be there.