 So I'm checking, so this shot here, it turns to green, it's normal. It's cool, I think what you need is just a little bit more contrast where you want to feel him moving so slow right now. I think it works because it's the bigger creatures, it might feel more confident and it's just more controlled almost, you know? And I'm asking you, you know, and you can't answer. It's my typical thing when I record something, it's just a bit... So I like what the dinosaur is doing, so I think my only note would be, like the bigger note is that the cat just feels too controlled and too calm. So he comes down here, cooled here, now I'm confused, so are you... It feels like you change your rotation, right? There are a couple things here. As he turns around here, and again, the head is going through here, I'm assuming? It might just be right behind that thing, but you know, make sure that it doesn't look like it's in the intersection with most contact points on the head. But if he goes this way and is already rolling, you know, this way, then the moment he hits this feels to me like he would do, you know, like a one roll, then it's... Yeah, that impact point, it would roll a lot faster. So you're doing like a 180, but then after this, see how this just slides? This will probably just tear off his flesh here, his skin will be ripping apart, but I think you could be okay with faster turns. Now you might argue because of that, you're not going to get that hit in there. I am aware, I'm curious if it would still be possible, because you're doing a lot of sliding, but at this point, if you do... The rotation point might still be around here, so that the head will be here. You know, you got your head with ears, those are ears. With that, and you got this, you might have the tail here. So you might still have his tail hitting that side, you know, part of his ass. It might still be possible, because the main impression that I have here is that the momentum change I'm not buying is that he goes over here rolls and then slides instead of doing a faster roll because of the friction and everything. And then it almost seems like it rolls the other way. Now you might say that's because of the tail slap, but I feel like it would impact him more in the head. And it's a smaller part here, but the bigger mass in the body will continue to roll. It would just kind of twist where the body goes this way and the head goes this way because of the slap. And that might slow down the body roll a bit, but I don't think it would change the overall rotation. Plus you get away from a post like this where it's all just spread out and kind of twins. And then after that, it feels very human, where I feel like this is a human with an elbow here with this other arm out there, you know, getting ready. And I wonder if there could be a bit more of an elbow down. I don't think elbow out on this on animals is not very common. You know, when you have your creature here, front view, elbows don't really go out unless it's kind of a quick move, a slap or something. That's more of a human thing, bringing the elbows just a bit closer. There's something about this pose where you want to make it less humane. And after all this, it feels like it comes in kind of way. It gets ready and has this dip there. It's back and it attacks. And to me, it feels like it would tumble and then like mad scramble to get ready. Get back on his feet with a couple, you know, little side steps on these guys. And of course, it might not be on the model, but just as an idea of the energy he would do it. He lifts up and get ready. Just something where it's a contrast, where you got this big guy who moves slightly slower, throwing this guy around. And because he's still mad, which he just got shown, you know, who's the bigger guy. There's so much more energy to him and so much more aggression. Because he's defending and keeps attacking and attacking and attacking. He's still in more wire. So I feel like the energy he ends up with, you know, quick moves, quick adjustments, quick little steps into that. You know? That's kind of it. That's kind of the overall impression. Okay, I understand what you're doing here with this slap. It just feels weird just because the momentum doesn't carry over through here already. And then it's really reversed with the slap. And by momentum, I mean that they're rolling momentum. And again, I feel like the slap would affect this part, part of this neck. And the rest here would go the same way with the green part going this or the slap in your body going this way. Imagine you're twisting out a white towel, you know, that kind of twisting function. Which, again, I'm exaggerating. It's not like you have to do that crazily here where everything gets kind of split in between, but it just was like you want to continue with the main body roll. And I'm just curious, if you do that when that happens, where is your body going to land in terms of the tail? You need the tails here. Is it going to be close enough to hit his butt and that's the chest and then the head? That would be something you would have to try out. Just right now, it just feels forced. It feels like a forced element where, again, I totally approve of the idea. It's also partly my fault, but it feels like you are tweaking the momentum and the animation to fit this story point of the tail. It's kind of the idea there. It doesn't be forced. Right? Thank you. Thank you.