 It's a gigantic work. It's one of the most famous in the orchestra repertoire. Five movements, extremely difficult for the orchestra for many different reasons. Back in the wind section there are specific techniques that are asked for in some of the parts that were non-existent in other pieces from around the same time. Quite a long work and there are actually a lot of tricky technical elements I guess to it. I think the bowing particularly in the strings. I've played it some professional horn player many times. It's a completely different soundscape and colourscape when you get to sit up the front and observe and see what's in the score and how everything pieces together. Standing in front of the orchestra myself there are no weaknesses in any of the sections and that's a testament to our teaching staff. We have I believe the best core of teaching staff in the country and it's evidenced by the quality of our students. A large percentage of the Australian Youth Orchestra for example are made up of students from the Queensland Conservatorium and we're very proud to have this orchestra. They are fantastic.