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Published on Mar 25, 2015
In this latest London exhibition at White Cube, Christian Marclay explores relationships between sound, music and language. During the exhibition he is staging a series of live performances which are recorded and then sold as vinyl records in designed covers. The session on March 21 was Nicolas Collins.
Born and raised in New York City, Nicolas Collins lived in Amsterdam and Berlin in the 1990s before joining the Department of Sound at the School of the Art Institute of Chicago. As well as being an early adopter of micro computers for live performance, Collins also uses electronic circuitry, conventional acoustic instruments and hybrid electro acoustic instruments. Collins is the editor in chief of the Leonardo Music Journal as well as the author of Handmade Electronic Music-The Art of Hardware Hacking, published by Routledge, which has influenced emerging electronic music worldwide.