A set of little pieces from my early days, my strictest, most 'textbook', use of 12-note serial technique. All five pieces use the same row, and the last - in a quasi-bebop style - lays out the row explicitly at the beginning, followed by its inversion. I realized them using Sample Modeling's lovely SWAM Engine Saxophones, including their own reverb. No EQ, compression or other processing applied, just dead straight! Note: the score's all at concert pitch.