 there is sound loud and nice yeah very cool all right i'm gonna turn this down just for myself because for some reason it's really loud for me still really i'm gonna turn it off well i need a little bit in there right just so i can judge it there you go it's really cool i really like that change you made here into that it's very cool now you have notes here you have questions do you think i should go bigger on the jump at the end well i mean i like it that being said it's more on the realistic side so if you have moments like where you kind of push the poses and maybe the graphic shapes that could be something where you might want to push it or push the hang time a little bit maybe not that this bothers me but if you're pointing it out and you're wondering about that um you're wondering you're about going too high out of frame but you push it or just do a camera pass later on to keep track to be honest it'll be actually really cool i think you could go like i said you might potentially push the uh the posing maybe you want to see more of the of the head arms maybe different position maybe you can see more of that arm you might want to maybe push that just a line of action maybe go higher like like you said and and um maybe push the hang time a little bit just the timing in general and actually it would be really cool to do a bit of a handheld pass and just follow the character i can help you with that you can send me the Maya file if you want i can do a pass for you and then uh you can adjust it and you know do whatever you want to do with it but i think that could be an interesting an interesting element now the third snap motion is feeling a bit bland compared to the first two so let's see okay snap snap so do you feel i mean that's a wave it's not the snap so maybe the arm wrist flick just isn't quite selling it thoughts there maybe change of the arm motion to something else interesting okay okay i like this i like your yourself analysis this is definitely cool i like this and i like that you just keep it right there you got your color silhouette so you can see the fingers that and i like but i like this too because it gives you that head down arm out and it leads the motion to the right what i liked about this one is that it is not a snap it's a flick but now if you feel like it's not enough i mean you could potentially go crazy and bring out my horrible drawing the arm out here for a silhouette for a big for a big swing you know what i mean so it's not through there but or at least something where maybe that hand goes in here like i said oh like before or we mentioned the color silhouettes maybe that hand goes from here so you already have a bigger swing and then that might be potentially even higher so when you go into this you can then have more of a see right now how it's your arm but i like how your shoulder and your chest react to it it's really well and i made it i mean little things that a lot of people miss when you have body movements how it affects the rest of the the body but what if since you're staying fairly put with this arm right once we're here it's fairly the same so what if you want to accentuate this like i said in here silhouette go out do your swing and when this happens it's potentially exaggerated with a shoulder up stronger out head up for a silhouette bam and really out like that so it's not just that but it's like a like a stretch arm stretch out shoulder stretch it'd be kind of like a almost like a wave that waves through the whole body that could be something if you want to push it i could see that being cool from 93 oh long a tiny from counter 93 207 okay so that moment through there do you feel these areas to blend well i mean that could be the thing if you make this moment bigger then to me you need that moment for contrast to calm down to then get into this so maybe right now i mean this needs a bit of a change i think it's a bit see this it's kind of that arm is like a 2d card nothing really changes so i think your self analysis is right and this could be pushed and because of that that snap moment that that explosion like that small explosion you can calm down here for anticipation to do snap again into this i think that'd be cool so let me see do the steps overall feel like they have enough weight to me yes question is because we're still in steps so once you spline this you might potentially want to experiment with if you look right now right your route is fairly straight there are some there are some up and downs but not huge but it's also the dance it's dance that it's it's fairly like that's the fun of it how it how it's smooth and straight line maybe as you spline this you want to figure out you want to try out a little bit of a a little bit of more of up and down in the roots in your you know in your ti that could have a little bit of accents here and there right now it doesn't bother me because i like the fluid motion because it's of of that dance move but it could be something to experiment once you spline i'm still not a hundred percent smitten by this although i like it better because you do have your crossed arms like that i would probably i don't know if you have been bowed with an arm and push that so you have a bit more of a negative space through there but i like your into this just watch out once you spline this you can have a big move through there that comes up straight so you have to kind of look at your arcs of your arms once you go into spline this is just still something that bumps me where you got the arm bends like the forearm and the upper arm they are overlapping which doesn't make for a nice silhouette and here we basically have an elbow stump so that's the only thing it's and i know we transition into this so maybe once you spline this and maybe that's a faster move it will just be in between that's okay but right now i'm just reading that frame it just i would work on that just giving this a bit more read and this could be something maybe that that arm comes out here and maybe your your upper arm is there with the lower elbow we see a bit of a breakthrough there and that hand is there you're just kind of pushing that a bit more and then careful the same thing here you got i would push that forearm there a bit more so we understand that arm so it's not just a stump like once you get into here i'm okay because now you got into like a fluid body line with one arm out i don't mind that but on something like that even here you could have the lower blue part here a blue part here so it's not just a stump rest is cool it's a really cool shop so subjective thoughts and i like your self analysis i think go with your gut i think you have a really good grasp of what what you think is not quite right where you want to push things and i'm just giving you my added to sense my subjective thoughts there and that's that thank you all right there's an email you can sign up you can start whenever you want you can submit whatever you want you get 16 submissions either way like and subscribe would be awesome all right thank you