 Is that you playing keys on Black Sabbaths, about the 47th? Yeah, I did that, yeah. How'd that come about? Well, we were great friends. I mean, Ozzie and Tony and I have been mates since the late 60s. And we was one stage where Black Sabbath and yes, we're the same management office. We supported Sabbath on towards 71, I think it was 72. They're great friends. And we were recording in one studio in 1973. And they were recording over the road in another studio. And this studio had a bar that was over 24 hours a day. So it was quite busy. And Ozzie said to me, I've got a couple of things that really need to be done on a keyboard on the album, which was very unusual for a metal album back then to have any keys at all. I mean, it's not common as much now. But he said, would you come and do them for us? I said, yeah, I'll come and do it for you. No problem at all. So we picked the time to come on. We planned to do it just after midnight after the S sessions had finished. So I go over the road and go in. And there had been a copious amount of alcohol down. And I went into the studio. And they were all unconscious in a pile. I wasn't far off it. The only person who was less sober was the tape operator, a young lad who was terrified. And he said, I've set it up. They've set it up where they want you to play. And Ozzie said, you know what to play? I said, I've got a clue. So they put it on, listened to it kind of times, worked out things to do, and did that and go, well, hopefully that'll work. And if it doesn't, I'm sure they'll let me know and I'll come and do it again. And at that moment, Ozzie opened his eyes, came forward a bit, and I'll change the adjective. He just went, bloom in brilliant. Then we're unconscious again. And I wasn't far off, but much better. Go forward many years later, in fact, about 20, 21, 22 years ago, and my son, Adam, my second oldest son, called me up, said, I've just joined Ozzie. The band. And I'm like, oh, great, he said, and Ozzie wants to do a couple of tracks from Saveth's Bloody Sabbath that you played. Can you tell me what you played? I said, what's that? I said, everybody was cobitose. He said, yeah, that's what Ozzie said, you know? I said, look, work it out, and when you do, let me know, because you don't know. Now, completely opposite, I did his Osmosis album, which I love that album. I think that's one of the best albums ever, Osmosis. It's like a prog metal album, it's brilliant. And that was a totally different Ozzie. I mean, he produced that and was so on the case. I mean, Ozzie's really clever. He knows how to behave wherever he is. And he can be a complete caricature of what people think is. He's a very bright guy. He's very clever musically, as we were. And we're still great friends, still great mates. And the only thing I hasn't helped is Adam has been with him in our 20-odd years. And he sits down and tells Adam stories about the things that he and I did together. Oh! And I keep mentioning, maybe you shouldn't do that, not a really great idea. And Adam's only response is, well, I hope I'm mentioning your will, Dad. LAUGHTER