 Alrighty, let's watch this here. This is probably for polish and final. It's really nice. I really like the Double check something as we're doing this a nice clean silhouette I can nice break through the leg. So it's not either clear or a tangent. It's a nice Nice move. I think I would have that foot angled a bit like this for polish So imagine that leg is here and here you might even Like slightly over than tilt instead of being parallel to the ground a bit more like that So it's more line with the shin But the main thing I'm looking at is Because if you look at the whole thing here, it's not extremely cartoony in terms of snappy timing. It's fairly Naturalistic in a way. So what I'm looking at is Even that has a slight it's pretty harsh in how it goes down to like a knee bend pop That could be potentially a bit more ease in but it's not crazy because it has a nice energy of two wits go But the main thing I'm looking at Besides yeah, I'm skipping through things and then I see stuff like it's like we're going for a bend into a straight leg But then you have that Knee going into the right back out to the left left back to the right and then over this in real time that left side Has a bit of a wobble. I think we could polish out into a nicer line for spacing And I wonder if here you can instead of landing flat we would land so you already have the foot down with a slight toe first To a toe bend and that will give you a bit of a cleaner sort of a pop bend here a nicer smooth bend into this It's a bit foot down for wolf into that But again, the main thing looking at is the amount of time We end up here to give this leg Time to push forward stays a bit has a full Move out. Maybe it's what I'm looking at is how quickly this foot Goes forward and then to that. It's a nice pose. I'll do like that. I just wonder Again, watch out that knee for instance goes to the left left bang to the right and then to the left again Just kind of visually has a bit of a beep beep bit of a jitter But I wonder if you would go here here here and on that frame It would be it would have to be fairly rolled. I don't want to break that foot and ankle look and everything but imagine it would be It'd be much much more Straight out here kind of trailing off where we were and in that way you get another frame Visual of a full extension for the push-off and then you can go into the bends. I Think a frame a frame wouldn't make the forward move too poppy But it will give us one more frame of extension to believe the strength of the leg and muscle to go forward That's the only thing watching for the first time. It felt like That's a soft change of direction. I'm not super buying it She's not like Pushing or landing here and at this point Like this Where where the weight over the foot is already so far that it's not just the leg Moving it forward, but she's already so forward that now it's also this leg in a way. I hope that makes sense It's a very picky picky thing here. The other thing is the tail and that arm are a bit in sync through here I would I would offset that a little bit more. I think it should pick okay here I was wondering on that drop boom as that route stops moving Was it's fairly a one-frame direction change if you look at it's one is getting here Look at that line. We go down down Down bam back up. I think that could have if you keep this I would almost have this arm Let's go fancy here. Whatever. I know This arm Right down down and that's that's when the root goes back up. It's such a change of direction That then that arm Has a bit of a lower Angle and then comes back up and then meets this Meaning that because the route change direction so quickly it has a bit of a an influence on that arm But if a shoot down and drag up into that or You give this route one more frame We're down here again. This is probably from the red not the best We're down here down here And I don't try maybe flattening or one below and then you can Shoot up and then match here Again because the overall from the moment you start moving It's fairly naturalistic, especially with this this bounce back here the timing of this Gives it a specific realm where this is going to live to some degree. You know, it's kind of break it but because of that This only feels a bit weightless Just that will bounce and really again. I'm talking about one frame the only thing with this From here to here. I wish those arms Be in a different pose. It has a slight feeling of we're hitting this pose And then we have that and then we have that And then it's kind of okay, just I know it's only three times where there's a slight repetitiveness in the posing of the arms where she goes And it's almost Because things flow nicely on threes you could easily have this Maybe she doesn't go well Say not as high, but maybe it should be as happy because this is the big push-off here but then this would be You know either breaking the silhouette a bit more with even the higher or just a bit lower and then this one Might already open arms and be a bit high against a little bit of a contrast And even if it's just in height or extension where instead of bent so much Maybe spent less and we're ending all more and was like that. It's a slight repetitiveness here Even your bounces but feel kind of the same. It's almost like she goes into cycle cycle cycle and go That's the only thing I would say for policy There is here something to give us a bit more Contrast I think you probably okay here terms of how low we go for push-off I could potentially try a good couple That's the but maybe this low just a little bit more of a Because it is quite a jump and maybe a bit more of a squash is patient into into that And by that extension when she jumps Have those arms a bit lower Because as you jump fast it's gonna drag those arms a bit more and then that way they have a bigger contrast to go from bit lower Out into this Might be nice I would probably cheat that arm further away from her even if it starts breaking So we are a bit more why the arms because you're starting to get it really for short and short arm And I know she starts to turn But I think we can keep that a bit longer And then she goes into that Now you want to keep this a light nice bouncy feel But this I would now she can't use Anita. I'm just gonna say lower I don't know if you can go slightly lower and then out of this rake has like a knee move up. I can't remember Shout together read with that rake. So you go lower, but then just pull that knee pull vector up So it's not intersecting feels like it's a bit bigger compression that again It gives it a lightness that I feel like you could give this a bit more weight By compressing a tiny bit more Her shoulders at this point would be higher. They feel low I will bring those shoulders up to not up to the ears obviously They're too high, but really just more of a drag even this feels like we can bring up those shoulders I don't even know if they're pulled up that much. So really high high high on the shoulders Even though she is bringing her arm down Still shoulder up shoulder ups arms would be higher and maybe even a bit straighter here You can bring up those ears. I don't see I don't see too much in those Ears a bit of a soft as potentially the ears or a flick or something But then the reason I was saying all this so that when you have Stronger compression with the root down then through these frames You would also bring the shoulders down neck a bit forward ears a bit down Just the lighter parts would Compress over a couple frames and I would cheat this foot more into profile With this knees out there the foot is towards us and they seem a bit similar so for contrast It's nice, but also so they're not break things because I know you have to probably have to cheat that knee out because of How low we are so lowering that roots probably causing more problems, but maybe we can cheat it just a bit So yeah, how nice a compression there And even that tail Could then shoot lower Bit sooner And watch out It's like we're extending that knee back And then back forward again. So watch out at real time has this just a bit of a stretch pop It's not super extended, but a bit of a pop there and then her finger poses like through even here she could Land and then spread out the fingers a bit more almost there dragging a bit not sausage fingers back But a bit of a wider thing As in like rolled back and bit of a spread so that when she goes in here we can start Putting them in a fist again for contrast. I seem like they're just stuck in a default pose both of them in The fist in a fist in a fist and then you can bring them out again with a nicer Grouping and just a nicer pose where they just seem to at least here the same rolled up But they seem a bit too default even through here. It was like a default curl for all of these these could have some more appealing Hand poses carefully a bit of a tangent right there on that chin. I will bring the arm a bit lower And especially through here as she's done that could be a nice pose and then as she starts transitioning Bit of a change especially in this hands and the fingers This is there's nothing happening at least there's something happening here I would just not have all fingers curled the same amount and start at the same time And then during that transition have a slight change again This is stuck in the same pose and then we're back into this which is cute Unless it like that a nice little flick here, you know, so do you have stuff in there? So it's kind of just for looseness and if it's too much You know, it's kind of back off of it But just some changes for the loosens on the ears of compression or something like that even if she wants to You want to make a bigger deal where she actually curls in her ears It will be fast, but it will have some little nice detail in there and then she comes out Maybe they didn't come out again You have it here a bit But again, I would offset these so they're not being at the same time So slight changes even through there. You have a little wiggle there, which is cute I don't know if you can rotate them and why It's a bit more life in them I think that's kind of that As she goes up and down here, you know framing through things since she's asking for polish I'm looking at how much weight is now being transferred onto that leg Both legs push off a bit more here. Bam really compressing here All that weight is there But if I look at this line of her shorts and a t-shirt There's nothing changing and you would think that she goes up and you can even exaggerate and instead of I mean I know this will wait here But exaggerate and actually bring this side of the hip up and then bomb on this it does that right goes from here to here And a little bit of as you go down a little bit of a change in the hips Maybe that's what you're doing But you can't see it because the way this is rigged and on the low But I would love for see a lot of love to see this line here Change from this to this because there is a rotation in the hips that needs to be happening through all of this here And again a little offset of fingers and all that good stuff All right, that is that. Thank you All right, there's an email you can sign up you can start whenever you want you can submit whatever you want You get 16 submissions either way a like and subscribe would be awesome. 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