 Meanwhile, I made a friend, guys. Yeah, isn't he great? What would we name this, my new friend? Okay, I'll take it back. Hi, my name is Valentina. You're watching The Bounce. At The Bounce 2-5-4 on Facebook, Instagram, and Twitter. The hashtag is Bounce Nation. Help me introduce my next set of very amazing guests. Hi, guys. Hi. You're all very impressive. Thank you. You have more hair on your jean than more people have in their lives everywhere else. Yeah, 11 years. 11 years locked. Yes, yeah. That's a relationship. Since 2007. Ah, okay. Mommy, you look fantastic. First of all, I like your haircuts. Hey, aunty. Wait, wait, wait, wait. There's something written here. What is it? My name. Ha! Aunty, swag. How did you even see it? I was still stuck on the earrings and everything. Just do this with your wrists that they can see all the bling. Yeah, she has more bling than me. And it's so beaded and beautiful. But we're in Kenya, right? Yes. So these are Kenyans. It looks good on you. I have one I give from Sudan and one I give from my mother and the rest is mostly Kenyans. Oh, wow. Welcome to the show. Thank you. This is your song that we have just played. Yes. Tell us a little bit about it. A Kokoriko song is a song about the children. And, you know, we are grown up now but at some point we were children. So when all of us were children, there were some songs that we used to sing when we were young. Even now the young ones, they have their songs they sing. But these songs, it's a continuation. Therefore, we have songs that's a continuation but still they remain. They can change the style but songs still remain. Like you can feel the roots. Yes, the children. The children. Because like now this song, if I sing, you know, this was a girl's song. The girls used to sing. Then I'm going to the river because I'm taking their cows. Then I want to join them because the girls are singing. I want to join them. Then what I do, I bribe them by fetching them firewood so that I get this chance too. Oh. Yes, that's how it is. That's why I had to sing this song after many years thinking how I passed through joining the girls on the song. Just a minute. Would you like to give me a sample of your voice? I'd really like to hear what you sound like from the first. Yes. I like you. I like you. I like you. I like you. I like you. I like you. I like you. I like you. I like you. I like you. I like you. I like you. I like you. Yeah. So this fantastic piece of work was made by this lovely lady and she has MORE! Can we please see it? Would you please hold the mic up for us as she talks so that she can show us yes, as she demonstrates? Yeah, this is a picture of it's a painting that he's homestayed in Iqusi. Um-huh. You're from Iqusi, Rastaman? Not Jamaica, Kingston? Yes, I'm from Iqusi but I've stayed in the coast always I have all my life. Wow. Yes, so I'm cosmopolitan. Cosmopolitan? Yeah, and I say cosmopolitan. Can I say, because we're polluted? You know, she's a teacher. I make a lot of mistakes. So she keep on, you know, telling you. Working on the mototos, whatotos. And then this was one of our neighbors, who I thought was particularly beautiful, putting her child on her back. Yeah, so that's. Such detail. Yeah. This is the recent things. Yeah, the owner, the camel, and his jaw dropped. He had no idea someone could draw his camel. And then I asked him, what's the name? Because I realized that the camels all have names. And so anyway, so he told me it's Charlie Brown. He was fancy, though, for a camel. But Nisawa. He always wears a hat. Yeah. Yeah, it's because during the festive season, then they were making Christmas hats. For the camel. Yeah, for the camels. They were hats. See the beach, they gave rides to children on the camels, you know. And camels are very funny, because you called their names, they turn like this. OK, all right. They turn, they call. They turn, yeah. Yes. Could you help me maybe get that book, so we can demonstrate her prowess somewhere else. So many years ago. Maybe give each other a little bit of space. To visit the School for the Deaf in Uganda. And I saw the children sitting on the floor looking at women's magazines from Europe. And I'm like, this has nothing to do with their lives. Where are the children's books? And there were none. So I started a project. I was at McCarrie School of Fine Art. I started a project and found that the children liked everything I drew, so then I did a story about a little girl who's deaf. Oh, wow. At that time, they had this kind of like a little, if you could hear something, you get a little hearing aid in your pocket. Now they have them behind their ears. They're different. Anyway, she's the little deaf girl that could hear a little bit. And then she's with her mom and her auntie going to the, going to get ready to go home to the village. So these are wearing the basoutis in Uganda, going to the bus. Wow, you've been to Uganda? Yes, I live more in Uganda than Kenya. Now I'm in Kenya, but I still live here. Oh, you're Tia Nyabo. Volundi Nyabo. Hey. So they're just showing the children on the bus and buying the ticket. There used to be a ticket machine. Kiddogo, I think we still have those ones. I'm wondering if they should be in the museum. But there's no, but there's no museum. Kenya needs a museum. So it just goes on through the, they go, you know, start about the bus, be careful. This goes jerking and don't fall off. And then there's the tall buildings. And the bus is very small, next to the tall building. So in different perspectives. Wow. And then it goes out of town. You're very patient. Goes to the village. They get out and go for the dukkah, going for some cakes or sweets. And then they go through the country and the cows. Then they get a flat tire. She looks under the bus to see what's going on. So I want to show different aspects of the bus. Yeah. The bus is the constant here. And then they go through the jungle. And there's different animals, owl, monkey, lizard, snake. I don't know, you know, in Africa, we have many hyenas. No, there's no hyenas in this community. The reality is, you know, if you say there are hyenas, a hyena is in the forest. OK, a snake can be sour, but if you see a snake, you run away. The hyenas, well, a hyena is not patient just to wait you. You know, they want to, that's the key. So she cannot try to draw the hyena simply because the hyena is not domestic. But the Kenyan ones are very dosed. I love that. All right, thank you so very much for your hard work. So you're going to release more songs for us, yes? Oh, yeah, yeah, yeah. Do we have a date, like a standby date, where we should? Coming week, we are going to have a gospel song, Focusing Jerusalem, it's a very great song that's multi-religious and diversity. You know, once I say multi, you say I'm supposed to say multi. Yeah, it's true, because now that we're on DSTV, we don't say multi, we say multi-choice. Yeah, multi-choice. Because she's a teacher, she teaches me. I see, we're never too old to learn. Yeah, we're never too old, yeah. Where do we find our social media as we live? All right, Coco de Taproot. Coco de Taproot. K-O-K-O, specific D-E, then Taproot. This is the Taproot. 11 years, so patience. Then it's called the Taproot takes on the depths, the energy from the depths to the ground. So I was called, I used to be called King Coco Bee. Then I decided I would no longer stay in the kingdom, but rather go to the fields of justice to serve. Then now I'm Coco de Taproot, going to the depths to bring the energy into perspective. Wow, but are you on social media or we can find it the same place? I'm with him in the songs, in that same one. And myself, I have Facebook, Tali, Saxton. Yeah, that's when it was really active, yeah. So we are going to follow. These people are way too interesting to not follow them. Okay, guys. And then bounce to 5.4 on Facebook, Instagram, and to the hashtag, it's bounce nation. Please don't go anywhere. Thank you.