 My? Yes. It was me. It was me again. Can you? I'm filming. Can you? Stand next to the camera. Watch out for the camera. I visualize the space around me. I visualize the space around me. Figuring out the composition of the painting, I turn the canvas around pretty much the same way I turn around myself. I use photographs for the individual portraits if I can't remember the details, the shape of the face, the eyes and things like that. Photographs are useful. I usually download them from the Internet. Everybody's photographs are there. I paint both exteriors and interiors, but I like the views from the exterior towards the interior. So the space opens up through the window as on the painting my daddy thinks I'm fine. On the other hand, the painting's small talk only shows the town of Tarifa, which is 10 km away from the place we are having breakfast. So some of the space and the distance had to shrink to fit the format. I've been going out so much that I had to find a purpose for it. I had to justify to myself going out so extensively. I turned it into a research expedition. I claimed I was looking for inspiration, which in a certain way was true. These paintings heal me with their colors, with their energy, with the mood of the people there. So I think that's the way they affect the audience as well.