 My original inspiration for doing this actually was Maradham School in Tiruvannamalai. The school in Maradham is my idea actually of all the schools I've ever seen is an ideal school. When I first met them they would have been doing for five years, they'd been doing their own craft miller. The leading people on the planet were the craftsmen. With the tradesmen, the craftsmen, these people and their intelligence, it doesn't mean they don't have an intelligence in their head, but they also have an intelligence in their hands and the relationship between these two intelligence was capable of producing extraordinary works of art and extraordinary works of craft that nobody now is capable of doing. So having worked in Auroville with children and always with what I call with creative expression so that you try to work with children in ways of expressing themselves, they can express themselves with words and songs as well, but primarily to express themselves by creating things, by making, by shaping, by doing things with clay, with metal, with wood, with straw, with whatever materials are available. So we put together our first miller three years ago here in the youth centre and we brought up from Tiruvannamalai about, I think, ten different craftsmen, from Tiruvannamalai, from Hampi, like I say, from Ramaswaram. I think the first year we had 300 children. 300 children, 20 different craftspeople we managed to put together and as you can see it's also a way of relating to the local children and the local environment because we're dealing with mostly poor children. These people aren't sitting around looking at phones all day, you know, and you can see that they obviously come from an environment where their parents or they know what it is to use their hands, you know, and so already they have some skill. Some of these craftsmen are treasures, you know, like I keep saying to the children, the opportunity to do a lost wax sculpture is something that no other child on the planet has access to, you know. Some of these craftsmen actually sacrifice their time to come and work with us. They do also enjoy the idea of passing on the skill. This is the thing with particularly the women and the old palm weaving and the crocheting and these skills, the women in particular, when you ask them about how they feel about the whole thing, they start crying, you know, and they say, no, for us it's such a joy to be able to find people who want to do what we're doing, you know, because it gives it value and also we feel that it's keeping it alive.