 Kafuwebo So, we asked for your feedback. Now, mumekam through Villambayambayaka. So, we have Jumbo G, and I said I also didn't like the story. Kenya to Nafa, to Saidiane, to Fikefa, but to Kianza's story. Kahizi. That was easy in Dambali. Nakubali nanawesana Jumbo. Then we have, this is one, one fan of Hipopta's Day. Anaito, kiplagad, Jafana. Apumisha ni Ecero. Okay, so from Ecero Village, Kapisanga Ward, Nandi County, watching Big Epsana Kiplagad. Then we have Oguel Junior, Anasema, watching. Thank you very much, Junior. Then to Konomungina, Anaito, Umra Mwakio. This is more of an insult. And most artists who got that amount, they agree with you, Umra. Then we have Frederik Smart from Dumbizi, Anasema. Tuko pomoja, Y254. And then Nichezek, Ibao, Radio Love, Nadia Mukami. I'm not sure DJ Radjis can do that right now, but make sure you tune in and write your Y254 channel. Piru de Kesho. Kesho, it's Freestyle Friday. Yeah, so make sure VDJ Khalifa will definitely have you on Radio Love by Nadia Mukami. Welcome back at Michelle Ashira is where you can find me. And this is the time I introduce to you is who his fusion of hip-hop is quite different. And he has actually spoken about claiming that most of Kenyans do not get him and the fact that they assume, they don't relate to his kind of music because he's different and he has cut a niche for himself incorporating fusing jazz music with the hip-hop. I'm speaking of none other than Jumbo. You know, she. Then he has introduced yourself, but if you want to know what to do. So, but for me, I have spoken to you and I feel like we've known each other like forever. Listen. Yes, coming for you. Yeah, it was good guys. My name is Finoshay Elbameso also known as Finoshay or Pidote. I'm a self-produced, I'm a self-taught producer and artist. I'm doing, I'm majorly focusing on soul hip-hop, jazz hip-hop and poetic rap. Yeah. Jazz hip-hop, soul hip-hop. Yeah. Is that like to you? Did you take it as a prior to your study in your career as an artist? Was it a conscious decision so that you can cut a niche for yourself in the industry? Yeah, yeah. I wanted to do something unique and I wanted to do something that I love. I'm a fanatic of old school music. I listen to a lot of jazz music. I'm a fan of Frank Sinatra, Nina Simone, those old school artists. Kina Daoudika Bak. I also listen to them because I want to I want to come up with my own genre. Live alone just hip-hop and soul hip-hop. I want to sample zilizo pendwa and bring some some soul and jazz vibe and come up with my genre. That is the way to go because currently there's competition in each and every industry. And the best way you can cut across is if you are different and people actually love what you do. If you're putting in the work and expensive. So let's go back when you're growing up. What kind of music were you around? What kind of music were you listening to that influenced you to desire? Or rather have the passion to get into music? First, I was raised in the church. Like my mum used to take me to church. So basically I used to listen to a lot of gospel music. Then with the time, my friend who is called Moshe. Actually, I think that guy Moshe Sama is the one who introduced me to hip-hop. The first artist introduced me to was Nass. All right. So that's where it all started. So it all started from way back listening to in the church. Yeah, I used to sing in the church. And how is your pines taking the whole situation of it being apart from your studying international relation in school? What is, do they support your new diversion of your career? Not even going to a bond. Not even going to a bond. International relation and now into music. Are they supporting you now? Yeah, they're supporting me like they're supporting me. I want to be in an event named Pali. Like they'll give me permission to go. And that with them just giving me permission to go out. They're supporting me like they know I'm chasing something. All right. And also when I make beats I produce my own tracks. You produce your own tracks? Yeah, yeah, I produce my own songs. From African level to money? Oh, African level is produced by my friend. He's called Pinko Zola. He's a YouTuber. And also a producer. And he's the same as me. I'm like, oh, did you watch it? I was a Malisha Pachiluwe. But when you burn it, you are Pachiluwe. Status stay, in it was club 36. Now they know, now they know. So what was your mental state when you went to studio to do your first song? Because I've started with many artists and they always have different story about going to the studio for the first time and reducing the first jump, the package, the finances used to incorporate in the whole production. What was your mental state when you went to the studio for the first time and then I released it in your first jump? Mini kwa najiwa ita hit. Mini kwa najiwa ita hit. Mini kwa na nana mentalitya. I want to record this project. And after I record it, I want to post it on SoundCloud, YouTube and this track is going to hit like, I'm going to blow, but it turned out to be. It was different. How was the reception? Like people didn't love it. Okay, from that state of expecting to have a hit tune to now okay, life was just teaching left, right and center. Okay, hold up, what's going on? So what was after that? I had to learn the music itself and I had to learn the music industry of Kenya and I had to learn how people will relate to the music that I'm doing outside. Okay, so let's speak about your African lover. It's no more of hip-hop, but it's still your project, it's more of a flow. So you're basically what you're trying to tell us in your art, from African lover to love. To now, the one that I love a lot is, okay apart from money, there's a couple of others. We have nightmares. So are you still exploring or are you just, you're sure that now it's just, apart from you exploring different agendas incorporating hip-hop to jazz or music. So you're still doing a form or are we exploring? We go with exploring. Right now I'm doing hip-hop. You're doing hip-hop. Good, talk to me about nightmares. Oh, nightmares. Nightmares actually, it's one of my best projects because it's my story. All right. I used to be depressed and stressed and I had this negative energy behind my back. So I had just to put it all down to the sheets, went to the studio, recorded it. Then I had to plan for a video. I recorded nightmares last year, February. Okay. So you're fab. I used to, me kwana fanya kazi actually yo time. Like I used to feel worthless. Nadu where I pay, I used to be a waiter. I used to work to... You used to study somewhere. Yeah, I used to work to our house, KLB. I used to carry boxes up my visa with a bag. So it was a bit hard in challenging to me. Nadu kwana kachini na Juliza, manze kwa ni mendi kosa ni ni. Ni kuna art like I can write, I can record, I can produce, but kwa ni mendi fanya ni wasewa zi like nitskiza, se metu, ehum saya kuna talent, let's give him a chance. So nili se ma, acha tu ni niki histori angudawm. Then kashiyana wa say... We actually had this conversation earlier on our intro, speaking about artists going through depression and wale artists from Nigeria is actually speaking about having an insurance, medical insurance on mental health as an artist. And you have brought it up and it's very important for an artist to have this particular mental insurance supporting wale throughout. So how did you move from being depressed to coming up with another good music as money? I just had to keep my head up, stick my chest out and handle it all. Did you have a super system? Do you speak to someone? Ya, ya, I have a close friend tulisoma pamoja na hei from primary school actually na ni watch say... Big up to you. Yes, big up to you. So the guy is my close friend like Kabisa. Kutoka kwa familiar, he's my second family. Like he listens to me. Algona ni ambia, I'm say, just do your music. Ata na hau sayengine, it will pay off and it's actually paying off. Exactly, and speaking about paying it off, you have a new EP coming out. You have actually moved from... Self produced. Yes, self produced and EP is coming out. It's called Kibs Error title. Kibs Error, ya. So it's coming on October 25th. Of October. Okay, speak about Kibs Error. Let me know be a snitch. That's right. No, no, no. Let it just be right here. The first time I should take it for Thursday. Why? Come on. Just a snitch. What people should expect and where you're going to launch it officially? Yes. Because we will actually launch it right here. I'm actually planning on where I'm going to launch it. But Kibs Error, it's actually my story. Kibs Error has two meanings. First, Kibs Error in Nubi. In Nubi it means jungle or forest. Then Kibs Error in the other meaning means Kibs Error. Nili ga nisha tu yo wa Kibs Error. Kibs Error. I'm the Kibs Error. And it's my Error. So the project is going to go up with you too like I'm trying to show you people who I am. I've talked about I've talked about my dream of getting played in the radio. Yes. I've talked about... You're on TV live right now? Ya. Mama, we made it. We've talked about depression. Ya, I'm talking about this fine girl that I'm going to have throughout my entire life. I'm talking about new days. I mean brighter days that the Lord has a pome in the future. Preach, brother. Ya, ya. I'm talking about, you know, I'm talking about depression. Ya. I'm just telling the world and people that this is me. This is you. Ya. I don't care if people are going to love the project or not. You're doing it for you, for the love of music. Ya. And that is me. Period. Guys, people back at home, they're coming up with your your comments are coming. We have Joseph Wayne Jay. I'll be reading these comments, but right about now, Finochet, give out your social media handles because I believe people through your art, they can actually learn and understand that it's not as easy as people claim to or think it is in the industry and they can learn one or two things on how to go about it and just have a good time while at it and exploring. So, use camera 4, give us your social media handles as we let you do your thing right here. Ya. Ya. Everywhere. It's Finochet Yelma. Just as simple as that. Soundcloud, YouTube, iTunes, Tidal, Deezer, like, IG, Facebook, Twitter, everywhere. It's Finochet Yelma. Do you have any message for your fans? What should they expect? Or any, do you have a new event? They know. I usually talk to them. Well, I do. So, I say, well, Finochet, me sama muna tamboa, what he brings to the table. Make sure you stay tuned. New, you'll be doing your new single right here. Ya. So, he'll be performing. Make sure you don't touch that dial. Remember you're still speaking about the MCSK drama whereby artist got paid peanuts. So, two thousand five hundred and thirty. Still ongoing on our Facebook page that is Y254 channel. We have one Joseph Wengie and the same Azimaman blocked. Thank you very much, Zain. And then, Jose Banna. Here is Tony Ngori Sana. Hi, Bambi Yata. Oh, what you wanna support the whole idea of not, it's not good for what the artist got in terms of the pay. We have Azino Technician MCSK OG as must be, okay, the OG must be respected. Then we have Sophie Roo. How are you my people? We are good. Then he ishi akulipa wasani water equal amount in a bowl. It doesn't make any sense at all. La lafu OG she'll be respected Banna. And then Napenda songs is Uyo jama. Okay, si jini jama mga niya, abilivni jama munya na kam through Saizii and Ytofinochet, but ule jama umiongelani. Sawa. And then we have Alberto Sheik na sema ikawagun pamoja Adita Mati. Alberto tuko pamoja Adita Mati. 1030 is the timeframe. My name is Michelle Ashira. Follow me across all my social media platform that is as simple as Michelle Ashira. And right up on now, Finochet is taking over on the ground and digital edges got you covered on the wheels. So Mali is going to be performed live here by none other than Inochet.