 Hello, hello, Mario here. Mario's back with a new subject. Let's talk about Roman theaters, amphitheaters. What is so interesting about this subject is that we have done research to virtually all square and rectangular ancient structures spread around the world. And we found a very interesting pattern. This pattern results in the position of five geographic poles. And if you're new to the channel and new to our research, I advise you to go to our website and read the main page. It's linked below. And when you read the whole article, which is quite large, of about 30 minutes, it is sometimes a little bit daunting to read and understand some of the graphs and simulations. Nevertheless, this research that we have done used around a thousand ancient structures spread around the world. And this results in a pattern of geographic pole positions, ancient geographic pole positions that this has to do with crustal deformations, like Charles Hebkut, professor Charles Hebkut, wrote in his book in the 50s. And we do not agree with his research. Nevertheless, his idea about crustal shifts was very interesting. What we have found is that the crust deforms and this deformation pattern causes what we now understand as ice ages. That's enough talking about the research itself. What we have done is by looking at the orientation of Roman amphitheaters, we made a list of 119 amphitheaters. There's one in Albania, there are a few in Algeria, Austria, Croatia, Cyprus, England. A lot of them are in France and of course in Italy. A few in Romania, Portugal, Libya, Spain, Switzerland, Tunisia and one even in Wales. Orientation of an amphitheater has to be defined before you start measuring. So we initially proposed what you see in this scheme. An amphitheater is basically an ellipse. This elliptical shape can be measured in two different ways. Basically we were looking at if there were matching patterns between the orientation of amphitheaters and the poles that we have found. The five ancient poles that we have found, or even six poles. But the pole six is not yet totally proven. Nevertheless, this elliptical shape of a Roman amphitheater can be measured in two different ways. The two examples you see above is X1 and X2. This is one way of measuring and the two examples below X3 and X4 is another way of measuring. But in any case, what we have done is measuring the counterclockwise direction of an amphitheater. And why counterclockwise? Because seen from the position where most amphitheaters are situated, are located, the poles are always counterclockwise of them. That is why we done counterclockwise between 0 and 90 degrees. That is the freedom of orientation these structures can have in relation to our poles. So, and that is what we have done about 120 times. It was a lot of work. And this work resulted into this pattern of red lines. You see countless red lines, a yellow line and in total you see six circles following this yellow line. And these six circles are the definitions of the pole positions. The ancient geographic pole positions. And that means that the crust has deformed around the spin axis of the inner earth. But what happens when you do this countless times and put this in a graph? You get this graph. The red lines on top of the graph represent the positions of the poles 1 to 6 and the blue vertical lines represent intersection points of the orientation of the theorists. And we see clear peaks around the pole positions. And that is of course very interesting. Why is it interesting? Because these are two different absolutely unrelated patterns. Why are they unrelated? Because we say that these poles 1 to 6 stretch over a period of about 450,000 years. So pole 6 is almost 450,000 years old. And for example pole 5 is around 350,000 years old. So structures which are in large amounts oriented to pole 5 for example. The probability that they are as old as the pole increases very much because these peaks are focusing around the poles that we have found. And these two patterns have basically nothing to do with each other initially. Why initially? Because history books tell us that Roman amphitheaters are not more than 2,000 years old. Maybe 2,500 but you get the idea. These are just a few examples of amphitheaters that are in our list. The top structures might look modern but it appears that the foundations on which the Romans rebuilt their structures are much older. And that's the story. What is interesting about this one in France is that what you see happening in the construction of this city is that people built their houses on top of this old Roman amphitheater. But you still see the contours of this elliptical shape of the amphitheater. So even if they destroyed this amphitheater and rebuilt new constructions upon older foundations, you can still see the basic shape of the structure. So what the French did with the Roman amphitheater, building upon older foundations of the Romans. This is also what the Romans did with older foundations that they found. And why is there nothing left of this history because the people that lived in France before the Roman Empire took them over? New of course, the old stories about these theaters, they were built by lost civilization. But these stories are destroyed by the Romans. Everything that was written or said about these ancient cultures was totally destroyed. And this one in Italy, what many amphitheaters have in common is they are situated deeper in the ground. This one in Tunisia. Roman amphitheaters are presented to us in this way for the masses, soldiers, gladiators, all kinds of violent gladiator fights and so on. You know this from the movies. These theaters are not the idea of the Romans themselves. They were inspired by an older civilization and they found the remains of these theaters and they rebuilt upon these old foundations. Our work is mainly about mathematics of course. So back to this graph, let's assume as a start that the Romans built all these amphitheaters. Then the question could be asked first is why are amphitheaters oriented in the way they are? This sounds maybe a little bit strange. Try to answer the question, why are the amphitheaters oriented as they are? No one has the answer. Not one historian, not one archaeologist has the answer to this question. They only come with all kinds of stories and assumptions. Assumptions like or maybe it was because of the sun, but where's the proof that your assumption is correct? Such a thing is not present in any research. Back to this graph, let's assume that the Romans built these amphitheaters. Then we have a pattern of orientations. When we look at the orientations of these theaters and the intersection points of the 47.1 Westline that we have found, then you will see that 69 of these theaters matches in the six poles. And this is such a large number that this goes over an area of only 25 degrees. We have freedom of 90 degrees. So orientation of these theaters largely focus around these poles. And we can mathematically express this in a probability that these two patterns coincidentally match with each other. And the probability is only, hold on your chair, 0.0044% that these two patterns coincidentally match with each other. Back to the start, the assumption that the Roman amphitheaters were built by the Romans originally is 0.0044%. What does this mean? It means they were not originally built by the Romans. I can claim this with 99.9956% probability. The Roman amphitheaters were built by a lost civilization no one knows about. And these civilizations are not a few thousand years old. Homo sapiens walks around on this planet more than 400,000 years and they build all these structures. This is what Atlantis is about. This is what lost civilizations are about. These civilizations go over hundreds of thousands of years. They build these foundations, they build these structures lost in a mist of time. So any written record on paper of papyrus is simply gone. So these stone structures, the orientations of these stone structures are the silent witnesses of lost civilizations. That is a true story. So we are of course very intrigued about this discovery and you can read more on this discovery on our website. You can go to our website. It's linked below. This is enough for today. You can support our research by becoming our patron, my patron. And that is greatly appreciated because we need support to do this difficult work and very time consuming. Because only this research to the Roman theaters took us a few weeks to complete. So thank you and I wish you a happy day. And I hope to see you back on the website or on Patreon. Bye-bye.