 I can't believe actually I can mm-hmm. This is gonna be one happy New Year's Eve man End of 2020. Oh man to say goodbye to 2020. Can you imagine how bad 2021 is gonna be though? Corbin. I'm not an optimist. Corbin The Follow us over there The majority of you don't and you're missing out on good stuff interacting with us and stuff You don't follow us on Instagram and Twitter, dicks. Anyways, today we're reacting to a new trailer, just dropped, I think a few days ago, it's called The Disciple. I believe it's a Marathi film, same by the same people that made- Oh, Court. Yes, I've seen some hubbub about this. I think it's already won a couple of awards at some festivals and stuff like that. Same people that made, we know the, we haven't seen it yet, we will, it's on the list. And I believe it's a Marathi film, it's probably the next Marathi film we're going to watch. But from the same people as that. What do we know about it? It's a film, it's Marathi, and from the same people that made, Court. Okay, that's great, thanks for that new info. You're welcome. But like synopsis or anything, we don't know anything about, here we go, The Disciple. Okay. This film won the Critics Best Film Prize at the Venice Film Festival yesterday. Second film, director of Court, Nawaz mentioned him, yes, getting a role in his films is extremely difficult. He auditions thousands of real people for each part and believes in doing a lot of retakes to get performances from them. Oh dang. He doesn't believe in professional actors and hires them sparingly. Oh dang. I'd love to know why. I know why. If he doesn't correct the realist performance you can get. I know why he's probably been, you know, he's done only Indian cinema and the majority of his films, he's cast white actors. Hey! But don't take it! The director was also part of the whole process of the making of Roma. That's a very, his film if he doesn't hire a real actor, that was a very fly-on-the-wall film as well. It was, but and what capacity was he a part of working on Roma? I don't know. But I've heard a lot of good stuff, so let's just get into this. I can so tell these aren't professional. It actually looked like the similar to Cork because I remember Cork, it was just them in a courtroom. There wasn't like any big grandeur. Yeah. It's like this is, you're going to get the story. In the story. It felt like in the directing. Yeah. And it felt, speaking of Roma, that felt like an Alejandro in your YouTube trailer. Very much. Yeah. It gave me big time Alejandro and your E2 vibes. Yeah. And Alfonso Cuaron exec produced this, so I'm very, very, very interested. Yeah. Definitely interested. So I don't know if it does it come out soon or does it, is it already out? I don't know how it says 2020. It was, the trailer was released the 4th of September. It's interesting. How are they doing? I have a feeling SAG is going to do what they've been doing because we started to get the SAG screener invites, but they're all going to be virtual. Virtual. Which I don't know why there's a cap on virtual. I know. There really shouldn't be. Weird. It is weird. What he means by that is so when you go to a SAG screening for a film that's nominated for SAG award, it's held in the theater and there's a, it's, you know, you can only seat so many people. So you have to RSVP and then it closes. Why you would do that for streaming and not let as many people as possible see it who are SAG members. I don't understand. Yeah. So it looks on at least some time to be, it's coming out the 29th of this month in the United States. Yeah. So that's great. Why isn't Coran listed as exact producer right there on the producing credit? I don't know. 127 inch, which makes sense. It looked like it was going to be in any time because it looks artsy. Right. If you can define artsy. And anytime there's that usually means it's going to be slow because it's going to be dialogue or story driven. It's story driven or dialogue driven. And it's based on characters and people, not circumstances and events. Yeah. Definitively. And so usually to eat those types of films, unless you're Martin Scorsese, your films are about an hour and a half to keep people engaged. You don't want people to get bored in your film. Right. So usually it's an hour and a half. That seems really short. Usually two's since we've been watching two and a half hour. Right. Three hour films for over a year now. Yeah. Whenever I see a film we're watching and it's like an hour and a half to under two hours. I'm like, okay, this will be quick. Yeah. It will be a quick watch now. Which before it's like, oh, this is a normal film. No. Like a normal film now is two and a half hours to three hours is what I expect. And then if it's any less, I'm like, okay, this is decently short. Yep. It's just how it is. Yeah, I agree. And it's such an, if that's how this director does it, you know, that's his style. That's what he likes to do. Casting non-actors. If it's done correctly and it looks like from his reputation, he does do it correctly. Yeah. We've talked about it like the Village Rockstars or whatever those films. Right. If you hired non-actors, if the director does it correct, you could get the most real performances because they are just being real. And it looks like from the synopsis that this is going to be a legitimate take on what it means to be an Indian classical musician. It's this masterfully composed second feature by Chitanya Tomhain examining a lifetime journey devoted to the art of Indian classical music. It looks similar to, different obviously, but similar to Phantom Thread style a little bit. Kind of the slow pace kind of. For sure the slow pace. I'm trying to. Obviously not the story. No. It's a very different story. I'm wondering if this takes a weird turn. Yeah. I don't know. I don't know this director what he's known for. Obviously we haven't seen court. So we don't know like, what's that? Moldigalum director with the LJP or whatever. J. Josie Lilo JLP. Yeah JLP. Who likes obviously the chaos and the twist at the end. So I don't know if this director is similar as well, but this does look like our style of film very much so. So let us know what we need to know about this film and the people involved and should court be our next morassi film, let us know down below. Da-din-dina! Da-din-dina! Da-din-dina! Da-din-dina! Da-din-dina! Da-din-dina! Da-din-dina! Da-din-dina! Da-din-dina! Don't give me that!