 All right, so you are asking is the camera too wide in both shots? Do I need to get in closer? Maybe It's a bit too wide as in Also in terms of your white screen. I know you said have the guy walk away But I wanted to try this instead. I just it just popped in my head if it doesn't work I'll do the guy walking away. It's still working on the hands eyes lips. I'll probably tackle that next All right. Awesome. Love it. Great notes So I put together just as a sequence Why is it so hard to find a good man? So first of all the cut works really well Why is it so hard? It's just probably It's just blocking it's really really fast Boom how she stops so she will come down. I keep that speed how this connects between the two shots is great Then just ease into this more Do you want to feel how it's you know, but cheeks onto a flat ground? It's gonna be some softer stop And she can start the line while still going down so she might You know by now one of seven on the second shot she might stop It's so hard to find a good man And Let's go one by one So yeah, to me that would be just be this for the transition but again those two shots together they work really well So if I go one by one So you're mentioning this and I actually love it. That's actually that's a great idea. All I would do is Probably reframe to something like this. Oh Leave where you have it right the top is fine You don't have to see all of this. This is too low here So imagine all of this that I'm scribbling here like an idiot is Gone so you're closer in like this, but you have a nice right frame composition there I love this idea that he's waiting there with this kiss It's also less animate you'd have to do the walk which is great And you can start the shot with So right when he when she gets to here You know you can have you can start him here Maybe a bit further back so his nose is maybe here and throughout the shot until we lose him He advances to where you are currently and then he can go from like normal almost normal lips to the kissy lips So we can tell right before she closes. He's going in Right for the kiss and she closes that could also experiment experiment with him in this pose waiting And then right before she closes like on this frame You suddenly have his eyes open up because he realizes wait, I don't I'm where's the kiss? it's not coming and He just sees right before it closes, you know, it's it starts to open right at the end You got like that big eye like wait what and then she closes just me as a little detail I think that could be interesting as well, but I love the idea That's totally great might want to move that foot around just a bit here So I have a bit of a cleaner silhouette so you can see the foot out there So it's not just this stomp if you squint it's like just like a straight leg like that and This gets a bit messy there silhouette wise, but it could probably work It's just aligns perfectly with her chest. It's a bit of a tangent. So maybe his hand is here No, it looks like she'll grab her chest there, but I think It's not crazy. Just it's just right there. I'm gonna probably just bring that So she's holding it behind her somewhere around here, maybe or you can experiment with here Where maybe has a fists or like tense hands nervous He's waiting and then when she continues and you see his eyes if you do this his eyes wide You will see a glimpse of his hand and the things are relaxing as he's realizing wait. What's going on? You play around with it for her Yeah, I mean that all works you have to Work on the mechanics of flattening the hands all the good stuff there as she pushes chest some Should and chest rotation there You know now she slides forward a bit of a weight change You might move over a bit more left and then right just mechanics wise keep going But that's great too. So she closes this right and I like that. She she drops her her head you can probably You know that hand that's behind her start dropping it already. So at this point, maybe that hand is here So that by the time she drops her head You can drop her shoulders a bit and then that hand could already be lower So it's a it's a more overall view of things are coming down lowering because she that's how she feels So it's in back in this this pose not pose, but arms down a bit sooner The same thing here you're moving this around although you are moving over and it's good for weight shift For your pelvis, it's gets a bit swimmy. I'm looking at this foot You know, it's like she just stops in and the other foot kind of pivots, but then you have this weird pivots only on the toes It's a bit swimmy dancey and bit fast. I'm not quite buying the physics of this This is just like a magical rotation in Y Versus you do this Maybe she stops here a bit sooner with an angled foot like that and really plant it and don't move it and then she takes that step and Right at the end you might start pivoting On the toes to get there and then after that pivot you could do like a slight adjustment Not a step maybe like a slight raise and step Then when you go back here, just make sure that she's not too far away I have a feeling she's potentially a bit too far away So when she goes bam that might hurt her back a bit too much So be mindful of how you can approach that And when you do this, you really want to feel Like right now it feels like she's just going backwards and you want a bit of a Rotation so she's hitting the wall with her Butt first and it's rotated forward. So when she actually hits the wall You can feel how the root bam suddenly stops and then the chest goes back There's some impact on the arms impact of it on her head I don't know if she has a hair controls for polish So you feel that moment a bit more how she hits this And she drops a bit fast to me it would be she goes back Boom hits this with a little bit of a pause and slowly starts sliding Then hits the fastest point right before the cut So if you need to extend the shot back up a frame to get all this Totally fine, but I like that at this point The feet are going forward. I think that's cool and then we cut to this Why is it so hard to find a good man And I don't mind this you could be closer, maybe Maybe You could But then when you go to this, I'm not sure if she gets to cut out. I don't know you could you could try it I mean, it's an easy change Because I can see how this might be where those big blue shapes there or a leg Which you could also potentially cheat and just bring those knees lower. She's already slid down pretty far But then the question is when you bring those Legs up like what are you are acting choices? Do you bring those up and then she She wraps her hands You know around the knees and she holds her knees into that Does she totally drop her legs down like imagine she's she's sliding down. She's like this And then she ends up Just taking putting her legs out To that full like our shoulder slums even legs are down That could be an acting choice She could be slightly closer to this so so when she's done With her so hard to find a good man Good man. So man at the very end she would be You know, she could almost be leaning over and then she has like a full lean with her head against this With a little hair Punched in a bit, you know, like that you can feel that contact how she's leaning against that wall Going over there that could be something So like as an idea everything I think I think is great. The timing generally works You know, you're gonna have to work on like I said, like how fast she slides down how quickly she stops um Stuff like that just for the proper weight and mechanics and then now that we're here Uh experiment going closer. I mean, I'm totally up for it. Why not? This could be fine, too And just think about your acting choices. So maybe it would be Here like that so you have room if you want to lean her head against this or she's You know, if that's the wall That her head is like this And then she ends up leaning her head back against the wall and the hair kind of smooshes up behind her So either lean over lean back Or she starts and then puts her head, you know onto her knees while holding onto it Like they're all kinds of ways just all depends what you want to do Uh I'll leave that up to you So I would start looking into that shooting some reference acting things out Finding reference online if you have something And go from there. All right. Thank you All right There's an email you can sign up you can start whenever you want you can submit whatever you want You get 16 submissions either way the like and subscribe would be awesome. All right. Thank you