 Chris Smith, who's the author of the House bill. Chris, well hi. Oh, all right. Nice to see you. Nice to see you. How'd you join you today? I had a sign. Yeah. It's great to see you. Let's get it for you. So, how're you doing? I'm fine. What's the matter? I'm fine. Okay, we're doing all right. I'm fine. How's it going? Good. Here's your sign. Thank you. Thank you. Good. Mr. President. Okay. Mary Gull, who's the chairman of the Task Force on Abaption, and her two children. Mr. President, it is a pleasure to meet you. Nice to see you. Mrs. Walter and Rosita. Hello. Hello. Hello. It's very nice to meet you, sir. Good to see you. Good to see you. How are you? How are you? I'm fine. My wife, Regina, came over here. She's going to see the camera. So you're not going to do it. So you're not going to do it. All right. What's going on? Are you scared? How do you do, Jack? I'm scared. You're scared? This is my son, Ron, but my son's here. So excited. You're so nervous about me. Yes. Yes. Yes, yes. He's going to see the camera. It's great. He's going to see the camera. Here we go, here we go. Hi, there. Hi, there. Hi, there. Hi. Hi, there. Hi, there. How do you do, Jack? He has. This is my son, Ron. We're just going to bring a whole group of families organized and we'll bring them to the press. Get over a little bit of this first. OK. OK. She's ready. OK. Yeah. Yeah. Yeah. Yeah. Yeah. No. No. No. No. No. No. No. No. No. No. No. No. No. No. No. No. No. No. No. No. No. No. No. No. No. No. No. Thanks, sir. Put that stand up, sir. Really an honor for you. Thank you. Thank you. We love you, Miss. Thank you so much, sir. Appreciate it. OK. You're awesome. Thank you. Very good. Thank you. A quick point out. We thank you for your support. It's made $5,000. It's a very rich fund. Thank you. Why is it worth? It's been so long to get this opportunity to meet you now. I'm happy. I'm very very proud. Well, I'm going to meet you. Thanks for having me here. I know the weight, the big debt that has never happened before? No. This is something you're the first. Big difference for me, but I'm feeling very, very, very proud about it. To be able to see something like this. That I know that people have went out. There, we have 304 other people that went out to try to succeed it. But not have been fortunate enough I have. Well, Steve, if I have a flight as you, well to wait. Well to wait to... Light heavy, light heavy. Light heavy. That's it. Thank you. Thank you very much. Appreciate it. And you're known as the hit man. Yes, sir. You know, if you ever, if you ever get pictures, I used to do a few fights, but it was always emotional pictures. Well, if I do decide I want to get it to pitch, I know it would come to see you give me a few points. Yeah, because for one thing, I give you a point now. OK. Yeah, some of the best blows you've never hit. OK. Do I see it? You've got to miss. Oh, OK. The way we did it, the pictures, was when we did it maybe set the camera up, I haven't heard of it. Yeah, try to square off a little bit more like that. And then you do it reflexively, hit back. OK. Hand a little loose so that when you did have an accident and hit the person, it wouldn't be as damaging as with a tight fist. OK. Now, I have had those before, but sometimes they slip. So what did you do in the matter with the slips? Well? You tell me. I can tell you. Then when my hand goes right there, you let your head go there, as if I hit you. OK, let's try. And in the dubbing room, they dub that in all the time. All right, and then you do the hit. But you mentioned something, I usually, they would hit. If I was in the scene and for the fighting myself for the other act, I'd have to stunt them. But that would be then when they were shooting on bats. In my direction, they'd say back of the head so they wouldn't know that they'd got the other. And one day, accidentally, I did clip it. You'd work it all day. Did you hurt him? Did you hurt him? You knocked him out? OK. I didn't. I don't get it. That's what I wanted to do. Those are the types I wanted to hear. You would have hurt him. Two weeks later, coming to the finish of the picture, there was another fight scene with another actor in this particular picture. And another stuntman, of course. And as we were standing there, when I told him, I said, boy, I hope you're waiting for the camera to roll and get the scene. And I said, I hope that I don't do what I did. And I told him, well, I've done it, because I know he's my roommate. And just before the final shot of the picture in this fight scene, I ended up with a closed eye. Me, too. I lost it. But he waited until the end so he wouldn't have to lose any time filming. The picture was over there. That's great. Thank you. Thank you. Thank you. Gordon Martin. Clinton. Mr. President, I'm Martin Clinton. I represent the World Boxing Council. Sir, what a pleasure. What a great pleasure. My reflexes are not nearly as good as mine. Steven Croson. Steven Croson, Mr. President. Nice to see you, sir. Good to see you. Thank you very much. Emmanuel Stewart. Hello. How are you doing? Good to see you. You've done good fun. Mr. President. Good to see you. Yes. Thank you. Mr. President, I appreciate your time. Mr. President, this belt is normally given only to world champions in the ring, but you've certainly demonstrated that you're a world champion in another arena. And so on behalf of the World Boxing Council, we'd like for you to have this world championship belt. Evening wish for a fake gift. Those count, too. Listen, thank you very much. You're quite welcome. I treasure this, and I have a hunch it may find its way into the presidential library. Thank you very much. That's great. I just, I have two little, just super news for you gentlemen. Super, here's a thank you so much. Thank you very much. Thank you. Thank you very much. Thank you. Thank you very much. How's that? No. I want you to take a fight there. But you let his movies in. I'll make sure I watch that. I'll make sure I watch that. I'll make sure I watch that. Thank you. Thank you. I'll make sure you, I'll show you, I won't get knocked out. Thank you very much. Thank you very much. Thank you very much. I think we should keep that on hand, and I'll wear it when I go out. Yeah, there you go. Penny, do you have anything I'll go with? All right. And Louise has a question for you also. Okay. But you need a little bit of time to do the lighting first. Just a minute. Right. Do you have? Mr. President, you've been looking at these sculptures a long time. What do you, what do you think of them? Do you enjoy them? Well, yes, very much so. That's really cool. The other part of the room, you have to see the theme. Wait a minute. That's, well, I see you're going to be back. Annabelle, this is an artist that did these, and it is the history of the western satin, and up to the present from starting clear back with about a 1540 Spanish war saddle, which was the origin of the, of the western saddle. And these up here are mine, and a little interesting thing here. You see these two fighters over here? Yes. This Charles Russell, all of these carry some wax with him. He was at the training camp out in Montana when Jack Dempsey was training for a fight there. And his friend Jimmy Cagney was with him. And sitting there, he, with the wax, made that, and then gave it to Jimmy Cagney. And Jimmy had it in Hollywood for years under a glass dome. And a friend just kept after him. And I said, Jimmy, someday somebody could drop that and then he'd be gone forever. And he should have it and then put into bronze. It's a Charles Russell. And so Jimmy did. And when he finally gave it and did that, he had 16 of them made for him. He'd gone with a few friends and I was one of the friends. And so there were only 16 of those. But that's a Charles Russell. So in your personal collection, Charles Russell? Well, well I've got one of the, one of those out at the ranch house also. That's what he was going to train. These are kind of in here. And some of these are gifts that have been given to me since. Those are mine. I've been told that you always tell people to buy western art, but you've been never done it yourself. Is that correct? In the period when, what do I want to call it? The abstract art was so hot and people paying thousands of dollars for somebody that just painted a flag or something. I was always saying, you know, there was no real big thing for western art. And I was talking about that western art would come back because it was so great and so real in all of this. And it sure enough did. And then I had to recognize and realize that all the time I was doing the talking, I never bought a single piece of western art. When, believe it or not, you could have had it quite inexpensively at that time. And suddenly things that I'd walked by and never thought of buying for myself turned out to be thousands and thousands of dollars. Very good. Do you ever contemplate art by your window? Or contemplate your work by the art? Well, I just, I'm always aware of my own scene. That incident was loaned to me by Matt Walbridge, that belongs to you. He gets it back. I understand you used to buy some friends that buy western art. That was just the same as it is. At Batman, there was a lot of this before it was, and I would just be predicting how it would come back and see if anybody could abstract out what it was like for it. And all the time I was saying that and talking about it. Does Remington's time... Yeah, I'm a fan. Do you think Remington is different than any of these other western artists that you like, in any way? Oh, there are many fine western artists, but no doubt they're in the greatest. The matter of fact, western aficionados say that you will find what you should look at the horses, legs, and the western heart. That is the hardest thing to get. One of the great artists we've got. It's kind of a complicated horse, you know, it bends back the other way here, and it bends up and so forth. Remington always said that he knew a horse will. Do you think that's true? No, it is. See, look at him in the eye. Wait a minute. Yeah, it's right. You've never been in front of Dorado Central? I think I hope that. Yes, I have. And I've gotten down and killed a couple. Did you get them in the driveway when you got them back to the house? When you skinned them in the driveway when you got them back to the house. No, I never skinned them in the driveway. I always knew enough to know that I would have rocked on top of it. You never had this happen before? Well, almost. And I did it. I'm a thoroughbred red hunter that I was riding. And if you wanted to take off, well, the dog was running along with us on the chest, over by a bush, and I couldn't see it or anything, so the dog turned and came out of there and I needed a bit of justice. And then I discovered something about those characters there. I went over the kingdom. It seemed as if it was how the noise was calling from here. In other words, they're kind of like a ventriloquist. It just was coming from all around. And when I finally found it, it was right there where I didn't find it. We saved the dog. The dog was here? Yeah. I rushed into a vet and said, what do I do now? And the vet says, why don't you come back? You take him home and if he isn't gone, he says he was still alive. He didn't give him a shot. This was on your hands? Yeah. I always had, I ride with hybrids, not western, I ride cavalry style English. And so it would be very brave. So a couple of times without being able to get a rock or anything, I stomped on it with Snake's hip. I know he can't bite through those boots. One day Bob Taylor and I were doing the tin can shooting down in the woods with 22s. And his son came running over and said, Snake, Snake, we followed him back and sure enough, it was a rapper. And he was trying to make his way into the rocks to get away. And I looked for a rock to throw in and I couldn't find one so I stomped on his hip and then looked down and discovered that I was wearing sneakers. I didn't think about that sometimes in the dark of night. If I'd missed. I just was so used to the other way. It wasn't until I was looking down in there that that canvas snaker that killed the snake. And Charles Russell was great of course. I won't be able to get out with this under my coat. It belongs to the White House. So you have a group shot. Who had an impersonal run? We've got the photo of the magazine. Come on, this one here at the ranch. Do you do the rock or bustle? Up your barrier, is this your own in your collection? I don't have it. We're going to do a group shot. You want to get the two of you on this side? What? Closer? Great. Great, thank you. You're welcome. Great pleasure. Thank you. Thank you so much. When I was doing that, I knew somebody once or a couple of guys talking to the city with a shop in Hollywood and a sculpture in the middle of the 1200s. And I never did. We always think well done. Thank you. We'll see you. Good to see you. Good to see you. Good to see you. Good to see you. Mr. Baker, hello Sam. Hello there, leader. Good morning. Good to see you. How are we doing? Fine, improving. No crutch, no cast. I left the crutch out of there. I was attending the races. Mr. President, giving a trophy to the winning horse. And I stepped down and I was shaking a few hands with the crowd. A little six-year-old kid jumped in a vehicle and rammed it straight into the crowd knocking me down. Public appearances. Public appearances. Last time I was in the horse show, Mr. President, it was in Columbia, Tennessee, and I was to give the cup to the winner of the horse show, and the horse bit me. That's one of the great humiliations of my political career. I think it's more political to get bit by a horse and get riled about golf. Well, listen, thank you both for coming down. And thank you also for getting Frank's situation up there for confirmation as quickly as you have. Now, if there's any problem and you think there's any problem, you might need somebody to telephone a few of your coaches. Just let them know. I think by 10.30, you'll have to do so. If we've got problems, we'll call you as soon as we start at 9.30 and we ought to be through at 10.30. We have what they call the Senate unanimous consent so nobody can interfere with the vote on it. And we think we've got 51 votes. We've offered to have the Vice President chair. Well, and also I'm very pleased to have the Vice President chair. Hello. I'm glad to see you. Good to see you. How are you? Just fine. Glad to see you. Any ambassador? I have a second. Good to see you. President Long. Good to see you. Well, you've been in that chair before. Yes. We'll have a few more pictures. Here. Press report. Thank you. You're welcome. Thank you. I know what's going on. I'm sorry.