 Alrighty, let's play this in full first, but you can't do this to me. I started this company You know how much I sacrificed But you cool. Oh, I like it But you can But you can't do this to me. I started. Yeah, that's great detail already in your hand Shaking here. I like your little But you can't do this to me glasses tapping this to me You got good push off on the fingers They're a bit wiggly if you Look for this a lot of noise going on there. You might have to stabilize that a little bit, but overall great And you might potentially on this I'll probably flatten those hands I like that you have a change in that they're a bit like this But maybe at this point as he's pushing so much towards the end It's I know you could something to try to really show the squash on it and kind of push those fingers down I started this Watch out. I would just offset those fingers a bit And I'm matching details because you're so far along so this is just detail work But so they're not pose to pose so you have a bit of a an offset and some of the fingers I started this company Do this to me. I started and it's almost like I wonder if at this point I mean even though he has the exhale and everything I wonder if you could Tense them up a bit. Oh, you know, I was in like a rake like what I'm doing here But just a tensor pose that then leads into the fist right was he has already in him And then it's like the oh all of this and then it's a bit more relaxed You know and then as you build up you go back into More a tensor view there, you know how much I sacrificed But it's cool. That's really cool, but you can't do this to me the only thing I would say here this to me Do this to me. There's a slight feel of This to me do this to me It's almost like both arms are kind of moving at the same time It's not quite pose to pose but there's something where it's a bit all moving at the same time But then also as I scrub through this especially you can see this where it feels like that head Just kind of goes back and this gets very stiff here Where it's just I see arms and head moving, but then the chest not doing much then you go forward But the only thing I would do here to tweak that is this to me do this to me Where it's everything's also back in one axis where I would just have a little bit of rotation in Y Maybe something in the side that then also gives a bit of a something in the chest this to me She goes up and faces them. So it's almost do this to me You can do it to ways do this to me and during the me a bit of rotation towards them Or away from then because he wants to disengage and he's thinking about something else as he gets up And then he turns to them. It's kind of up to you, but I would just do that Just this feels soundly a bit too simple With bit of a that I came move back on that head Without a rotation and if it's having a little bit in there. I think would be cool to me This great inhale to me on that exhale, I Think it's okay Just wondering if you could push that somehow more with a bit of a head move in the jaw pushing a bit more I Should be okay. It might be too picky. I think it's cool. How much shoulder movement you have I would just offset them by a frame or two Because they're so exaggerated. They're so huge that you kind of draws attention to itself that they're so in sync But it's cool because I'm looking at your rotations and you have also rotation right away in Y there and then coming back It's cool. I started this company. I started this company This company This company Just through there as he relaxes I'll probably push that rotation Y and they had a bit more says a bit of a turn towards us I know these are extremely picky notes and you mentioned you might not have time for that Before CTN, but I started this company. I started this company It was to me. He's all Think breathing and he's just you know, there's a lot of stuff going on in him And I think those moments there were completely locks in the head again I feel like the rotation is the same as the body goes back You have a lot of shoulder movement where I Be careful to me at this moment right through there It just things filter suddenly be too stiff and and almost simple where if you bring shoulders up I would do something within the chest Maybe even in the Y and as you go back with the body, you can see how the head rotation is always the same So it's company and I would then relax and bring that head even down in Y a little bit to rotate down in a bit in Y That can then lead into this and watch out like a shoulder move like this I see a little bit in there but a little bit of rotation this way in the chest Let's just be careful when you have a lot of separate shoulder moves that this suddenly feels a bit stiff It's cool. I like all that build-up is great But again, it's a lot in the shoulders So maybe even through here you can have a little bit of rotation in the Y that leads into this I know you want that explosion here, but you can have a little bit of slow anticipation into this It's not just shoulders The only thing that's a bummer here is that we're losing this pupil. He's getting really mad This is cool like that's great. I love that But then we have those moments here where a way are you looking at me? And we're losing that eye and especially through this you can see how much we're losing it And it's really looking at me, but then we're back into this which is great. So If there's anything I would tweak and anything that I just said For this moment, it's just a bummer and I'm confused as to why he's looking at me There's anything you can do where It's almost like what could you do it moves over this way to move him almost a bit more in Y Globally so that when you go into all of this He's a slightly more turn towards us. I don't know. I don't know how you would fix it, but It might just be not rotating the head enough or that much and It's going a bit further back this way to not ever go less or more than this Maybe this in between these two and keep that left to right look Because that's all great That's all cool You could potentially even drop that head lower bit with a bit of sideways tilt mainly because you have that massive throw and now that That swing of that arm it stopped by the shoulder in the chest, but that that move in it's gonna kind of push This way and bring that head towards us if that makes sense So you have a little bit more swing so it's not so stiff so that through this section You don't have the chest and head as one big piece through there They even potentially then with a bit more left and right Tilting of the head was he sort of control here With that wall is great But watch out that the head doesn't turn too much into a gimbal where there's so much moving here But then the head stays fairly straight. I think you can make him a bit more out of control Moving the head in space and screen space left and right It's really cool though Picky here watch out. You're moved down with that arm bam It's a bit sharp. I think give it again how I like the moves I think I would just kind of overshoot this a bit and come back And I know we're actually just cutting out So to me it feels like you can just keep swinging and maybe start in the ease in and then cut on that Right. I just suddenly feels like the arm just suddenly stops into like a bit of a unnatural bang It's almost tied to this arm stop stopping that it's moved forward It's almost Weirdly post-to-pose and then you end up being a bit twins So I think if you just do this where it's bit more of a swing You would end up with a pose that's you know where it's something that's a bit more offset Not that this is a great pose, but I'm saying generally there's a bit more asymmetry in there All right, that's kind of it Maybe maybe one more thing since this is so awesome And he's so like Here you would have Stern but higher eyebrows So we see a little bit of the white above the pupils to stay in that in that crazy pose But now we're back to almost a bit this type of emotion not emotion terms of what I was doing But in terms of how much we see the eyes and it feels like this is such a He's just he's still in that mood like that we could almost stay within Looking to see a frame So you don't really have anything but this is too much Maybe this much Widening and that much white at the end. So it's not so closed off just thought And again, I know you don't have much time. Just kind of thinking out loud to see what's going on there Yeah, we'll leave it at that. It's very very cool Very very cool. All right. Thank you All right, there's an email you can sign up you can start whenever you want you can submit whatever you want You get 16 submissions either way and like and subscribe would be awesome. All right. Thank you