 Okay, very easy. Hello, ma'am. A lot of people say that you use this very easy to achieve. Actually, it's very easy to achieve. Okay, when you look at it closely, when you look at your friend, but you can achieve it. All right, so this praise bout line is a simple, okay? It's all about, you know, I've been telling you this on all my praise lessons. You know, I've been telling you guys this, that praise is all about pattern. Just get the right pattern and the right reading, the right thoughts lines. You know, just flow. Picking the right notes, choosing the right notes to create a particular bout line or to create a particular. So that's it. So I'm going to break everything down here that I did on this praise song. This praise song is a well-known praise song. We make use of it in our churches. Okay, so Tambira, do you hear that? I think it's a South African song. Yeah, I think it's a South African song. We add it to our praise list. Watch the pattern, get to see how my fingers go on the chord change. So get your bass, let's get started. So guys, the key of the song is on G-flat, which is also known as whatever. Yeah, that's it. Okay, so I have my F here also. Okay, so that's my F sharp. Okay, so I'll start by telling you what I did. That's the pattern, the progression of the song praise songs. The progressions are very, very simple to understand. It's just the song one, four, five, four, one thing. Okay, so the progression is one, then four, then five. Then one, that's it. Do, and five. Kind of the song now, using the pattern to beautify it, because it can't be playing this. You can't be picking the notes on one. You need to just find a way to create bass lines around the progression, you know, picking one or two notes, putting them together here, all these sounds. So what I'm doing is making use of all the notes on my F sharp major scale. Do, so, do. Walk down to my next chord progression. Repeat the same thing. Then, fast on up, fast on up, fast on up, one, two, three, four, five, six. Then you go to your five, six, seven, one. Okay, so that was the first small idea. Now the first kind of movement or lick to spice it up, I did something like these are just not my basic movement. Start from my, this don't forget the key, F sharp, F sharp, start from my third. So what I did on the three, they did me to my two. That's what I did on the seven, to my six, at the end of the day. Then you go, do, so, so long. This is my F sharp major pentatonic aura. This is it. I started from the high note of my one, which is my two, which is my F sharp. That was the key. So that was what I did there. Now, ponies of a notation, that would be your do, do, re, mi, so. Let everything together again from the beginning, slow to this part. The F sharp major pentatonic there around. Okay, let me take everything to that point. So the first move I did, then the lick, any major pentatonic, F sharp major pentatonic, leading us to the next pattern. That one is simple. That one is octave, octave, using the octave to just and drew on the pre song. So from the F sharp major pentatonic, then you go using octave. Okay, then I'm going to my four chord, don't forget. After my one is my four chord, after my four chord is my five chord, don't forget. So all this is, these are just reading to beautify the pre song. So do, do, re, mi, re, fi, so, so, la, la, so, so, so, so, la, ma, ti, ti. Then the next move that I, okay. So that move, the octave, leading us to the next pattern. Okay, so that was it. One, one, two, two, three, three, two, two, four, four, five, five, six, six, five, five, five, five, six, six, seven. These are all feeding pre songs. As far as they have to remain and they cannot feed away. Okay, even the bass lines, you know, we make use of them often in our local churches. And if you can try and work on it, work on the patterns, like I say, pre is all about patterns. You can create yours. Okay, you can create yours. If you know what you're doing on the bass guitar. Okay, so that's it. So linking me to If you notice on this proposal part also, the same, this same pattern I use on all the chord changes. Okay, the same. Bad, bad, bad, bad, bad, bad, bad, bad, bad, bad, bad, bad, bad, bad, bad. Your starting note matters. You know, my starting note is Then I started picking from that high note. Okay. Observe the frame ring. If you notice my constant note there that I'm hitting is this The five, the low five and the high five, low five and the high five. The same move here on your one. The same move going to your four. Five, one, three, five, then one, four, six, one. Okay, then two, five, seven, two. So that was it. So the last bass line I did, I did something like That one is simple. Then Then I kind of start giving is the South African. Okay, the bass line there. The note you're playing here, that's why you're hitting here. So the work is here. Anyone you want to do, the work is here. So that was it. Okay, so you can just play around with them, play around with the groove, play around with the song and enjoy yourself. Okay, so that's it for today. Hope you enjoyed it. All right, so if you're new to this channel, do not forget to hit that subscribe button before you leave. Okay, and don't forget to also turn on the notification bell so that you will be notified whenever I upload videos. Okay, and also if you need private lessons from me, you want to go deep on your bass, learning on your bass guitar, you really want to know some certain things. You can chat me by WhatsApp or you send me an email. It's going to be a live zone section. It's going to be awesome. Okay, so I look forward to seeing you. I will see you in my next video. Bye.