 All right, so let's check this setup right here. This is the Blackmagic 4K, Pocket 4K. BMPPP, how do you say? Blackmagic 4K. BMP4K, right here on the Zhiyun Crane 2. So who are you? I'm Raj Sharma, I am the Zhiyun Australian Ambassador. And you've been using the Blackmagic 4K for a while? Yes, I've been beta testing for the last couple of weeks. And I'm glad to say it's an amazing camera. And it's a perfect mix with the Zhiyun Crane 2? Yes, correct. It's a perfect mix. The weight load is great. The advantages are the screen size. I love the screen size of the Pocket 4K. You don't really need a monitor anymore. Most of the time, it's right in front of you. It's a huge screen. It is huge and beautiful. So you are actually telling me that the autofocus is reliable? Well, it's touch-to-focus. It is not a continuous focus. I have used that event and I have tried it in dramatic situations where the light keeps on changing. And when you touch on the screen, it does focus onto the person. And yeah, I mean, it's not a continuous follow-focus, but it is a touch-to-focus. Is there any chance that Zhiyun might, maybe their app, or you could maybe touch to focus on their external phone? I don't know at the moment. Potentially. Potentially. Maybe. Maybe. But right now, you can show me here. Let's say you tap right there. So you tap on that huge screen and then you do the gimbaling around it because it doesn't have a built-in IBIS. No. So it's very important to have a gimbal with this camera. It's very smooth. Let's walk. I'll show you. Yeah. So even if we go to the lock mode, move it around, you won't move. No matter what we do, you won't move. So it has a good weight distribution and everything for that kind of... How about the Webill, the great match also? Webill, depending on how we set up the camera onto it, I believe it can go into it. But the Crane 2 is a preferred option at the moment. Or the Crane 311. One thing that I'm wondering is, if you add a shotgun mic like the one I have right now, is it going to be fine on these kind of gimbals? Look, I would say use the internal mics first. They're really good. You can record as stereo. So this could be the left, this could be the right. Ah, this is mics? Yes, there's mics in front. Really good built-in mic. Yeah, good mics. But they don't do a shotgun style, right? Look, it's directional. So it's not getting my voice, it's getting the voices in front of it, so it's nice. Nice. But if you did have external mics with it, would you put the whole thing out of balance? No. No, I won't say so. I've actually tried to put a road mic onto it. It works, it's usually called a thread. It works. Or the other option is you can actually get cages. I know I've seen eight sins cage. I've seen small rigs making some. Just put the cage on and complete the kit. So you have some samples, right, on YouTube? Yes. So what do people have to search to find you? Just type in Blackmagic sample footages and I'm the first two on top. Nice, you did one in low light? Yep, I've done one in low light. I've shot it in Sydney, Australia. We've done a sunrise shoot. I really want to call it a silhouette in sunrise because it's SNS. There's a lot of silhouettes in there. There's a lot of sunrise shots in there. It's low light. I shot the entire thing in ISO 3200. And the footage looks amazing. And then I've also tried to put this camera onto this Zeiss standard Mk2 lenses with a PL mount converter. And it works really well as well. Do you use this lens? I use this lens frequently. Is this a 35? Yes. It's just a great option. It's perfect for handle as well because it's got internal stabilizer on the lens. So it helps with the camera. This is a 2.8-console aperture? Yes, 2.8, 12 to 35. The Leica, right? This is Lumix. Lumix, Lumix lens. Yep. And so it's a very exciting camera for not just Australia but for the whole world. It's an exciting camera because the image matches a lot with the SM-Mini Pro. I know there is a new image. There's a new profile onto this. A new profile, what? How can I say? The proper term will be the image quality on this matches closer to some high-end cinema cameras, which I've actually seen. And that's all I can say at the stage. But I do know whatever quality that you're going to see with the image profile onto this, the same color rendition will soon be available into the SM-Mini Pro. How do you change the formats? You can change the format by going to menu, go to record. You can do RAW. There's lossless 3x1 or 4x1 compression. You can leave it on lossless. I love shooting on RAW because RAW, lossless at 4K, provides more footage than ProRes HQ at 4K. There's also HT64? No, there's only ProRes and RAW. ProRes and RAW? Correct. You can also shoot ProRes at proxy, LT, 422 or HQ. So no HT64 or HT65? No, it's direct ProRes. Only the ProStuff? It's only for the ProStuff. It's for the post-production people that do stuff? And I suppose that's the reason why there's no idea on to it. It's meant for cinema market. And I suppose it's a really good camera for anyone using SM-Mini Pro already as a big camera. So what's your relationship with GU? I'm the Australian ambassador for Zune Tech. Which one? Australian ambassador. Australian ambassador? So I think, as an Australian ambassador, maybe you can organize to have a bundle of this nice black magic to get it with the Zune. Maybe. It's the perfect bundle, right? Maybe, yeah, definitely. All right.