 How's his tailbone, by the way? Did it finally heal? Oh, yeah. Wow. That's your cockaxe. That's still healing. It's got a beard. It's kind of curved still. I think you're going to be stuck with that curve for a while. Look at my first tube of erection. It's a Corbin. Right. And it goes Instagram. It's Instagram. JuicyGoggin. JuicyGoggin. JuicyGoggin. Hey, drinkers. I should count. We built a case for one. Follow us on personal YouTube channels in the description below. Today we're doing a movie review. Please continue. I was going to say the juicy content. If you had been following us on Instagram and Twitter, you would have known about Andrani being here. But if you're finding out for the first time, then you clearly don't care about that extra juicy content we talk about all the time. Nope. But yes, the new Amazon film came out just this weekend, I believe. I believe it was Saturday our time. Sardar Udam had a great trailer. Love that trailer. And it's directed by Sujit Sakhar. I believe it's also... Oh, I thought he produced it as well. He didn't. Sil Kumar produced it as well. And then starring a bunch of people. But your main star is Vicky Grishal. He's the star of this film. But it's essentially an Indian revolutionary Udam Singh who's better known for the assassination of Michael O'Dwyer in London, who was behind the, I can't say that word, but the massacre in Amritsar in 1919. So if you haven't watched it, it's on Amazon. Go watch it. Come back. And Rick, your initial thoughts, please. Yeah. Go watch it unless you're certain anything that I know I'll have to say about this that could make your expectations too high. Because this is one of the best and most important films, period. Forget India. What if you're like a Winston Churchill fan? Yeah. Got a lot to say, but when we talked about the trailer being so good. What did you like it? Trailers living up to the height. Rick hated it. I knew it. The trailer was perfect when you consider what happens in this film and what they didn't show us in the trailer. Was really, really smart. I, this is one of, this is going to, this is up there in terms of like for me, someone was telling me, what do you like better? This or Hacksaw Ridge? I'd say that's really hard to come by because they're both about as good. If this was an American film, I'd be jumping up and down and saying this should have multiple Oscar nominations. So are you supporting this for the Oscars? So far of what's, what's been out so far. This is the best film of the year I've seen. Nothing is a second. So this is a close second. So you think if today was the deadline. If today was the deadline. They should send this film. There's nothing else that's even remotely close to as good as this right now. I don't agree on that. I do agree. It's an absolute goddamn amazing film. Yep. So if you haven't already watched it, that's our non-spoiler review. Just go watch it. Yeah. It's extremely important. Very important. And it doesn't, we're not giving anything away before we go into the spoilers, but I will say this. Obviously it says in the description of it, and it's known from the trailer as well, it's going to cover the massacre of April 13th. The only other depiction I've seen on that on film that was memorable to me, and it was prior all of this is the way it's depicted in the film Gandhi. Granted, that's a much bigger film in scope. It's telling all of Gandhi's life. Yeah. So it takes a much smaller place than it does here. And because of that, it doesn't get anywhere near the attention it deserves or the graphic attention it deserves like this one does. This one, in my opinion, does it justice? Yeah. So spoilers should be coming out. Yeah, yeah. Once again, that's our spoiler. It's incredible. That's our spoiler review. That's all you need to know. I don't have a ton of gripes with it. There's a few that I'll mention, but that's, it's really few. It's 99% great. Like, for example, when Darkest Hour came up, Gary Oldman got the Oscar as he deserved, because that's what that movie is really about. It's about his performance, but it was the talk of award season as well. And Hacksaw got six nominations. But I think this film is way better than Darkest Hour. Oh, 1,000%. Way better than Darkest Hour. Yeah. But anyways, so let's... I don't even know what to start with this film because... Did you watch it with Andrani? No. No, she didn't. She didn't watch it. I was wondering... Because we have a different perspective, obviously. Andrani, who's an Indian, probably grew up with this story, knows a bunch of background information. None of us would be new to her. She would just be able to tell if the execution did justice. Yeah. We came in with, obviously, in America. The only thing, very sadly, when we were in Amaritsar, the alley that this happened in was closed. It was closed that day. Because we were going to go into it and just experience it in a pair of specs and all that kind of stuff. But I don't know what they were doing. Restoration, whatever. So we got to stand at the gate and look in. Get to stand at the gate. But yeah, so that's basically the knowledge we had of it. What we were told then, right? Yeah. And my having... Well... Really dark. It just did. And we had been told early in the channel when we had seen some things. And I don't even remember when the first one was where we had seen something about the massacre. And obviously, like I said, I had known about this massacre from when I had seen Gandhi. But I didn't know all of the surrounding story about it. Nor, you know, and coming into this, it really does help. It's not a prerequisite by any stretch, but it does help if you have some understanding about the history of India and partition and what was going on at the time. And yeah, Corbin did a story and a tweet about Winston Churchill. Here in America, he has been lauded as one of the greatest guys ever in Western society. In Britain. And in Britain. Yeah. And thankfully in the credits they mentioned this because it needs to be remembered that four million people died because of a man-made famine created by him. And he was a racist on top of that. Yes, he was. Like hardcore. It's bad when you actually dig in. We weren't taught. And also, if you didn't know in World War II what we, the Americans, did in collaboration with Winston Churchill by bombing Dresden, Germany, which had no military presence. It was all civilians. And it was specifically targeted in the exact same way they were specifically targeted. You know what else this is causing you to rethink? Because I've had a lot of stupid babies talk to me about this and say, you need to really re-look at the necessity of and the barbarism of our two nuclear bombs. Oh, no, those were all terrible. And whether that was an act of war or if that was an act of the obliteration of civil rights and not all things are fair in love and war. It's where we have war crimes. And watching this film 100% of war crimes. Caused me to go back and reassess and go, you know what? Yeah. That shouldn't happen. Most should. Just like that shouldn't happen. I see this and Hiroshima and Nagasaki now as being comparable in terms of human travesties that civilians should have never had to have experienced. One more thing I don't want to actually get into the view. Sorry, this just stirs up a lot of emotion. Yeah. As it should. It should. That's what I think the great film does. Yeah. Most of what we're taught is everywhere, I think, does this. Indian schools will do this. They'll skew their history to obviously do that. Whoever's ruling teaches the history. English. Yep. But I'm only speaking as an American and what you're taught, it's laughable. It's basically footnotes that they want you to know. It's why it's the same. It's what we were taught. We were taught growing up that the Native Americans were savages here. And that everything that was done to them was either by disease or justifiable. A annihilation of a people. You want to talk about somebody that would look evil, a ton of American presidents for what they did to millions upon millions upon millions of Native Americans. Yeah. I would like a film about that. Well. Anyways, let's get on with the review. Yeah. Sorry. Sorry. Sorry. But this is what this kind of film's supposed to do. Oh gosh. I still don't know where to start. It's the creme de la creme of this film is the last 45 minutes, I think, as you guys know. That's so funny. Yeah. Right when I texted you. Yeah. He was like, we're going to do something early today, a Skype reaction. And he was like. He said, when are you available? And he's like, I'm almost 45 minutes done with Udan. So I'm like, oh, yeah, go finish that. Do not stop. Do not stop there. I literally, when you texted me, it was just about to start. Yeah. That might be one of the best cinematic periods in a film, especially from India, that we've seen. Without question from India. Especially is one of the best gruesome. Yes. War. Like that's what you want. That's what you get from like great war films. Yes. Or Chandler's List. Yes. Something that is horrific. Yes. That happens and they do not pull the punches. No. So spoilers. And go watch it. As you shouldn't twist this. Yeah. You need to be, because obviously the real thing was a thousand percent worse than what we got. But they did a phenomenal job at making you extremely uncomfortable. Yeah. And showing the gruesome, barbaric, demonic, whatever, evil stuff that literally happened at this place. And it was from the cinematography to the VFX. Yep. Makeup. Thank you. I don't know if it was Amazon that gave you the money, but thank you for spending the money and making it how it is. That's one of been our biggest gripes with like, because obviously we know Indian films don't usually spend what American films do. Right. On films. It's needed to show this. This story. Especially a story like this. The makers who made this cared at every level. And yes, Amazon, thank you for putting as much money into this as you did because it was needed at every level. You could tell in the cinematography. Just like when we watched the trailer. There were multiple times in this where I just shook my head and went, wow. Because I was so thankful for the production team, for the art direction, for the cinematography. Yep. Costuming all of the props and sets. For the white people. Yeah, you hired great white actors. For the most part. There was only a few that were a little, but the leads were all solid. Yeah, they were, it was so refreshing. But back to the violence. Back to the violence. I just wanted to mention that. I know you guys waiting for that. This was one of those things where you kind of want to turn your eye away because it gets so graphic and you know it's a true story. Shoot the handle. Oh yeah. That was gruesome, but incredible. Needed. Incredible. Watching little children getting shot and their heads blown apart. Oh, it gave you such an awful feeling. My favorite cinematic moment that sums up this film. I wanted to screenshot it and you could turn it into a secondary movie poster. Is the moment when he is in there that night and he finds the little girl. And he says, mother. And she comes to him and he's breaking down. And as he's crying, she hugs him to comfort him. And it's just him down there and her holding him. All of the dead bodies. That massacre sequence was on par at every level and impacted me cinematically and will be burned in my memory the way Hacksaw Ridge was. And in the way that the opening of D-Day is. Saved by Ryan. This is that. This is a masterpiece. For me, I use, I don't use that word because so many people use it. It's like, well with the masterpiece. This was a cinematic masterpiece as far as I'm concerned. To tell this story. Yeah, I totally. And that's why I don't know where to start. Because we just got it. We haven't talked about Vicki. We haven't talked about the direction. But man. And the score. The score behind it. Gorgeous. The just, that whole sequence was so incredible. And so well done. It was perfect. No continuity errors. Perfect. It was just, it brought out the emotion that you want in something. Because you knew it was coming. Obviously. Maybe if we were earlier on in our inner track, we wouldn't know that was coming. Well, that's my hope. And I really want a lot of people to see this. Americans that don't know the story at all. I was thinking about this and thinking I want, I want to watch this with the kids. I want to watch this with my mom. And I'm hoping they don't even know. I'm not even going to say anything to them. Yeah. And when it happens, I want them to, I'm hoping they don't know. And that they're shocked. Flabbergasted, disgusted as they should be. And it reminded me of what Mel Gibson said about the Passion of the Christ, because everybody applauded him for depicting the crucifixion and the flagellation so realistically, which he should be. Yeah. But those, anybody who knows about Roman crucifixion knows that what he also said is true. He said, well, you know, because some people said, wasn't it a tuotis? And he said, well, if you know anything about Roman crucifixion, I held back. Yeah. And that's the, that's what they did here. But they showed us enough to merit the heinousness of what this act was. And I'm glad it was on and was on, because I don't know what the stupid censor board would have done to this film. Yep. Oh, if this had been a theatrical release. I don't, I wouldn't have been anything like this. Yeah. And so I'm glad we have the OTT platform. Hallelujah. And go around that. But man, because everything from the, from the opening shot of this film to the very end, this cinematography by, say his name. Yes. And forgive us for any mispronunciations. Avik Mukhopadhyay was, I, I haven't seen obviously a lot of the award films for the Oscars this year, because they're, they're not out yet, right? Just starting now. I spent, and the ones I have seen in India, this, I don't know what's beating this. And I'm not talking foreign film. I'm talking like regular cinematography. No, I would, I can tell you right now, the Oscar nominations this would get, if this was released here as a, just an American film with big name American actors. VFX. It would get visual effects. It would get direction. It would get pictures. It would get sound. Sound. It would get production design, costuming. It would get makeup. It would get acting for Vicky Kashal. And it would get screenplay. It would get at least nine Oscar nominations, I believe. I 100% agree. As an American film. Yeah. Because everything, what score did you give this? It's on my all time list. Yeah. Okay. So yeah. It's way over 100. Yeah. Because the importance level sends it off the charts and there's nothing in it that doesn't get an over 95 for me in terms of its score. Some of the smaller white acting roles got B pluses because they just were what they were. Yeah. But who cares? Yeah. At that point. That's the only flaw, if you want to call it that. The way, sorry, I don't know. Surjit, right? Oh my. Is that how you say his name? Yeah, it's Surjit. Surjit Sarkar. Cool. We've seen in a couple of his films. Now, he did Pink and Peku. I don't know if he directed Pink. I think he produced it. I think you're right. He directed Peku. He was involved with Pink. But he also did Galabo Satabo, which even though we thought that film was kind of boring, there was nothing wrong with the film making part of it. I think that's what we said, right? We did. Like it was like, the acting was great, the cinematography was beautiful, but it was just like we were bored. Right. This is, and I'm about to give you, sir, the highest compliment I can give you because my favorite director of all time, for me, who I believe has full mastery of the theatrical experience in terms of storytelling, evoke an emotion without placating to emotional ploys, and understands historical pieces and getting the history right. This was on level with if Steven Spielberg had been asked to tell the story. I think this is on the same level as any historical piece that Spielberg would put together. We already knew he could direct actors. But a film on this scope, and can we just talk for a second as well? The way they told the story. Oh, yeah, that's what was going to piece together, right? Every single aspect we needed to know how they revealed it, when they revealed it. Is, for me, the even highest level of mastery is the script. When I was in about 45 minutes in, I turned to Stef and I was like, this is so interesting how they're doing this. How they're telling the story. Normally, with the story, you might start in the present and then you'll go back and then you'll catch up, usually. That's usually how it goes, right? Yeah. They'll do something like that. He did not care. He was like, I'm going to kind of piece this together. It's like you're intelligent enough to kind of Exactly. Kind of keep up with what you're doing here. I don't need to tell you this was three years ago. I liked that you started off, especially from somebody who does not know what the end result is. It showed your lead is an assassin. Right. And you're like, why did he just kill that guy? Right. Why, that's not okay. Right. Why are you just going and killing? That's not the way to resolve things. And obviously you, as Indians, probably knew way before. Of course. And I figured that's what was going to happen. But if you know nothing about it, you're like, this is the way it should be told. Wait, he just assassinated somebody. Why did he do that? Turns out this man's basically evil. And that for me is a really important thing. And why I'm so happy to see so many Brits involved with this. And why, you know, this weekend, I like the Halloween franchise, but Rich went and saw Androni and I, we're going to go see it with him, but we didn't have time to get out. We didn't have time to go see the new Hollywood film. He said it is pure just, it's just one of the worst films ever. Oh God. So bad. But it got, it had a great weekend in the box office. We live in a world where people would rather sniff farts than sip cognac, it seems. Because this is the cognac. And more money and attention should have gone to this this weekend than the Halloween drill. Totally agree. And the thing that I find most intriguing about this is because this didn't just give me insight to this event. This is a really important film to show to anybody in the West to help them have a shift in their Western imperialistic mindset and recognize not all things you were told were an act of aggression or an act of terror against you and your allies was wrong. Because you've been taught those things from a perspective that is the victor's narrative. And the victor's narrative will always be slanted to make the victor the hero. And that's why when I saw this, it reminded me of what stupid babies were telling me about Japan. And I thought, okay, and where else have I missed out on those kinds of things? Most things. And I, it is most things because, no, wherever you live. American society in general. And the same way that people outside of America hear things about us that aren't true because they've been told it through a narrative about us being this evil place. So it's brilliant. Yeah, and every family, let's get to Vicky Grifell. I know it's going to be a real long review and I apologize. Yeah, you are. You knew from the fact of the time. You always know whether we like it or not. But did you know who originally was supposed to be the lead in this? No, it was Irfan. Irfan was originally supposed to be the lead in this film. Because this film was, I think, over a decade in the making, I think. And it's, because he's the only one, I would say could pull it off better than Vicky. Yeah, and not even better. I think that's not even the right word. I think somebody would do it different and equally as good. Because even in Vicky, if you have me saying this, what I'm about to say should be as big of a compliment as I intended to be, Irfan wouldn't have surpassed you. He could have equaled you. I don't think anyone would have surpassed you. Yeah, so yeah, he was originally supposed to be it, which obviously would have been incredible, but of course, to wait Irfan may not bless him. Peace, you phenomenal actor. He would have been a beautiful, beautiful. But Vicky, I did every bit as good as Irfan would have done. I keep sleeping on Vicky. Whoa. No, no, no, because like I'll put out my list of like the best actors in India. And he'll, he'll probably, I think he'll normally make it like the top 10. But man, everything we've seen him in, he's been so good and he's very versatile. He is. Incredible, like, what do we, I think we first saw him in Uri, right? That was our first exposure. And I was like, okay, so he's a military guy, right? But no, you'll see Masan. That was right. That's, that's what really showed us this guy's a fast fan. Raman Raghav 2.0. And I think there's one other thing. And then this, this is the Crème de la Crème of Vicky, I feel, what a question. And even though I can't perfectly like pinpoint if his accent was right, but it was so good to me. So good to me. I believed it 100%. And I was paying attention for him to slip, especially when he got emotional in the court. I was, I was listening for two things from him. I was listening for either a slip in the accent or a greater mastery of English than this character has because Vicky can speak English well. Of course. And he never slipped. Yeah. He never slipped. And yeah, I mean, I can't pray. I think he had one moment that I was almost a header monologue that when he was talking to the drunk man, I, the header went exactly through my mind. I was like, this is a great scene. Well written scene. He did it perfectly. He showed and from his transition from the beginning, he didn't talk, I think, for a long time in the beginning. It was almost like a, but you felt for him a lot of times. And then I, at the end, it was, that's a hard thing to, because it's not a lot of dialogue there in the last 45 minutes. Yeah. It's mostly just him trying to process what the fuck just happened. And depending on how they filmed that sequentially, very, very difficult for an actor, especially if they did. And my suspicion is a lot of it was out of sequence because he, they had to have done things based on the number of people that had available. So they couldn't, you know, they couldn't have everybody laying in the place and do that scene and then have him run out and go over here and then come back and they'd all be there. They had to do all of the scenes with the people's bodies first, which meant it was filmed out of sequence, which meant Vicki had to have already pre-planned through his script and through the shooting schedule where he was going to be without prejudging, without preparing. That's fricking crazy difficult as an actor to keep your character on that arc he's supposed to go through and film it out of sequence in something this tragic and traumatic for you. It's about as difficult an acting job as anybody can have with no lines. And at the end, yeah, hardly any dialogue. Unbelievable. But obviously, it's one of the greatest pieces of cinema, especially that last 45 minutes, is just something that everybody involved with that should be extremely proud. It doesn't get better than that. It's going to be hard for you to get better than that. I thought, yeah, him at the end, and even though at the end, I would have liked the shots flipped. Which ones? Well, when he was at the Golden Temple shot, which I loved, I thought that was amazing. Yeah, I thought it was great. I would like that, because I wanted the last shot to be the pull-up with the bodies. With the bodies. I agree. I thought that was a stronger shot. It was a stronger shot. I liked, I loved him in the Golden Temple and bathing, because I thought that was a lot of symbolism there, great acting by him. But I think I would, for that, and then pull-up on the people. I mean, who's, who am I to judge? Right, exactly. But that's just, that's who. You know what, I like, I like, because the pull-up was with him there. And I think, I think I like that choice, because it takes back, it takes us back to the importance of this being the, the Punjabi experience. And we got told when we were at the Golden Temple, how important it is for Six to, to bathe in the Golden Temple. And we saw men and women bathing in that. What that means, especially at that time with what he just went through, and the acting performance he gave, in those, what, the minute that scene was. And it just occurred to me, which I could forget, and I don't want to. If we could somehow, in the next six months, get a groundswell and use this film as part of it, and got a petition or something, Boris Johnson needs to come to Amritsar on April 13th of 2022. And he needs to go into that walled area. And he needs to kneel. And he needs to officially apologize for what happened. Should he? Yes, will he? No. There needs to be a petition, and it needs to be a groundswell that's done from people who are British citizens. And it's way overdue. And it needs to be done. And it needs to be done that way. And anything less than that is insincere and not respectful of the thousands of innocents that were massacred there for no reason. Yep. I totally agree. A couple of the points I wanted to get to here, because everything was so good. This is going to be a real long review. The set design, of course, is absolutely incredible. For another reason, spending money pays off. Because these sets, because I'm pretty sure few of them were probably sets they built. But I think a lot of them were location. They filmed on location, do you think? Especially the stuff I guarantee. And I'm having a thought right now, based on what you're saying, and it's true. I would say if I'm talking to a Westerner who loves film, and they said, what should I watch? What Indian film should I watch to really show me that they don't just do Bollywood stuff? That. Yeah. And it's going because it's so top-level in set design, costume design, score, acting, story. I think you used it on a last award. Would you say it's the shatter? Like, you kept saying something for each of your things. It's a groundbreaking film that shatters the... I think you said groundbreaking a lot. Okay. Yeah, I think you said groundbreaking. The quintessential, I don't know. Yeah, I don't know. I like quintessential. But like, everything about it feels Hollywood, in terms of the quality. The quality, in terms of money put in. It looks... Detailed. Money was spent. Yeah. It's essentially what I... The number... When you see a scene that should have a lot of people there, and it's heavily populated with people, you know that was a lot of time and money to costume those people, get that background people. When you do a massacre of thousands, but it's shot small to make you feel like you're intimate, but you know they did it because they couldn't get that many people there. Well, when the director says you want to know what and pulls back and you see a few thousand people, you're like, oh, epic film and epic budget. So then they're not going to have the jarring of like, this doesn't feel like something familiar, right? And so that's great. So I thought the production team, and of course, once again, the cinematographer, the editing, everything. The store, I thought was beautiful and assisted the film. Beautiful. And also didn't have it for a few times. Let you sit in the moment, which is something I feel like with stuff like Schindler's List or Haxall or whatever these things that are supposed to make you feel. Sometimes no score is better because you have to sit in what you're feeling. Yes. In some time, obviously the score is great. And this whole, you said it earlier, this entire team, anyone casting directors, costuming, craft services, man. Not kidding. If you were involved in this film, you should be proud that you contributed to this collaborative effort of what is absolutely as good as movie making gets. The nitpicks I would have in this would be, I would have changed those scenes to the end, but screw me in for doing that, right? Just a few wide actors. A few wide actors. Showed their evil faces. But it was few and far between. I was thought to see a wide actor get assassinated. It was nice. It was nice. It was nice. And then I think you probably could have edited maybe about 15, 20 minutes to make a little more crisp. That's fine. But other than that, that's really all I have. I wouldn't have changed the frame. I thought it was great. And I would not have an issue sending this to the Oscars. I would be fairly excited. I can make arguments for this and I can make arguments for the Great Indian Kitchen. Those are the two that I am currently okay with sending to the Oscars this year for very different reasons, for different films, as we know. This one would give somebody like, whoa, India is making this grand scope of a film. And obviously, they both have the important factor. It is because they have the important factor and the great thing about Great Indian Kitchen, we've talked about it in that review, was it would show people that Indian cinema actually has really incredible artists doing thespianatic work that's Oscar level. Telling important stories. Telling important stories on an intimate level that are putting a mirror up to their own country. Then you have this that's doing everything we just said. So if either one made it, I'll tell you this, if it's not either one of those, we're going to be really angry. I mean, if it's Mimi, it's a great film. Great film, but come on. No, don't send Mimi, please. Watch Mimi if you're an American. Fun film. But no, the only two that currently, obviously we have what, two or three months left in the year. We've got some time left. But this is the only two films I'm currently okay with, even though there's films like Joji and another Fa Fa ones that have come out this year. Beautiful. That are great films. Beautiful films, yeah. The two best currently are this one. Great. And Great Indian Kitchen. And I don't know, even though this is the long review, I still feel like we haven't said enough about this film. And that's how good it is. Yep. Just you can talk about it a long, long time. And most especially. That's what great cinema does, yeah. Yeah, you can talk about the importance. And they got the history right. Because I said that before, my concern was, are we telling a historical thing? And are you going to revise it? How much? And they didn't. No. I looked it up. They didn't. There was no songs. There was no dance numbers, obviously. I would have probably been pretty upset if something like that happened. Can't overstate the just perfection of how they told the story. Little things like when we finally learned some things about him, rather than it be backstory that we took 35 minutes to learn about his life, it was the British guys interrogating him and he's telling him, OK, here's what we know thus far. He did this and worked in a mill and then we show him working in there for a few seconds. And then he did this and we showed this real quickly, like, oh, so here's the backstory. Cool, we're getting that now. Just brilliant. Yeah. And at the end, I said it on Twitter, I want a film as gruesome as this, but told about either the great, the Churchill made the famine, the famine in Gaul and Flash or The Partition. Both deserve Schindler's List style. They deserve this. This style of not. And I know there's been some that have been made, a bunch of films that have been made about The Partition, but I want one that depicts the gruesome, horrific, like almost the blood. Like I want everything that's had in the last 45 minutes maybe times 10 even. And I know it's a hard watch for people to sit through and it's not as engaging and entertaining and fun as like Squid Games, right? Yeah. But Squid Games is going to make a billion dollars. They're just like, or they're projecting 800 million from now. And that's wonderful. But do everything you can, you beautiful, stupid family who love cinema. This is the kind of film that needs to be shared. More people should watch it. Amazon should be rewarded for what they did in investing in this because the more money this, this is where box office matters because when the box office goes, not 50 million dollars to Schlock that I trust from somebody else who saw the Halloween kills films, but goes to this film that Amazon's going to look and go, okay, we need to make more films like that. And people are going to hire Shoojit for more directing of films like this. And Vicki's going to get more scripts like this. And we'll see more things in pre-production like this. Yep. So go share this with everybody. I hope you stick around. 45 minutes, I guess? I don't know. We'll see. I guess in 37 minutes is the final time on this. Let us know what you thought about this film. And I hope you're still not here if you haven't watched it, but if you are here, and if you didn't like it, then yeah, you're a fucking idiot.