 I remember you said it was tough with the way that the young Bulls is, like how was it being in studio with NBA young boy? He, see when I was in the studio, I could tell he then grew up, but when I was in the studio with him back in the day, he was just, he was like, wow. I think that's so dope the way you just explained that too, because a lot of times it's hard for kids to be, how they say, raised up hip hop. What's that little show they had growing up hip hop? It's hard as hell growing up hip hop. You know what I'm saying? Growing up hip hop. See, that's another level. Bro, they be speaking on like Lotto and the show and all of that. And I'm like, hey, y'all, if Lotto wouldn't build like that, it wouldn't have happened. You can't, I could put anybody on TV. I got friends that fell out with me because they be like, man, introduce me to Gates. And I'd be like, bro, I can introduce you to Gates. You can meet him. He can do the world for you. But if it's not in you, you won't survive. You ain't never, A, it's niggas that want my when they come to them souls. It's nigga that, it's niggas that be why he get to go, go, go, I go. I go where you go. Let me go. I go, I open it up. You, you, you go right. May ask me what that shit looked like. Man, you got it. Got to be in you, bro. It got to be in you, man, when you think about, you know, you said something on the show a while back. You and I don't even know if you've been working with him lately, but Fred O'Banks and being in the studio with Fred O'Banks. But even with NBA Youngboy, you just said, I know y'all might. He you I had to ship it to him because he on house arrest. We probably didn't go in the studio with NBA Youngboy, did you? Who back in the day? I've been in the studio. You did? Yeah. Like you said, I remember you said it was tough with the way that the young, the young, young bulls is like, like, like, how was it being in studio with NBA Youngboy? He see, when I, when I was in the studio, like I could tell he didn't grow up, but when I was in the studio with him back in the day, he was just, he was wild. He was wild. Like I just went in the studio. I can't say everything because nobody this the conversation that nobody know I was in the studio with him and Moneybag Yo at the same time. Wow. And this is early Moneybag, early NBA Youngboy. So while I was in the studio with them for like a week and it was so crazy, I've been in the studio. Let me tell you how crazy I got NBA Youngboy biggest record at that time. We ain't no working on the song. I play some beats, pull it up. Boom, we pull it up, right? He finished it, pull up another one, finished it in the midst of it. I'm in the room. I'm making the beats, send them to computer. He's like, Mike, fuck out. Let's see some Southside 808, my fifth B song. I'm in a room. Bang, look at me like. But, you know, he really ain't. See, Bang ain't say shit because he, you know, he he old. He he adult like me. He kind of like and I'm just like, damn. But that's how wild it is. And at the time, personally, I'm just like, Hey, man, this ain't my this ain't my battle. You see me? I didn't see one thing about me when I win. I'm trying to win some more with you. But if I didn't got my championship ring, man, I ain't got to sit there and stay on the team and I ain't signed in no contract or nothing. I can I can move around and I can find me. Shit, niggas was on my ass out. Hey, I make another one with Bang it. Come on, Bang. That's what I wanted. Yeah, what's the difference between being in there with Fredo Bangs and being in there with NBA Youngboy? Fredo Bangs was wild at one point. That's what I'm saying, because he was wild and do it at one point. See, it ain't no comparison. I love both of them. I'm not going to do none of that. But I will say when me and Bang start working. See, Youngboy was a little younger to where I don't think Youngboy. He was so young and why I don't think he knows me. OK, that's crazy to say. You know, you know how you young, you wild. You got so many people around like, you know, you don't know. He can't remember me. I wasn't a big deal or nothing like that. I was just a person who did work and did my job. Fredo was somebody who respected my work and my job. So I got it. We're not different time periods. That but also Fredo. Wow, but he not so concerned. It's like he had his street niggas with him and he knew who they were. So he also knew these my street niggas. But this the nigga I can do business with in these rooms right here. It was so many niggas, the way you didn't know who was who. You might have had your street niggas and you knew that was. But these rooms, when you this big, you got 10 niggas with money back to that you don't know. It's just like, man, here go another nigga with some ice on his chain. If I could change everything all over again, I'd have walked in them bitches looking like C. Lo Green, I mean, not C. Lo Jermaine, Priya, the Super Bowl. I did something to make myself stand out like this. You don't remember me, but I was forgettable. Let me just say that that's hard. That's hard, but it's real. And it's good that you take notice to how, you know, who you are. Self-evaluation is real. You know, self-awareness, that's a real thing. And I think that's hard that you look back, reassess and say, you know, if I did this, because now when you in those situations, you know how to conduct and what you need to do to be successful. I'm starting showing up with cowboy hats on. On the ass. Ice that, no sir, even. Nigga, not want to be in the studio with me, man. Hey, get this nigga up out of the studio, man.