 I have a question. Yeah. How often do people scream slap the big city? I think in India it's more like every time they see me on stage there's that song. I don't know if you guys have heard that Madhura Dixit danced, did a little dance there. Maybe probably did. Her name was Mohini in there. So people just start screaming. Oh they start doing Mohini. Yeah. And then the second thing what people do now is baby girl base. I'm always gonna be the baby. Yeah you're always gonna be the baby. I'm gonna use papers. I'm still the baby. Sure you will always be the baby. Yeah so baby on the base. Does that ever get tiring to be the baby? Yeah it's cute. It's kind of cute. Yeah yeah. Slap of the base. Josh! Back to our studio subcorp. I'm Riff. This is Mohini Day. Moe. I think the legend right next to us but we're gonna about to tell her how great she is again. But today we got one of you working with Eir Rahman. Have you ever you know him? This is called Nizh Den. Is that how you pronounce it? Nizh Den. Yeah Nizh Den. Eir Rahman. Say these other names. Ranjit Bara. Jorita Gandhi. Antara Nandi. And Jammin Season 2. And you are playing Debase. Debase. So how anybody ever like we were easy to just talk about how great you are. You ever do something and you're working with people who trust you like an AR and they look at you and they're like yeah let's do it again. He's done that. Good. Yeah I imagine he was. He's done that. That's awesome. Yeah he asked me like is there something you can't do? To which you answer no. Here we go. So quiet. So I know. Oh that's what we'll drop down. Just the production value I guess of the video. Let me restart that that beautiful bass line here. Hold on. Yeah this was actually one of the private things so I think it's it's supposed it was supposed to not be on YouTube and then AR put it up. There were other six songs that we had recorded but you can only find that on the app. Okay oh okay got it. Yeah view app. View. Sounds like the same vocal double. Yes it is. The one musician. Now I'm next to two. So what are you all freaking out about? All I can say is it sounded great. Some of the choices of the chords considering the key that you're given at the beginning of the song they shouldn't go together but they do and it goes into like the harmonics of the notes and the choices you can make based on the chord you were at prior and why you go there and then how now that you're there how are you gonna get it back? Get it back. Yeah different inversions make different families and then you bring it back together with the verse and how would you create that bridge of that transition into the verse? This is a pretty optimistic sounding thing too so if you're going to have a lot of dissonance in there it's not going to work if you're going to try to do that and resolve chords again you got to kind of keep it feeling the same. And for the local crowd to hear that? Yes that's yeah. Now I noticed at least I think I saw that the strings had a full arrangement that was written on their chart. Did you have a full arrangement? No I just had so all the bass lines are mine. I was just given like I heard the song and I just created a chord. So rhythm section just had your own like one four five. We were just kind of just feeling it out. Okay yeah. But you knew what was going on time signature wise and you knew what was going to happen. It's all four four. But you also knew what was going to happen in terms of I agree. Yeah we didn't so did you know like in measure 32 you're going to go to that weird chord and you had to make sure that your bass line. Yeah I'm always approaching to the next part anyways. Okay. Yeah always. I know what's coming up in my mind when I'm on something else and then I'm already preparing like four bars prior to going there. Yeah but see what's crazy about that is you can do that just without a rehearsal or sound check. Yeah I could. That for me is what's the most mind-boggling instrumentally is the capacity to have that level of um it's not articulation but to be that to know the language of music so well that you can be thrown a complex musical structure. Yeah that's what vocabulary is. Yeah your vocabularies is about the charts. Yeah yeah. Um so I asked Rick this on something probably we could go or so because I've never done it. What do you want when you have any inner earpiece? Oh so. What do you want to hear? Right uh no this is something Aaron knows actually because he noticed this I don't really take the click that much although I should take because sometimes when songs are starting with me like they'll say start with me on the bass line and I need the click otherwise the band is going to fall apart. Somehow I am even if I keep it like really soft I'm able to be in time without the click. Even if you start the song. Yes. Yeah. Yeah so um so I keep click very less not loud at all and I will take uh a lot of hi-hats uh a lot of kick. Yeah. Tongues a little bit um basically the overall drum kit in my mix and a little bit of voice so in situations like ARs band I will always make sure that I have a little more than usual voice that I would like normally because you have to follow the voice what if it suddenly goes to verse instead of going to bridge or something and then you have to follow the voice and have to play the changes of the bridge while she's on verse then it'll sound like very bad so you follow the voice. Yeah. Whereas um in other situations there are times when you have to stick to the arrangement no one no matter if it's a like an album recording or something you know then the singer has to do his or her part later on and the band keeps playing the arrangement which is so funny because you have to think like she's singing or he's thinking and feel what he is not singing you know and it's bizarre. Yeah. But yeah there are situations like that that happens. What is click? Um that's a known tempo. Oh there's a click in the ear. In the ear? Yeah. Oh I didn't know that. I got to know that. I didn't know y'all had it in the ear though. Yeah. For bigger shows. Yes. Yeah. And do you prefer because I know a lot of singers much prefer like if they have an in-ear monitor they'll take an ear out because they just want to be able to hear it. I do. Yeah. Do you prefer having like I saw you had more of a studio session headphone on for this one. That one yes because I had no cabinet or head on. Okay. So it was all in here. Okay so yeah you had to have that. Have to. But if you had your full setup with you then I would just do a single. Yeah like for live shows for here I keep one open. Yeah. And I take horns very less. But that's exactly what we were talking about depending upon what instrument you are you're going to want more of one thing versus another. Yeah so I'll say this though. Um when they play so Dallas horns plays in the ears right. I take him louder and the other is softer because I like tenor more than the other. Oh so it isn't just a preferential treatment because it's your husband it's the actual instrument. Yeah. She's like oh no no no. Yeah well that was awesome. Yeah that was absolutely fantastic thank you so much for hanging out with us. Um once again if you'd like to check out Mohini you can follow on Instagram follow her YouTube page check out what she's got going on all those links in the description below. If she had your bass you could play us out. There's going to be stupid babies mad at us that we didn't have you bring your bass. Oh no. And people got upset that we didn't ask her to sing but here in America you don't ask a legend to just think it paid for that. She's like yeah I agree it would be weird wouldn't it? Yeah I mean like now I would not sing because I had COVID like one and a half weeks ago and it kind of messed up with my voice for some reason my voice is not usually this low. My voice is usually not this low. So it's kind of so I'm actually not singing any vocal songs for my shows now. I'm only doing my conical stuff but I was gonna sing like two to three songs for the shows but I'm now not singing. I would have sung a little bit but I don't want to be told down in the comments section. Don't draw me please. You could just air bass it and he could provide the sounds. Go ahead do it yeah. Oh sorry I thought you wanted me to input it later. I'm just gonna input the sign for you.