 It's always going to come drop off. What's up, what's up, everyone? It is us, ATDs. Sorry we're an hour late. Had a lot of errands to run today, but we're here. And today, we are going to do a foiled marble. I'm going to do marble with a whole bunch of translucent and then basically have like peek-a-boo through it, the resin, the foil that I'm using today. I got these foils from ArtisticPaintingStudio.com. They come in a whole bunch of different kinds, a whole bunch of different looks. I'm using this like party dragon skin look today. I don't know what it's actually called, but if you order from ArtisticPaintingStudio.com, use our code ATD for a super mad discount. So let's get right to it. I'm going to be using their foil adhesive. You can use any sticky that you have. This is just what I'm using. And I'm going to, what's up, everybody? Put it on with a foam brush. Whatever brush you use, be cool with the fact that it's probably going to die after you're done with it. It's super hard to get sticky off of anything. So I'm just going to kind of rough brush this onto this board that I have. It was an old piece that I'm just repurposing. I spray painted it black because a lot like chameleons, foils tend to shine better on a black surface sometimes. Also, we are going to be doing a guest spot on RK3's channel tonight. So if you're free this evening, stop in, see what we're doing. I have no idea what I'm going to paint just yet. Yeah. I have no idea what we're going to do for that live, but we're going to do it and it's going to be awesome, whatever it is that we decide to do. So like I said, I'm not trying to go full coverage on this. I just want some coverage. And what I'm going to do is let the resin that I use have a lot of transparent so you can peek a boo down and see what we went ahead and did on the underside. I haven't seen marble like this. Maybe you guys have. I'm excited to see what it's going to look like. Hey, hey, everybody. Hey, hey now. It's used pebble. It's called pebbles that that kind of foil. Cool, cool. I had no idea. OK, so I think that's good. I'm sorry it looks so sporadic and gross, but it is what it is. So I'm going to take this and just set it in front of my fan because it's supposed to set for like an hour before actually using it. I don't think it's going to need an hour, but I'm going to set it there just for a moment while we're mixing up some resin. Hey, big boy. But we just walked in. All right, art coat and art coat. So that board is a 16 by 20. I know I'm about to mix up more than I'm going to need. You know what, probably 10 ounces will be good. So I think Jeff's right that I don't have enough in here. Maybe just have to open another kit, B. I mean, there probably is enough in here, but I don't want to set and wait for it to drain out. And I know you guys don't either. What up, Christy? Yeah, it's fine. I'll get that if you get burnt. I won't do anything to get back. Well, nothing important. Bert's here to drop off some cradle boards. So glad to see all of you guys here today. I hope we come up with a design that is super rad. And you guys try to recreate it later. So because I've been doing so many countertops in larger pieces lately, I've been mixing with what's called a drill. And so I guess I got kind of spoiled because this is not quite so fun. So you guys all having an amazing Tuesday? I hope you are. We are. We've been at a super busy day. Hey, Jan, how are you doing? Sweepie, Stephanie, Tim, Carrie, Melody, Diana, Theresa. Everything you do is super rad. I don't know about that, but I really try, super try to do things that you guys find interesting or cutting edge or unique or fun or something. I always like to come up with something unique. So if you've never mixed resin before, the resin that we use is Stone Coat or Coat most often. And it's a one to one, which means it's equal parts of A and B. And you have to mix it for like three minutes-ish. You just want to make sure it's fully incorporated in the two parts. And make sure you mix the side of the cup and the bottom of the cup. Because if you don't, you could end up with weak spots in your finish. And they'll kind of just stay sticky. It's not fun to fix. I'll tell you that right now. I think we're almost completely mixed up. And so what we're going to do is go ahead and tint our colors. And then we'll apply the oils. And then we'll do the marble and see if it looks amazing. What's up? What are those notches? That's what he's wondering. I feel like these people would say something. I can sell them on discount. You just watched Artisan Summit presentation. I can sell them for a discount. I don't know that they'll be. Because she can sell them for a discount. Yeah. People still buy them. But I think if they bought a round and it didn't end up round. We made some clear ones one time that were just slightly not round, lost it. So I can discount sell them. I can take another stab, but if for some reason they were just really awesome at this time, I couldn't get them to hold still. I got you. OK. Well, if you want to take, I still have some left. So if you just want to bring them back on the next time, if you can like, I don't know if you can fix those and make them. No, I can't fix these. OK. Well, then I can discount sell them. OK. Yeah. 20%? Yeah. I get 20% of them. Yeah. That'll work. OK. Thank you so much, Bert. Well, you always do. Sorry, guys. Bert just dropped off some rounds for us, some cradle boards. OK. Now let's mix our colors. I say colors. Ultimately, we're using clears and whites. It's a color. White's a color, right? We can decide that it's a color today. So for the most part, we're going to have some whites. Because white gives you, nope. What are words? Variants in colors and shades and transparencies and opacities will give you depth. So that is what we're shooting for with these. So we're going to have. Did you already say the colors? I did not. I'll just have you do that. OK. So we're going to have a transparent with a little bit of sparkle gold. We're going to have a translucent white. We're going to have a little bit more translucent white. We're going to have an opaque white. So far, that's what I'm thinking. Actually, I'm going to take one of these whites and make an opaque white in this. So let's start. So I'm going to start with a translucent white. And essentially, I'm going to take the tiniest amount of white and put it in a whole lot of resin. I'm going to build this color because it's easier to add more color than it is to take color out of resin. I've never tried to take color out of resin. I have one and two and it's not easy. You have clear for the thing? Yeah. So this is super translucent. It's almost no color whatsoever. So I'm going to add just a little bit more into this one, but not a lot like the same amount into that guy. And now I'm going to do just a little bit more into a little bit less resin. I hope that made sense. A little bit more into a little bit less resin. So essentially, since I'm putting more pigment into less resin, it will end up more opaque. But it'll still be translucent. You can see a little bit through it still. And that is what we're going for. Since I just added a little bit more into this one, I'm going to stir it up. That's how you put it on the side like that. And then I need an opaque. So I'm going to put essentially the same amount into even less resin. And I don't want to be able to see through it on this one. We're good. And then the last color, I'm going to, no, I guess it's not the last color. I'm going to use some rich gold shimmer. Now this is separated a little bit, but let me just mix it up. And then you're going to be like, ooh, ah, I need it. I want it. I love it. I need it. Hi, Jerry. Sorry I haven't been watching the chat. Sometimes paste will separate in the jar, but you just got to give them a little bit of a stir, and then they're amazing. Look at that molten gold. I love it. I love it. We're going to put that in some resin. And then for my clear, I'm going to put not a whole lot. It's a little bit of gold sparkle from resin art. The bling it to give a warm, glittery look. I'm going to turn my flash on. Oh, nope. Super fun, but still super translucent. In fact, I would say that's transparent. All right. So we have all of our resin ready. I'm going to set it to the side. And now our sticky has gone clear, which is what we want. We can hear a little when we try to pull our finger off of that. So we're going to take our this. Going to look for that thing. This is what I was looking for the other day. And I'm good with it being wrinkled like that. Just letting it stick where it will and not worry about where it's not. Because this is essentially going to be an underpainting. Right? I don't know what this thing is called. Then we're going to do the same thing to the area that we haven't gotten yet. Don't want any area to be completely void. So it does look a little bit like dragon scales, doesn't it? Just making sure we didn't miss anything. Maybe just sitting in front of that fan probably dried it too fast. Well, this stuff's supposed to stay sticky like until you put something not... Yeah, it's supposed to stay sticky for like forever. Like the working time is they say not to bother trying to stick something to it for like an hour. So that's how I put it in front of the fan. But I'm good with this look. So this is what we got right now. My BB and Grease. Eileen, how are you doing? I hate that you have COVID. I didn't see that when I asked how you're doing, but I hope you had a good vacation before the COVID part. All right, now let's see if we can make this awesome background into marble. Okay, so what we're going to do is we're going to go in first with the translucent that we have that little bit of glitter on. There's my flash, not on in. We have just a little bit of that gold sparkle in here. But what we're going to do is we're going to lay this out on the areas where we know we want to have Pika booing through. So whatever your favorite bits are, that's where you want to add the clear. So I know we want to show this area and I really like this area and I like this area and this area and probably this one and also some there. Maybe even in this corner. Essentially what this clear with a little bit of the gold in it is doing is protecting these areas from the opaque resin so that we can see a window to what we have down already. Now let's do some translucent white. Oh my goodness, I'm nervous. This could be a finish all on its own. Ready? Just a little bit. I always make mistake and just start adding it and then I forget that I'm trying to leave some space. I think if you don't pour it over what you want to keep then that's a good thing. That's why I always do the clear first and then I'm going to just kind of meld these together. I know there's going to be areas that aren't covered and that's fine, we'll get to that. But this, the first white that we put on is super translucent so you're still going to see a little bit of that tone of our base through it. Yeah, just try not to swipe into your clear, right? Yeah. That would be the ideal thing. If you want to leave some, don't push any color into there. No, we're just going around it. For sure that you'll have some of that coming through. So now we're to the part where we're just making sure we have no dry areas. Right now the design isn't as important as no dry areas. We'll work on the flow of the case in a minute. It looks like crazy wood. It looks like pumpkin wood. Ooh, that's what you can call this, pumpkin wood. Pumpkin, dragon skin wood. All the thing, pumpkin, dragon skin, elephantitis, marble wood. So, tilting it a little bit and seeing it in different lights usually helps me to see where it may be missing resin in some areas. I don't sell the metallic sheet. You can get it from ArtisticPaintingStudio.com. Use the code ATD for a discount. All right, so now I'm going to do my mid-tone opaque and I'm just going through and adding some depth to some areas. And just like before, I'm just going to skim over it. I'm just going lightly over. I'm not mixing anything in. I'm just skimming. And I'm staying in this linear flow so that all the lines run in a fluid fashion. Nothing's gonna confuse the eye if you kind of go left, right, or north, south, or east, west. You know what I mean? Directions are hard. You know what I mean? So I wouldn't do this all the way down and then do this. Not yet, anyway. All right, so let's now add some of the gold lines. Tell me the gold. Tell me the gold. And I'm just going to drag them all the way across. These lines can go through your. Clear parts. Clear parts. Sand. I would do sand. Always do thinner lines. Yeah. Always make them thicker. Mm-hmm. Looking fun. All right, now I'm gonna take some of my opaque white. This is the one where we could not see through it to the stick. And I'm going to run these lines really thin next to my opaque gold lines. But I'm just gonna try to stay out of my clear areas if I can. All right, I'm gonna get some heat, some fuego. I'm just gonna use a torch on this one because I don't want to push my resin around. I just want to pop some bubbles today. Yeah. Oh, we had a good ride. Okay, so now I'm gonna tilt and let my design run in some areas. This was on a gig. I would've let my resin, the lines we just added, sink a little bit. But they did sink some. Just had to fix a little. Some, some. Tilting always lets your piece kind of get a cohesive flow in it. Well, let's tilt back this way a bit. When you heat this resin, this may be true for all resin. I don't know. All I can tell you is the resins that we've used. When you heat it, it thins it out in just that area and lets that part move and the other parts will flow a little bit less. I think this is looking a little bit patchy because of however it is that I applied it. And so I think what I'm gonna have to do is granite. Just put a little hint of granite. And so to do that, I'm gonna need alcohol. 91% or higher. White gloss spray paint. Make sure you shake it up really good. Hello, Kelly. Thank you so much. Thank you guys. So I'm gonna be using this Guath White. Hey, Joe. Sandra, what's up? I'm gonna be using this Rostoleum undercoat. Make sure you use gloss when you're trying to do this because Matt's just not gonna work out how you want it to. Just so you know. All right. Now I think I need to, I need a fog right here. And I think I'm gonna fog right here. Maybe a little bit right here. So I'm going to just dust on a little bit of spray paint there. Here and there. You don't want to put too much spray paint? Maybe just a little. Don't want to do too much spray paint because the thicker you spray it down, the harder it is for the alcohol to go through. I don't know if that's actual science, but that's what I've told myself so that I remember not to put too much alcohol. Now, no, spray paint. Now, you don't want to put that much alcohol either. I have this in a spray bottle, but it's 91%. Ice, purple, alcohol. I'm gonna do like a setback spritz. So you guys can't see me, but I'm far back and spritzing. Now I'm gonna squirt some of my hand and try to try and drip it without making the weirdest face. I know I'm doing the weird face. I can feel it on my face. I can feel it. This works better if you've let your resin set for a while. It's a really fresh resin right now, but if you let it set up a bit, this design works so much better. So this is gonna grow and move and relax and look really good. I like those little ghost-ese ones. Obviously, we probably won't have anyone anytime soon that wants to get, you wanna do some? Okay. Not gonna have anyone anytime soon that wants like Halloween marble, but maybe, never know. If you add too much alcohol, this is what will happen. I can't call it cells, but whatever this look is, gets kind of hazy. Well, thank you, Evelyn. I love this kind of ghosty look that fades between the two. Wait for it, sorry. I love that fade between. So that's what happens if you have too much alcohol and your resin's too fresh. That kind of spiky. Maybe it's because it was a big drip and it kind of went bloop. I would totally do this in a shower, for sure. Cassandra? Can you imagine if you did this just whole, like did the wood lines? Mike Reed says I always add too much alcohol. That's true. Because you can see the lines from the brush. Mm-hmm. Like that looks amazing on this. So Jeff's talking about being able to see the brushstrokes, which is why I rough brushed it. So what do you guys think about my foiled, spooky, Halloween-y style this pumpkin spice marble? Pumpkin spice marble. That's perfect. I'm gonna change the name of this to pumpkin spice marble. So let me know what you guys think down in the comments. Would you have used a different color under this marble? Would you roll with pumpkin spice marble? Do you think the glitter's too much? Nobody that's a fan of our show could ever say that glitter's too much. Do we have that process of applying the adhesive? Yes, I did the adhesive application in the beginning of this video. And I have to do something tonight on Rhonda's channel. I don't know what I'm gonna do. If you guys know what I should do on the channel for Rhonda's, let me know. I don't have any more of this color. You know what would be pretty on this if I did a line of aqua? I bet that was creepy. I bet a couple lines of aqua in this would be super nice. Anyways, pumpkin spice dragon marble foil for life. Oh my goodness, it's gone. The yellow ball, it's gone. Antibat in the moon. May have used black versus green, white. Kelly, that would have been for sure. Maybe on the one that I do tonight, I'll do this with black and some translucent, I think. I think so. Anyways, I hope you guys enjoyed this. Let me know down in the comments below if you want me to do more foil or marble or countertop finishes, I guess shower finishes as well. If you're interested in the foil or the adhesive that I used, then you can get it from somewhere right here, ArtisticPaintingStudio.com. I have that listed down in the description box below this video, bling, bling, bling. And also the discount code that I set up for you guys for the foils and the this, adhesive. The colors and the resin you can get on my channel, artistilldeath.com. But if you want to order straight through stonecodecountertops.com for your resin, use my code Y-A-L-L, all caps, no punctuation, for an awesome discount there. Anyways, I got to go because I got to figure out what I'm doing tonight on Rhonda's Live. But I will see you guys over at RK3 Designs, YouTube channel for another something. Anyways, yeah, I have no idea what I want to do. You guys be kind of one another because you never know what someone's going through. And always remember, here at Artistill Death Studios, we do the test. So you don't have to. Why are you hiding your pretty eyes for? Why are you hiding your pretty eyes for? I know it. I know it. Why are you hiding your pretty eyes for? Why are you hiding your pretty eyes for? Bop, bop. All right, we'll see you guys next time. Tomorrow, 6 p.m. Central. Bye.