 Hey there guys, I'm out here again from Antic. So we're coming back to this Hullboy, Hullboy model now. Now from the last video I've actually done quite a lot of stuff off camera. Reason being is there's not really much else I can show you technique-wise on this model. It's all the same sort of techniques now. The only difference is this color selection. So as you can see I painted the cup in his hand, same gold as what I did trumpet. I painted the ropes that wrap around the model and these were just done with a greeny-gray color and then just highlighted up through a bit of a sort of beige-y ivory color. And then all the toys were just painted in various different colors just to add a bit of variety to the model. Now painted the toys quite a desaturated, non-vibrant sort of color. Reason being is I don't want the viewers eye being drawn to the back rather than this area of Hullboy. That's why the green leaves around his head, the holly leaves are quite bright because that just focuses people on this area of the model. And we just painted the skulls just a general gray color just to stand them out. So what we're actually going to do now, so we're coming to the closing stages of the actual model, I'm just going to black line the model. Now what this is is we take very very very thin black paint, a very sharp tipped small brush and all the different areas where different materials meet. We're just going to run a very thin black line and all this does is just makes it pop. This will just make the different areas pop out and it just draws the eye to the different areas and makes the color stand out a bit more. So it's just a straight flat black color, doesn't matter what range it's from. It's just thinned down so you can see how thin that is. So okay wash, the reason I'm using a black paint rather than a wash is just because it's a higher pigment content. So let's just start with a bag so where that rope meets the bag there and it's just in the real deepest area where the shadows would meet. Wait in two different materials mate, top and bottom. It's important to take your time with this stage, it's a real steady hand, take your time, make sure the paint paints nice and thin. This is the final stage, you're not going to mess up now but a big black line right across all your colors. This is an optional stage, you don't have to do it, the model looks perfectly fine without it. It's just a final finishing touch as well also where these two ropes cross here. Where the skulls meet the bag there, just go to another area there. So let's go to this arm here because again he's got a couple of different textures in different areas. So where his glove meets the arm there, I'm going to put a very thin black line in there so I'm going to stick that and then another one so there the rope comes across this sleeve. I hope that the jacket pop out. Okay I think what I'm going to do is I'm going to do the rest off the camera just as I really need to be able to get right close to it and just check exactly where all these lines got to go. But that gives you the general idea of what I'm going to do to finish this model. Now what's left to do is the base. I'll do a quick tutorial just on the base just because it's only going to be a quick um quick dry brush job because I want the models base to not draw attention away from the actual model so it's going to be quite dull and muted. But then we'll just look at the finished model at the end of it all. So once again guys I hope we've got something from that and uh yeah I'm really happy with this model when we start it. It's the savior who's finished. Speak to you soon guys.