 There's so many. Okay, I'm killing Justice League. I'm marrying Iron Man, but I'm snogging the hell out of the Winter Soldier. How about you? That's great. Snogged Cyborg from Justice League. Okay. Killed Bucky. Yeah, killed Bucky. Oh yeah, I'm marrying Iron Man. He's rich. He's a billionaire. I'm sick. I've always wanted to marry a billionaire or something like that. Yeah, oh my God. I would avoid the Cyborg from Justice League. Yeah, it doesn't seem very... It doesn't feel like... He doesn't seem like a good hugger after the snog. Yeah. Robert Downey has some voluptuous features to him. So maybe a good snog with the Iron Man. And then I guess we're marrying him. You know, I'd probably, you know... I'd probably do the married with Iron Man. Oh, that's smarter. I wonder if he makes you sign a prenup. I know exactly what I'm doing. Do you want to go first? I'm really good friends with Josh. So yeah, I'd marry Cable. We'd be buddies for life. I'd snog Robocop. And then I'd definitely kill Inspector Gadget. Okay. I have the same answers and here's why. So I'm going to marry Cable because do you see what he went through to protect his family? He went back in time. So definitely marrying Cable. He's also super fly. Definitely snogging Robocop for obvious reasons. That's a Robocnog. And then I'm killing Inspector Gadget. Come on. I'm going to avoid Robocop. I remember when I saw that movie and it was pretty badass. I wouldn't want to get in the way. And to me, there was always something about adorable about Inspector Gadget. So that might be the married one. I feel like he'd be able to fix everything in your house. There'd never be anything that was wrong. Cable and Deadpool 2. I think I'm avoiding again too. Yeah. Snog 7 and 9. Kill Detective Spooner. And marry Motoko. I'm going to snog 7 and 9 because wow, wow, we won. I'm going to kill Spooner 2. He makes some big mistakes in iRobot. And I'm going to marry Motoko as well. I'd avoid Mr. iRobot because I don't think he understands robots at all. And Alita is a robot, is a cyborg. So I think we should avoid him. John. I don't disagree with that. And Motoko from, I might avoid also. Just a little too badass for me. Snog was 7 and 9. Yeah, I'd go with that too. I'm marrying Dr. Octopus. I feel like that would be like a fun time. Yeah, and he was really good to his wife. Yeah, I'm going to kill the Daleks. Oh, I'm going to snog Darth Vader. Snog and Darth Vader. Marry Dr. Octopus and then kill the Daleks. Because Darth is like an angry snog. And sometimes that's good. But he would breathe really creepily while you're sinking. I think to me, this is an easy answer because it's the same for all of them. I am avoiding them. It's a lot of villains. I am, you know? Killing Amok, which is Gruishka in the film. Snogging Japan. Look at that butt. Yeah. Cybernetic snog. And I'm going to marry Alita. Let's see, I'd kill, yeah, I'd kill Grushka there. I think snog Alita and marry Japan. Yeah. That's a pain, it would be so fun. And get the Dramatians playing. Alita would love me and leave me. She's got a journey to go on, so I couldn't marry her. That would just end up bad. I love me some Ed Scron. So I think we'd do really well together. I think we're going to get married. Snog Alita, because I'm used to it. And then, I mean, you got to avoid Grushka. He's just not a happy man. And I'd avoid, personally, Japan a little bit. He intimidates me and Grushka's just too fierce and I would follow Alita anywhere. Well, one of my favorite times was when, so Mahershala came and he kind of had to shoot out all of his scenes. I had to finish him up quick. Because he's like nominated for an Oscar. His wife was about to have their first baby. And so everything was really coming together for Mahershala. Everything was happening at once for him. Yeah, so there was such a palpable energy. And also, he's just really a joy. And he's having to figure that character out, which is a dual role. And it's that switch that he does. And he's still, you know, finding that. So the pressure was on, but a great pressure. Yeah, we really used that. So cool and calm and the pressure too. He's the best. That it was just by, if we finished, and we give him his congratulations, he's done and he's about to go fly off and see his baby be born. And then he won the Oscar like a few weeks later. I mean, it was just like crazy. Yeah. That was like magic. Yeah, that was like magic. And then, crazily enough, I saw, this was one of those mind, mind fuck moments where I went to see Moonlight with Kristoff Waltz. That's right. Because we would hang out, you know, on or off time. So I'm just like, I'm watching him on my Mahershala Lee with a sick Kristoff Waltz, you know? It was so awesome. That was just so awesome. Yeah. I had a great time working with Kristoff. I found him particularly funny, because he's such a good actor, but also he's very, he's a good value. He's very entertaining. And Mahershala's great. And we're like, yeah, it was just nice working with the cast. When we filmed the cathedral scene where Keyin and Rosa are on top of the cathedral, because I think that for me and watching them pull that off dramatically, you see their relationship develop right in that moment. It's also the scene where Alita says one of my favorite lines, which is I'm just an instant-giving girl thrown out with the trash, because that embodies what this story is all about. It's a story of telling people that no matter how insignificant you think of yourselves, there's still a hero inside of you. And in that scene, it's about his dreams. And his character changes, because he realizes later that's not what's important, those dreams, that he can find what's important right there. Yeah. I have to say, as far as process goes, there wasn't meant, you know, they created such incredible, vast sets. So what was actually fun is there's only really one scene that I worked on, full, full green screen. And it was this big supply tube scene, one of the last scenes of the film. And being able to work on that, being able to put the motion capture suit on for the first time, that was just really cool to kind of see all the things, all the tasks that they were going to have to do, and how they were going to pull it off. You know, I think it's interesting because we're giving you two very different answers, because my perspective is from the outside. I'm the observer, I'm the watcher. Kian's from the first person. He's from the inside. This is what I did. This is why it was exciting to me. I think that's a very interesting dynamic. We were filming the kissing bridge scene, and you know, it's just very intimate, sexy in a way, a very lovely, beautiful moment where they kiss for the first time. And you know, Kian Johnson, he wanted to put some of my hair behind my ear, but I'm wearing a doo rag with a helmet on. So the brilliant minds in the hair department decided, you know what we're gonna do? We're just gonna cut like a three inch panel of yarn, and we'll just velcro it to the side of your head. Yeah, just interact with it. It's something to like, you know, yeah, interact with it. Well, it's perfect on the final product, but yeah. But that's... It tests their acting skills. It really did, and we laughed so hard because there's already kind of jitters when you're like working with your buddy, and now you're gonna make out, and someone's spraying water in your face because it's raining, so it was already, the environment is a little bit silly, and that just took it to the next level. And yet they know how important it is to the movie, so they gotta nail it. Yeah, it's a very special moment. So all that is just so great. I think it actually helps to have that kind of stuff. Yeah. It's always great when the rain starts coming down, and it's like, oh wow, this is a real movie moment. I think what makes those moments so great is when you feel so comfortable with the person, and then you feel, you know, there's this kind of like family feeling about it all that everyone's kind of in it together, and that's why the chemistry ends up really working. It wasn't this kind of like, oh God, here we go with the kids. Like it was very much like, you know, this is our job. We care about the movie, we care about each other, and I think that's why it ended up working in the end. And you picked one of my favorite scenes in the film because that's a scene where she asks this question, does it bother you that I'm not completely human? And with such sincerity, Ke'an says, you're the most human person I know. And there's this tenderness that Rose and Ke'an brought to the intimacy of that moment that as an audience, you just believe it 100%. Whoa. Wow. I can have it do anything. I can have it do anything, fly. I'd like to fly. Fly on it? Yeah, I want to fly on it. Yeah. I think I want to fly on a cyborg. You know what? It's just a different change in the morning. You're used to going and putting on your costume for that day and getting into hair and makeup. This was just a different process in the morning. You go in, you put on your wetsuit basically, with all the infrared markers, and you zip up, you put the du-rag on, you put the helmet on. You do a little bit of Beauty Maker because there are these reference cameras. So from behind the scenes and for Elita's actual look, we had a little bit of a small cat eye. So then they put like a plastic mask on you with little holes drilled into it to get all of the markers into their precise location on your face because they're tracking the movements of your face, your expressions. So it's just a different process in the morning. We shot in Texas and it was extremely hot. So I was overheating a little bit because you can't drink too much water because you'll have to pee all the time and then you'll have to de-rig from the whole suit because really you're rigged in there. So when you're in, you're in and it takes 15, 20 minutes to get de-rigged and then to go to the bathroom and then come back. So you don't want to hold new one up. So there were just things that you had to work out but after a while, like anything else, you just get used to it. The only thing was just temperature. It was just keeping your temperature down because it does get a little hot but it's pretty comfy. Just don't get stuck to anything because it's very, very velcro. It would stick to just about anything. But man, it was just so cool to be able to see, you have to do all these little exercises so that they gather all the dots on your body. I'm probably botching this whole thing. But yeah, just kind of figuring, finding out how they're able to monitor all these movements on your body. You have to touch your toes and do all these little things. So I think just learning the process of performance capture was really interesting. I think that, I think that it's great that this young girl, I think it's a great, for girls going to see movies, she's at the center of it. She's this young girl. She has to come to terms with who she is and understand herself and learn about herself. And ultimately it's like she's gonna take on the system and she's gonna fight for justice and she's gonna do it by herself. I mean, she has allies but she's not dependent on anyone to bring her any special, you know, tool or object or take her on her quest. She's on the quest on her own, on this journey. And I think that's great. There's a lot of it is the CG because it goes so fast but everything up until that we film. Getting that right, cause that moment with the script originally always is what got me wanting to make the movie. When we find out they're all trying to kill her, the dad's trying to warn her and she sizes up. So we had all the actors there. So she actually was there with all of them checking them all out and saying, who's trying to kill me? All of them trying to kill her. And just the looks that she gives them where you see she's not afraid but she's focused and she's gonna go for the ball. I mean, it was amazing. So she captured that determination. I was like, yes. And I love that line. She's like, before he tells her, she's like, wheels up. She's like, hey, everybody, take it on, take it easy on me guys. And then Edo comes in like, they're trying to kill you. And she's like, oh, okay. Changes, she goes into battle mode. I did some skating for sure. And I think I got a little cocky to the point where there was this one scene where Hugo's kind of skids up and stops standing right in front of Alita and says, hey, how's it going? And I was like, I can nail that first take. I skid up and just hit the ground. All right, I'm gonna give it another go. First take slide. I'm trying to be a suave and leading man as possible. And I was just falling on my butt every single time. He's not giving himself enough credit. Now, we did a full on screen test with Kian with some other actors and he rose to the top easily. And we knew about his acting chops. What I didn't know in the moment was his physical abilities. I didn't know, for example, that he was in Billy Elliot on Broadway and that he could dance and he could move. And he picked up this rollerblading right away and it makes it very natural in that sequence. And that sequence was fun for me because not only did we have Kian and other people, but we had some of the top inline skaters in the world, five time world champions performing these things right out there on a set. And when you're on the set, it wasn't again green screens. They were doing these gags and the crew was just watching it in amazement with their mouths open. Even the first day before we even were shooting, they were just kind of like playing around on set and some of the tricks that they were able to pull off with such finesse, it was absolutely incredible. And I think that's why it worked so well in the end. The shoes that they're wearing in Alita are motorized and it was cool to see that these athletes were able to create what it would look like if they were motorized, even though they were really just pushing themselves.