 Now let's go to a special caller named Harvey Averin. Harvey, I'd like to welcome you to the program and to thank the audience for its questions. And I'd like to ask you a question, which is I know you've spent a great career in recording and promoting Latin jazz and Latin music. And tell us, what is it about Latin jazz that really excites you and gets you all fired up? Hi, John. The beauty of jazz is it's so open, so inviting to other cultures and other sounds. And if you follow jazz from Havana to New Orleans, back to Havana to Veracruz, and eventually it will get together in, I believe, in New York. And it's very diverse. It's non-racial. I mean, it's beauty. I wish the world was that way. You met Jackie Robertson. I saw one of the episode part one. He came into the major leagues to fight the war in 1947. I was 11 years old at that point. I'm 79 now, going on 80 in November. And we're still fighting the same thing. But jazz remains open and inviting. And John, that's my, and Latin jazz is so organic with jazz. So much came out of Cuba, so much goes back. And it's my, I was thinking, I would like to recommend to the audience because it seems like people want to know how to get into this. And you get into it, well, through music, through listening, which has been spoken about. I'm going to give you, I would like to give a few examples of artists that I would like the listeners to pick up on. Number one would be Bobby Porcelli and his album, Multiverse. Another one is anything Arturo O'Farrell did is amazing. Another one is Mungo Santa Maria did a Herbie Hancock, so a watermelon man. That's really very accessible to the new listener. Also, Montaica by Dizzy Gillespie, which included Machito and Mario Boussa. That was one of the great marriages of Latin jazz. And one album that I did in 1974, that's amazing, which I'm going to hold up right here. This is Cortillo's Time Machine. Michael Nadel Tiempo, Cortillo's Time Machine. And this is Tucana Vau, or Baila Igosa, very Brazilian, very way ahead of its time. And jazz just has many colors. My own band was actually very diverse. They say one of the most first diverse bands, which was more like Latin Soul. And that was back in 1966. And I have been hearing the background of one of my jazz numbers, got to do my number with a beautiful solo by Dr. Louis Gasca. Harvey, thank you so much for calling in and for your insights. We really appreciate it and wish you all the best.