 Since the very beginning I started to work as a photographer, actually this is like a type of work, I decided, well, I somehow tend to work with the approach, so for me it was actually very much something very close to the way I've been working, so I need really a lot of time, I don't need to work quick, and I like to, you know, after I finished work to give some time to, you know, get distance from my work and start to edit from that point, so it was very natural to my normal way of working, so not really. I realized that this is like really over-photographed place and I've seen so many pictures from Israel that I was thinking that how to not to make the same work I already seen, and for that reason I started to, you know, I try to analyze that what have been done or what I know about the place, and like somehow I realized that what I'm curious or I'm interested in, I hadn't seen, is how the people in the place are dealing with the future rather than present and past, and this opened up like a whole, you know, like a channel to research this, like the situation they are like linked with the scientific research or also I worked quite a lot with the IDF in the drills, they were like somehow linked with the situation that might happen in the future, so that was like one part of the idea I somehow followed from very beginning, and the second thing which I had in my mind was that I felt like a guest, like being on a field trip, so I didn't want to say that this is this and this is that and this is the truth and this is how the world is operating there because it's a very complicated place and it's just very difficult to put it in one box because it just like goes wherever, it's like, it's very complex, so that idea of field trip somehow allowed me to look at the things like as somebody who is passing by, even though field trip was long, I spent almost a year, but still it was somehow like a field trip for me. Even when I was in my studio, I rented a studio in Tel Aviv and I started, I had printed images from each shooting, I was like, you know, sticking on the wall and I was trying to find the direction which would hold together, and for that I think that combination of those places, they are really difficult to get access, you just can't work on the places, they are not really meant for public, I wanted to somehow mix with daily life, so I had this idea that you don't really know what is the daily life or what is like a special place which is exactly like a particular for whatever reason, and so I also was researching to cover the daily life thing, and for example this picture with the flood which is here, it's very biblical at some point, and yeah, it happened like actually there was a hurricane, a strong wind in Tel Aviv and it was like three minutes from my apartment or place I was staying in, and exactly so those situations appeared like very close to the environment I was hanging around. When I take pictures, usually there is a spoken or unspoken agreement with the subject I've been photographing, I mean when it's like a human being of course, and so there is an agreement between us and we know what is happening, and when you have like, you know that when you are just, you cannot control it, it's like completely different approach which is much more violent at some point. I think that when you invest six or seven years of your life, and I was like fully concentrated on that, it is impossible that it doesn't have any impact on you, it's a big part of my life, this project, and I think that when you put a certain amount of energy, and I think that I invested as much as I could, that this energy is like you can transform to other people as well, with this gap that they may be not fully going to understand it now, and also when I was shooting this work, I've been working with the observation method that I'm not setting up anything on the images, so it is also a certain point like a record of the state as it is like at it was the time, so it's a certain point it's just becoming like a time capsule of the space. I basically hold the idea of this project is like that, so I think that this is something what people, what eventually could be interesting in 20, 30 years from now to see how we saw the world and how we look at the world and what we saw at the spot at that time.