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CLIPS - Bata Bata Paano Ka Ginawa

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Published on Oct 25, 2011

"Sister nain-love ka na ba? Hindi yong Love kay Kristo ha, yong love na may sex!" - Leah

"Namputang Itlog yan, gawing mong manok!" - Leah

Basic Information: Directed: Chito S. Roño; Story: Lualhati Bautista; Screenplay: Lualhati Bautista, Chito S. Roño; Cast: Vilma Santos, Albert Martinez, Carlo Aquino, Serena Dalrymple, Angel Aquino, Cherry Pie Picache, Raymond Bagatsing, Ariel Rivera, Rosemarie Gil, Andrea Del Rosario, Dexter Doria, Cita Astals, Ronalissa Cheng, Carmen Serafin; Executive producer: Charo Santos-Concio, Malou N. Santos; Original Music: Jessie Lasaten; Cinematography: Charlie Peralta; Film Editing: Jaime Davila; Production Design: Manny Morfe; Sound: Albert Michael Idioma; Theme Songs: "Kumusta Ka" performed by Nonoy Zuniga

Plot Description: Lualhati Bautista's award-winning novel was adapted to the big-screen with brilliant results: the casting (specially Mayor Vilma Santos as the strong-willed Leah Bustamante) is perfect; Bautista's script is filled with comic and dramatic undertones. 8 year-old Serena Dalrymple provided most of the laughs as the innocent child who serves as Leah's mirror of her personality. Everything in the film is a labor of love and art, and it deserves to be a classic. -- IMDB

In one of the most remarkable performances in Filipino film history, Vilma Santos plays Lea, a woman who defiantly rejects social convention to experience life on her own terms. A woman's rights activist and mother of two, Lea has been abandoned by the fathers of her children. Her daughter and son are at crucial, transitional ages and she struggles to provide for them while maintaining her hectic job at a women's crisis center. Soon, however, the job and her budding romance with co-worker Johnny threaten Lea's role as mother. When the children's fathers turn up to accuse her of neglect, she must ask herself whether her independence is worth the possibility of losing her children? What role--motherhood or lover--will best satisfy the deepest needs of her soul? (The 35th Chicago International Film Festival) -- Celebrating Philippine Cinema: new directions 2000, filmlinc.com

A fiercely independent and unflinchingly candid woman connected with a women's crisis and survival center has to raise her two kids with different fathers. Her first husband has left her when their career options failed to converge. She is now stuck in an extramarital arrangement with another man who cannot bring himself to respect and commit to their quite unorthodox relationship. -- Database of Philippine Movies web-site

The movie is about Lea, a mother of two kids with different fathers. Lea, works in an NGO (non-government organization), which deals with human rights violation committed against women. Ogie and Maya are Lea's children. Ogie's father, Raffy, leaves them when he had to work in the province of Surigao. Lea together with his son Ogie, did not join Raffy for Lea has a job in Manila which she did not want to leave. Maya, whose father is Ding lives with them, together with Ogie. Things start to get worse when Raffy arrives in Manila. Raffy, meets with Lea for him to see his son, Ogie. As days went on, Ogie regularly sees his father and sometimes spends some time in his house together with his new wife who is pregnant with there first child. Raffy, realizes that he has a lot of shortcomings as a father to Ogie. Raffy tells Lea that he will take Ogie with him to the United States after his wife gives birth. Lea doesn't know what to do. -- Skynet web-site

starforallseasons.wordpress.com/​2009/​11/​15/​filmography-bata-bata...paano-ka-ginawa-1998/

FAIR USE NOTICE: This site contains copyrighted materials the use of which has not always been specifically authorized by the copyright owner. We are making such material available in our efforts to preserve the film legacy of actress, Ms. Vilma Santos-Recto and informations available to future generations. We believe this is NOT an infringement of any such copyrighted materials as in accordance to the the fair dealing clauses of both the Canadian and U.S. Copyright legislations, both of which allows users to engage in certain activities relating to research, private study, criticism, review, or news reporting. We are making an exerted effort to mention the source of the material, along with the name of the author, performer, maker, or broadcaster for the dealing to be fair, again in accordance with the allowable clauses. For more info visit, www.en.wikipedia.org/wiki/Fair_dealing

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