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Buxom Betty - "Thinking outside of the box" with Jeremy Krull

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Published on Nov 12, 2015

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The all hand wired Buxom Betty is the ultimate clean to mid break up amplifier. With loads of head room this amplifier will take you from massively beautiful clean tones to classic angry textural crunch. This is enough for most other amplifiers in its class, but the Buxom Betty also bares the Friedman moniker, which means it is illusively versatile above all others and beyond even what it was originally designed to do. Which brings to mind this very important question... What defines what an amplifier is really meant to do? If an amplifier is put in the hands of an unconventional player, someone who thinks outside of the box, with no restrictions, no rules, no guidelines put upon them what so ever... does that ultimate clean to mid break up amplifier still do only what it was meant to do? Artist Jeremy Krull put that question to the test in this video.

Friedman Buxom Betty
Dave Friedman’s Buxom Betty brings together British and American tone in one great sounding package. The Buxom Betty is a 50-watt, EL34 powered, single channel amp that delivers classic American cleans all the way to vintage British crunch by merely by turning up the amp’s volume knob. The lush, 12AX7 tube driven, spring reverb tucks into your sound rather than overwhelming it.

Extremely versatile, the Buxom Betty is capable of producing many styles of music from blues to rock and country and is the perfect pedal platform. The Buxom Betty from Friedman Amplification delivers, in one channel, the best both of American and British tone!

Learn More :
The Buxom Betty Head - http://bit.ly/1P20OQa
The Buxom Betty Combo - http://bit.ly/1GPULvs
The Buxom Betty Cabinet - http://bit.ly/1RE339X

Special Thanks :
Jeremy Krull - jeremykrull.com

All guitars/bass recorded using the Buxom Betty
Overdrive used in front of the amp for additional separation between rhythm/lead tracks. Post FX were Sound Toys Micro Shift & Logic Delay. All guitars/bass provided by Ibanez. All audio/recording/performance by Jeremy Krull.

Filmed in Los Angeles, CA
Filmed and Edited - Brent Simmons

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