 This is what the people who can, you know, afford $30,000 just for a ticket to a night out. You know, I'm sure they spent several thousand dollars on top of that. I mean, you know, what most of the people watching make in a year are these people were spending in a night. So there is this elitism that transcends elitism. What we're seeing here is that these people are our new gods, that these people are demigods, these people are celebrities, these people are role models, these are the people that we need to aspire to, that we need to listen to, these are the people that we need to follow. You know, the Catholic Church was deeply involved in this. There were Catholic clergy in the hall that night. I think what they're doing here is, I think all of the above, all the brackets that you presented are correct. And I think that's maybe the difference between my work and a lot of other people's work, because yes, because these things all function on all these separate levels. And this is what I talk about when we're trying to do a kind of psychoanalysis of culture. But what we're also seeing here, to me, is actually a little more insidious than what I had gathered from the material that I had seen. I hadn't seen presented impact quite in that way. And I think what we're seeing here, I mean, this entire thing reminds me so much of ancient Rome. It looks exactly and plays exactly like something that you would see some festival in ancient Rome that you and I and all the rest of us would be standing out on the cobblestones watching these aristocrats and these celebrities and these gladiators enter into this, essentially a high ritual. So what we are seeing here, it's very, in the way that the News & Court makes sure that you know that you are not involved, you're not part of this, this is something you can watch, but this isn't for you, you're not invited, you will never be invited. The millions of people, pretty much everyone who is watching this will never gain access to this gala. This is a convocation of the gods. So we're seeing this technology, high technology, as being the greatest gift to the powers of the empire to restore, what I've been talking about since I started the blog, which is the restoration of the old hierarchies. And I think that to me is the subtext here. But another subtext that's really troubling is that one thing that I noticed before this gala took place. And also, by the way, gala is a term that meant priests of Anana in Babylon. So it's the whole smorgasbord, or Ishtar in Babylon, Anana and Sumer. But on the roof, one of the stories that I covered, I think that I included it in this as well, is that on the roof of the Metropolitan Museum as this was taking place, and I think it's on the roof until October, is a 12-foot alien demon that people, have you seen this? It's called, We Come In Peace. I don't even know how to wrap my head around this. It's like, what reality are we living in now? I can't begin to imagine what the thinking behind this is. So what people really need to understand is that image that you're looking at right now on screen, which is that 12-foot alien demon, and it's not like I'm just using hyperbole here. I mean, that's what it actually is. I mean, that's what it's presented as. That's what the artist who created explains it as. And look at that image. I mean, if that isn't like something out of Heronimus Bosch's worst nightmares, I don't know what it is. It's a 12-foot demon with the three heads similar to the Janus heads or the Cerberus heads, or the heck it triple goddess kind of feeling there. But what I see here, and what I saw very, very clearly is that I happened to come across what was called the Millennium Dome Show. And the Millennium Dome Show was a presentation that took place in London in the year 2000. And it was staged 999 times. So if anybody was a numerology spotter, there you go. But it's basically a presentation, a very like Cirque du Soleil presentation that took place in the Millennium Dome, which was built specifically for the occasion at this, you know, this is Tony Blair's new product, Tony Blair, new labor, all that kind of thing. So there was this big giant dome, which certainly has spiritual connotations to the womb, but has also been used in architecture throughout history, you know, for various reasons. And you know, there are various interpretations you can make about that. But anyway, the point of this Millennium Dome Show is that it was about, you know, there was a narrative to the presentation. And the narrative was that the demons of the air were being oppressed by the earth people. And the earth people were using technology to harness the power of the demons of the air. And if you look at them, there's a comic book that came out with them. They're literally like little red guys with wings on their heads that look like horns, and they sort of float in the air. So it was basically like, you know, the sons of heaven, you know, sons of God, you know, the fallen angels. And so there's this war that takes place. And you know, this whole thing where the tower is blown up, you know, you have to see it to believe it. You'll blow your mind. But the whole point of the, you know, the peace only comes through the sexual union of these demons of the air who were called the sky people and, you know, the children of men who were called the earth people. So there can only be peace and tranquility and justice for everyone, you know, basically once the, the Nephilim are created and you think, all right, well, that sounds like some crazy interpretation based on like some fundamentalist preachers misinterpretation of what they're seeing. No, I mean, that's exactly what you're seeing. I mean, in case people didn't get the message, they put out a comic book on it. You know, it just, it just absolutely boggles your mind. And it's, it's like, if you look, if you really start to, and this is something that I've been really detailing for the past year or so, is that if you really start to look at a lot of the symbolism and it's becoming more and more apparent and more and more repetitive and, you know, this whole entrainment process is that there really is a belief in what Christians and Jews sort of saw as the Nephilim, as the fallen angels, as, you know, the sons of heaven who were painted in, you know, in books like Enoch as, as the villains that they're seen as the good guys, that they, they were, you know, if you could be, because if you actually read Enoch, I mean, the, the watchers come to earth and they bring technology, they bring gifts. I mean, they teach human beings how to civilize themselves, how to, you know, technologies, how to read the stars, all these sort of things. So I think a lot of people over time have said, no, those are the good guys. Those weren't the bad guys. Those are the good guys. So when looking at this, this whole Met Gala, and again, this could just be my personal interpretation, blah, blah, blah, disclaimer, disclaimer. But it's like we're seeing what it looks like that the reconstitution of the iconography and the symbolism of the church, but all under the, like the literal wing of this fallen angel up on the roof of the building in which this all took place. I mean, the symbolism could not possibly be more crystal clear. I mean, I would have to come up to you and start smashing you in the face with a hammer and, and screaming at you for this to be any clearer if people were actually paying attention to what was being said. And the problem is that people don't pay attention with being said. They pay attention to the way it's being packaged, the way it's being represented to them.