 The screwhouse and we got a cassette that you can ride on. They got a real tape. You can go to the store and get it. I don't know. How much money they making out for it? I don't care. I know that people just talking about, man, they hot. You know, I'm packing for the store. Yeah, we on boss talk, one on one, one on one. Yeah, we gon' talk. We knocked that out and man, the album, man, this is the first album in a long time that I was extremely proud of. Not saying that I wasn't proud of the, I was extremely proud of the effort that I put in and everything I've done from the photo shoot to the videos, to the legend party, to the sway. I got 85 songs coming up, boss talk, boss talk. I got everything and just my effort that I put back into it made me feel good about it. You did a great job, man. Hey, man, we love you, brother. You know what I'm saying? Hey, man, this big love over here. For you go. Yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah. For you go, let me get this and let y'all out. Man, we love that list. It's, I think this, the way we do music is different from them because we, like we say, we came from the screw tape era. And just to be honest, our screw tapes didn't go that way as hard as they. I tell people this all the time, Dallas is a very big market and their market is more up. If you notice, and I would love for them, a lot of Dallas artists don't do a lot of shows here on Austin, but they go up. Oklahoma, Arkansas, which is great, because to be honest, when you're trying to get a deal, you need to break the, but Dallas market a little bit faster than you break it. The deal, the, the majors love the Dallas market. It's just that I think we had more in, based on the screw tape era, we had more individual legend. It's more of a legend city. You know what I'm saying? All these different and I will, I will, our fan base really follow us very, very hard. You know what I'm saying? From a standpoint, I don't know if Dallas fan base follow the Dallas artists as hard as the Houston fan base follow the Houston artists. So we don't have a Dallas, Houston thing. You know what I'm saying? I was in Dallas like, I love that. Was there a lot of collaboration between artists here and artists in Dallas? I don't really see that a lot. Not a lot, because like I say, their music was really coming here and we have a, we go that, like for instance, I'll tell you a pokey. Pokey wasn't a guy that did a lot of Dallas. He always mentioned we Dallas love you. I love Dallas. I go to Dallas a lot. You know what I'm saying? I go to Dallas a lot, a lot. Slim goes to Dallas. I switch house, got a good movement in there. So it's all about the music. You know what I'm saying? The highway transitions together. Like for instance, the, we did more, we did more probably with Louisiana artists because they're closer and we're more tied to them. But the point I'm trying to make it, it's not a beef thing. Like we don't like it. We just like, like for instance, man, we embrace when, when, when Yellow had his movement. Trap boy for me and chief got a whole album. You know what I'm saying? Me and chief got a whole album. I go to funky town a lot. It's just, I think that like, Big Tut, I'm down with all of them. We just didn't get a chance to mesh music together as we were going. Like our era's a little bit before them. And, but, but from the standpoint, no beef though. Do you think screw will ever come back? I don't say that it left. Let me just, I'm glad you asked that question cause I can answer that for you. I'm going to be real with when screw, listen, I'm a UGK fan, right? When screw came, you know, that ain't riding dirty. You know, you know what it is. That's when, you know, you start hearing, you start hearing that y'all was saucing it up over here. You know, I'm telling it now. I'm an old nigga. So I'm watching everything now. Super tight and all that. We were kicking it. I tell me something good nigga. I was at the danger field. I always tell the story, track me. But when it hit that riding dirty era, it became real, real Texas. Houston, screw, bag, drop, man. And how did that, that's something I would like to know. Like, what do you think, how did that happen? I know they were signed to JAV, but how did this, how did that sauce up like that? They were real Texas boys though. You know, I know that, it ain't by the hour of street, but I'm just saying it became a DJ screw, I guess, and they locked in or how did that happen? You see what I'm saying? Man, they admired us as much as we admire them. No idea. That's just the truth. They were bigger than us, that's what I mean by bigger than us. I used to look up to them for this. They got a real tape. See, see, rapping, talking about a tape and having a real tape was too different. You know what I'm saying? See, it wasn't about money for me back then. And they got a real tape, I want a tape. I want a tape. Man, you can go to Soundwave and buy a tape. Yeah, yeah, yeah. I want tape. Sound music, sound music, sound music. Soundwave. Yeah, yeah. A music asset, sound music, music. Hey listen, big music, I was like, hey listen. This was serious, you know. This was real. Man, we go in the screwhouse and we got a cassette that you can, you know, ride on. They got a real tape. You can go to the store and get it. I don't know how much money they making out for it. I don't care. I know that people just don't mind, man, they are. You know, I'm packing for the store. So the thing about it, man, is we come like, I think, man, how we all suffered because we hadn't had the assets to the bigger thing. We really out the mud. We really, people are thinking this is clean, man. We out the trunking for real. You know what I'm saying? We really doing it like this. So I admire them as far as what they done. It didn't matter if they was with Jive or whatever. They was just learning the game. They could have been much, much bigger, but you gotta understand, we coming from a situation of, they trying to learn the business. They didn't came from being with big time records. And now they over here with Jive. They doing this here. And a lot of times, man, these companies always try to come change who we were. You may sign you, but it's here, but then they come try to change. So I think, man, that one of the factors for UGK was just staying them underground kings and being who they were. So them hooking up with us, they admire us, we admire them. We were listening to their tapes and man, they were knocking on a screw though. This what I'm telling you. Our tapes were full of culture. You ain't got no choice, but to get some shit out of there and be talking about it. We talking about it now. We talking about everything we doing. We drinking, we smoking, we riding, we holding, we candy. We, that's what made us so big because our tapes and these free styles, man, we just rapping about our streets, our stars, our cars. And what's happening, people loving it, man.