 Y por ella yo he venido a esta fiesta Para ver si la pueden amorar Vengan todos a bailar aquí el relaco Congan toda su alegría y corazón Olvidar aquí las penas que usted trato Y a gozar con un yoghurt del vacirón Ya se muestran cariñosas Porque saben que esas notas melodías Esa guapa de ojos negros que anden creyendo Esa guapa de ojos negros que anden creyendo Esa guapa de ojos negros que anden creyendo Que me gusta y que me gusta de verdad Muchachas la mas bella Muchachas la mas bella Tengo miedo me la vayan a ganar Cholita sabe que era su padre's wish Cuando el señorita está bien Tienes que ir con estas plantas Y decirle a ella que estamos feliz Que ella se ha vuelto a ver con nosotros ¿Entiendes? No No, no Cuando el señorita Chulita está bien Esta noche Tengo una gran sorpresa para ti La gran historia de radio Y la iglesia de México Esa es nuestra guest Fernando Gomez Buenas, señoras Bienvenido a la hacienda Y a la fiesta en Ana Obchulita ¡Vamos! Es más que solo una fiesta de casa Fernando y yo estamos emocionados Estamos maridos Esta es realmente una celebración ¡Vamos, Cholita! Y ahora Esta es muy mala noticia Ahora ella no se va a marizar Ella se va a ir Muy triste Estamos esperando para tus felices, señoras Mi felices Por supuesto, pero me dices más tiempo Para pensar sobre esto Esta noticia ¡Vamos a la fiesta! ¡Vamos! ¡Sí! ¡Susurro! ¡Ayúdame! ¡No! ¿Cómo es que te estás diciendo? ¡No! ¡No! ¡Eso es! ¡Él va a morir! ¡Vamos! ¡Vamos! ¡Vamos! ¡Vamos! ¡Vamos! ¡Vamos! ¡Vamos! ¡Vamos! ¡Vamos! ¡Vamos! ¡Vamos! ¡Vamos! ¡Vamos! ¡Vamos! ¡Vamos! Es un país muy malo, señor. Muy bonito, lleno de animales malos. Mira. ¿Qué es eso? Solo una ropa. ¡Muy bien! Se debe ser la madre de todas las ropas. Sólo nuestros negros están haciendo la blum dance de Oaxaca. Supongo que tienes mucho problemas con las bandas. Bandas? Claro. Tengo que irme a la ciudad de México, para que sea más segura. Es más segura aquí. Oh, solo dices eso, señor. Pero lo sé, por supuesto que no estoy preocupada por mí. Oh, no. Pero, Chilita, ella estará mucho más feliz cuando la llevo de este terrible lugar. Sí, muy bien. Es tan bueno que se vuelva. Parece que nunca me he ido. Nada ha cambiado. Es todo lo que me lembro. La gente ha cambiado. Places raro. Estás más hermosa que nunca. Oh, pensé que te lo hiciste. ¿Tienes nuevas ideas? Sí. Y José también lo sabe. No me preocupes, José. He mirado todo por él. ¿Por qué no está aquí? Sí. Se ha esperado como una blum. Pero cuando le escuchó que te estuvieras volviendo con tu esposo futuro, se salió. Él nunca me vio a ver en México. ¿Cómo sabía que él... ¿Por qué no se vio ahora? ¿Quién sabe lo que un bebé puede hacer? Es tan grande, Arti. Muy hermoso en Oaxaca, con un gran entendimiento de un hombre como mí, mi hija. Dime más sobre tus aventuras, Fernando. Bueno... Dime, María. ¿Qué pasó con ella? Bueno, como sabes, María fue asombrada con bandas que asombró a ella en un hogar. Mi público. He escuchado la asombrada. He encontrado dónde estaba la venta. Yo salí a la rescuera. Me puse en mi máscara. Me asombré con mi esposo. Y con la risa de... María estaba despierta. Ella iba a dar esperanza. Y de repente... She heard the pounding of my horse's hoofs. And then she... The bandits fell back, gasping. It was the great Fernando. See, see, see, it was me, the great Fernando, riding to her rescue with the speed of light. I rode into the mob. I leaped from my horse using only my whip to disarm the bandits. And while my horse held them at bay, I dashed into the burning building. Unafrade. Smoked in my throat. My throat. It was horrible. See, see. But you got the Maria in time. Yes. I took her into my arms. And as I dashed from the burning building just before it collapsed, she was safe. She had fainted. I keysed her. And then what happened? And then... Then came the commercial. And I was continued till next week. Why is he called the great Fernando? Because he's very great man. Very strong radio. Like a... like a divul. Oh, see, see, like a divul. A little cuca seems interested in Fernando. I have noticed that. She's a sweet child. But Fernando is my fiancé. Yes, I know. But she's with him every minute. Look, there they are. Come for a sing for us. Pepito found a fine young jumping bean. This thing. He did. This bean could jump like no bean you have seen. This thing. Yes, he could. Down deep in his pocket, the bean would go jump, jump, jump. Wherever he lock it, it still would go jump, jump, jump. Pepito loved his little jumping bean. Yes, he did. Ah, very much. But never, never trust the jumping bean. You never know where they may lay. Pepito and his fine young jumping bean. Sangy. Were strolling into tango. Oh boy, some fun. When out of his jacket, the bean may jump, jump, jump. Unless an alacrid was going with a bump, bump, bump. And being a discerning. Yes, it was. He jumped into the shirt of a vintage queen. Oh, oh. Pepito made a dial for the jumping bean. It cost the biggest row you've ever seen. Very sad. Pepito decided the bean was a bomb. Then suddenly his heart went thump, thump, thump. Slee-slee. Yes, he did. He saw between the bars. They jump, jump, jump. There it was. The Hacienda is very nice. But the country is wild. Not like me, you see it. Oh, you are such a cosmopolitan. I am very tired. I am most tired. Good night, silly. This Fernando. He's afraid of this country. He thinks that the wild animals and bandits behind every character's plan. Do you think he's a Mexican? I doubt it very much. And he's afraid of this country? I believe so. Bandits. Bad men. What an imagination. Perhaps we could teach him both a lesson. We need some bad men. We have no bad men here. Bancho here is a very bad man himself. Huh? Who me, senor? In fact, you are the toughest man in all of Mexico. I'm not tough man. Even my wife, she tell me what to do. And you, senor? You will help us. Of course. Now. It is already getting late. Come, Cholita. Sing for us that song you father and I love so much. Muchachos. Like a londrina. About Jose, why isn't he here to greet me? You said he would return. Better that you shouldn't know. What is this mystery? What has he done? I'm not sure, but... We must find out and stop him before it is too late. You're right, my dear. And you're the one to help him. All that I can. When will he come? Praying for the soul of a man. A man she loves. Pranolón, cooker. I want to talk to the senor. Word with you, senor. I have just heard that some very bad men are riding to the Acienda to join in the fiesta. Bad man? They shoot, they drink, and we must humor them because they hate everybody as much as they hate each other. Oh, can't you stop them? No, senor, we cannot do that. They will shoot the way in. And they're very good shots, too. Oh, can't you call the police? Senor, you yourself said that this was a wild country. We have no police for 50 miles. We handle these situations ourselves. We handle them badly. But it is the best we can do. It is simpler to let them have their own way than to have a travel or perhaps shooting or murder. Shooting? Murder? No. Why did you get the funny... Once I shoot a cigarette. And what do you think is left in Ombres' mouth? No, cigarette, no teeth. Hey, panto, you play with us, too, Hernán. Come, shoot at me a cigarette. Oh, no, I'd rather not. Come on, I should. I suppose I shoot him, water pipe. Me miss cigarette. If you miss cigarette, I should. And I will not miss you. Come on, shoot. This is outrageous. Fernando is nervous. That may be an accident. You must stop this to you. I'm helpless. You helpless. I've seen the day when you would handle such men single-handed. But there's reasons. We never do this on the radio. But here, yes. Come on, shoot. I will stop myself. Cholita, no. It is too dangerous. Go on, shoot. No, you were shooting at Pancho. Oh, no, you shoot the canary. Everybody wants you to shoot him ever since I heard him making radio speech. Vamos, Fernando. Cigarette in your mouth. Let me go. A woman with courage. A brave woman. Rume, señorita. Yes, yes, total room. Let's, we shoot him before he shoot us. Shh. Nobody here. Good, we eat. Fred of gods? No gods, gods. You got a match? No got no match. I need light myself. I had so sorry, senor. Very sad. Come on, Cholita. They are going to dance. See. The gypsy dancers are going to dance. They are going to dance. They are going to dance. See. The gypsy dancers from the Spanish revista. What? How single-handedly I would have torn them limb from limb. If I hadn't been taken ill. I love Fernando. But don't worry. Cholita is back. But she's lost me now. She will never forgive me. Will never realize I was unable to write or rescue. Such a lovely girl too. And such a big rancher. Of course I wasn't taking a rancher. I know, Fernando. If you were a fortune hunter, you would consider my two ranchers. Oh. Imagine a little child like you burdened with two ranchers. See. And I'm all alone too. I wish I had a big man to... to advise me. Well, too busy to help you with your problems. In the meantime, I must make explanations to Cholita. Two ranchers. Glad you escaped from that bandit. I was terribly well. Oh, it was good of you to worry to you. But I have been thinking. Everything worked out very easily for those bandits. Did it not? What do you mean? It seems strange that I should be imprisoned here on the rancher and you couldn't find me. And Jose, what a peculiar bandit he is. So safe from the police. Well, you see, Cholita... You didn't go on till. I understand. It was all a hoax to discredit my fiancé. Oh, Tio, what a despicable thing it was for you and Jose to do. You see, Jose had really nothing... You see, Tio. I don't wish to hear any more about you. You're not angry at me? No. Tell me the truth. Do you really... Oh, promote me very much. And I see made love to you. Only to be it when you heard I had two ranchers. Cook, I have made many mistakes. Yes, I don't want you to do the same thing. No, Tio, I won't. What I want you Fernando is a fortune hunter. Oh, no, it is not true, he just thinks two ranchers are better than one. Este hombre... Creo que es la hora de tomar la situación a nuestras manos. Pero, ¿qué podemos hacer? Tienes que ir con Fernando. Dice que te asustas, José. Fuele a los que nos han asustado. Te diré lo que haré. ¿Tienes que estar aquí? ¿Es verdad? Sí. Pero la última noche dices que vivimos antes del carnival. He aprendido muchas cosas desde la última noche. ¿Qué? Más o menos, pero tengo que estar aquí. ¡Está aquí! Tienes que decidir por ti. ¡No te quedes en esta huelga, hermoso! Y no iré con ti. Es mejor de esta manera, Fernando. ¡Más o menos! ¿Por qué? La última noche. Pero, por supuesto, lo sabes. Sí, lo sé. Me sorprendo. Dio me dijo que era porque... Porque te lo amo. Aquella parte fue real. ¿Me dices que te sorprendes? Déjame explicar. Por favor, déjame. Adiós, señor. Veas que te lo cuesta, Cholita. O te lo respondes a mí. Y recuerda, mi idea es... que siempre te serviste. Adiós, José. Adiós. ¿Dónde estás? Voy a México, a la Ciudad de Fernando. ¡Ruka! Cholita, me asustas. No, no. Estoy aquí. Una mujer debe tener sus aventuras.