 Calls Toolbox and Travis from Artists and Design Concepts, and they're gonna help me create a realistic free 4G-O. Earlier, they cut out a shape for me. I don't know what it is, Ledo. MDF, re-quartered. It's a round-sound MDF. And so now to create the rock edge. These guys are experts in creating realistic rock edges for their countertops and et cetera. We're using Bondo. So now they're gonna do that for this G-O. All right, so for this round, I'm gonna mix a nice hefty amount out of here, okay? I'm just gonna tilt it over. Just gonna start scooping. Maybe one more, and that should be able to. So Bondo's a two-part situation? Two-part. Yes, two-part. It's very much like resin, but it comes with the putty, and that's got the... You always want the different color putty. I don't like gray putty, because it's hard to tell when you have the right amount of mixture. I like the pink or red. You got blue here. You want some blue, baby. So that changes the color of the... It's just a color indicator that lets you know that it's thoroughly mixed. When you got, yeah, and you have the right amount. If you want it to dry fast, you put more hardener in it, the blue in this case. A little bit on the right now? Yes, and if you want it to, you want to have more time. Like if you're out in the sun, you want to have less, you want it more gray. If you are in zores and it's a cooler day, you want more of the hardener, more blue. This, just enough to see a good view. Yeah, you can see it. You're out the putty. I would guess this, that's so cool. Now, it'll get... I mean, if you want it to dry fast, you'll put more, it'll get darker. I'm just going to start slapping it on, because you really have a short setting. This is not going to give us a lot of time. And if you're in the hotter temperatures, where it's over 100 degrees, you basically lost a minute and a half of working time on that stuff. I'll follow him along and we're going to, we're going to slide it over the top a little bit because of the geode has the, has the lip on the top a little bit and we'll get that in a minute. Soon as we get past all of this. This stuff's going to stop and he's running, he's running out. It can get warm if it's in the hotter temperature. Yeah. Because there is a similar thermogenic reaction such as you would get with a two-part resin. A resin, yeah. So back to it. It's not going to get as hot as a resin, but it'll start to get really set up and touch it. It'll get warm, yeah. You'll feel it. It'll start to kind of rubberize. Yeah. And then it'll go in. Then it's already left with. That's it. And it's, you got to mix a new batch. All right. Now we'll start. All right. Going a little bit on the top. She want to kind of like little highs and lows. Some spots will be a little bit further. Some spots will be less. So we're just kind of spreading it out, slapping it, getting some texture on that. Slapping the booth. Now as it starts to kind of set up a little bit, the texturing will really kind of hold the form that you're giving it. You want this to look natural. So we're just swiping it on. And we're going to come back over and sand some spots, of course. And just do it. You just kind of knock some birds down, but we still want to give her some highs and lows. Yeah. You want highs and lows. Swiping. Swiping. Swiping. Swiping. We're going to do a little bit more. Okay. Okay. She wants to try a little bit. Looking at the photo, we're going by the photo she had of what she was doing or looking to do. So we have a little more on here. And we're going to come knock it down a little bit, but it's going to give, hopefully that texture across the top. Usually we just do the side. Do you have to have this in a certain thickness of a layer? Pretty good. Can you do it thicker or it's an error? You can do multiple applications. If you want a more textured look, you can do several applications. I didn't know if I like took this blob and put it on there, what it set for. Yes. It will set, but then you'll have to sand a big blob off, which we don't want to have to do. No sanding blob. We'll knock it down just a little bit, but we don't want to have a big blob. Should one wear a respirator? We'll look out for it. No, no, no. Not this. Well ventilated for this. It's not going to get any dust in you or our indoors. Our respirator would be an excellent idea. Yeah. If you're indoors without, we have proper ventilation. Not very good. No, for countertops, he always does two times. Only because on a countertop, I'll do two applications, only because the way I like it is I'll have that first layer out and I'll let it set up. And then as it starts to kind of rubberize a little bit, I'll kind of slide my hand over so it'll start kind of pulling that up. It'll look very textured like a real stone. And then I'll go over with the second application and all I'll be doing on that one is just slapping it, got some spikes out of it. After bringing it around, you can kind of see the texture. It's starting to rubberize a little bit. You check that side, Jeff, you can see the texture. So that'll give it some extra texture of blood on the dense places, I don't know. So I shouldn't worry about this. No, we're going to knock this down a little bit. We're going to sand that. That'll come right off. Actually, if you catch it in a couple of minutes when it rubberizes, you can scrape that off. You can cut this, I'll work it. And I'll cut it. Now you're not going to cut this because we want to take it. But if you're not, you can cut it with a draw on it, like it's done. Yeah, it's already rubberized, you can see it. Even that will take that long. So yeah, it's like you're racing the clock, diffusing a bomb. I did mix it a little bit. I make it a little bit harder. It wasn't even six minutes. Like it was, it was not even six minutes, maybe five. You got like a five. I mix it a little bit harder because I don't want to. Five minute working time. Like with the heat, you lose about a minute. It's a two minutes of working time. Yeah. I need no work with time. You don't put as much on it. Yeah. That's the blue stuff. So you won't make it. I'll be good enough for this. A lot of times you're dressed, you're not for a work. No, I'm not. But you need it in there because that stuff will stay. I just didn't know since you were talking about you like the red. Yeah, I use the red all the time. But this is a high bond. It's a really good bondo. So it just has a different color. I use a lot of regular automotive body color. I'm sorry Paul. So we generally let it set up for maybe 25 minutes to come to full hardness before you can start working it. With this piece, since it's kind of thin on the edges, I might consider it in a couple of minutes when I know it's hard, but not fully cured. I might go ahead and go with the second application. It gets more texture out of it. Normally when we're working a countertop or a table or something that we're doing a rockage, we're using a sanding grinding wheel to put some kind of divots in there to give it something to create a mechanical bond. So this first application will actually create an excellent mechanical bond whenever we go to put the second texture on. So we have to really give it some volume on the edges. How long should you wait between applications? We're gonna wait about one minute as soon as it's hard to wear. Like if you touch it, it's not gonna flake off. Okay? Because you can kind of feel the pliability of it. Yeah. 15 minutes. Like maybe even 10, 10 minutes, it might be hard enough to do another application. And we can take and start cleaning this off while it's in a minute. You can still take your spreader and I'll cut and take it out on. Yeah. Because you can cut it now. I know you want some texture on a little bit there so we're gonna leave it a little bit. Babe. Babe. So I'm just taking the same. If you want more, we can put more on the second coat but we're just scraping it off. Before I can just put more on this, give you some little textures here. Clean it before it gets hard. That's when you can start cutting it and shaping it if you want it. Okay. Cut. Cut. Well, wait, I don't want to chip it off. I don't want to chip it off the bottom. Get that, babe. Yeah, chip it off the bottom. No, I don't want to chip it off the bottom yet because I don't want to knock it off the face. Check out some texture. Texture. Texture. Texture. All right, so we're back. In about 20 minutes. This stuff is set up pretty good. Very textured. So the second application is really textured. So there's not any reason to sand it or anything like that because the texture itself will provide an excellent mechanical bond. Gotcha. Long hand. It should be left and right. It's okay. You wear it out. This is a tie. We're gonna have to use every bit of it. Oh, fuck. Warm. Oh, you gotta bleep that out. I'll edit it. Yeah, all right. Okay, get his gloves off. That's why it's so natural. It's doctors. Tool time Paul. Great. Whoa! We got a lot there, baby. We're going to bondo up this whole place. That's probably it. Oh good. We're ready to rock. Same... Literal. Same back channel. We're going to do the same thing. You're just kneading it in if you don't want to mix it up with a stick. Make sure you thoroughly mix it. You don't have streaks. Like that. You don't want no streaks. No highlights. Got it. No highlights. That's a high bond. It's a well, supposed to bond a little stronger. I've used regular bondo. It is a little harder than other bondos whenever it tears. Yeah. Yeah. It gives you. Oh, a lot of work. Well, it depends on how much you put in it, huh, Harbin? Yeah, but even with the... All right. All right. Oh, sorry. It gives you longer work and time. I've never used this bondo. I've used... So it's almost a little more... I've used the gold, but I've never used it. So we'll build it up a little on the edges. Yeah. I'll come back over. You go ahead and hit that. We'll come back over the top. It's your size and then we'll roll the top after you. Give us some organic features, yeah? Yeah. Pretty good. Nice that you can kind of dictate how much... Rock face. Everything you get by how much... Face high. I think Paul's fired up. Just a bit. Good be. Rock face. All right, Paul. No more candy for you. So this part, I'm gonna leave a little love because we're just gonna... Yeah, we're just gonna... Yeah. A couple spots will go real... We all do. You have to listen. I'm good. So this bondo is usually a team sport. And I'll just give them some luck. Yep. Once he's done with that, we will start tax-turing a little bit and roll in the top. I think that's good. Yep. All right. I'm gonna just take this. You can continue to slap it. We can always... He... We want to roll it up. I'm gonna kind of create that little groove. Since it sets up pretty quickly, you could just work it until... Until you like it. Yeah, you can easily just... You can sand it all off if you don't like it. Start over. This finish, like it is, and would be a great service, says Rhonda. That's a little sharp, though. You said it would like it. A little bit sharp. But we won't. But we won't. But we won't. But we won't. We're Rhonda today. But we won't. We're gonna mention that we won't. We're Rhonda, but we're not. Today. We're less than we're Rhonda. Come on, Rhonda. These little coves and stuff. It's not gonna be like this whenever we're done. Because when we knock it down with some 120, it's gonna be a little more user-friendly that way. It's not gonna... These little rings. Yeah. We're just gonna kind of keep pushing it until all these... You can leave that. That's a good idea. We're gonna knock those to your ring. Yeah. From soft peaks to hard peaks. Yep. Yep. It's all ready. So now it's starting to set up. You can kind of see that real spiky texturing. See the texturing? That gives you more authentic rock edge. Gotcha. It's done. Probably a little more consistent with the geoglick that you're looking for the outside. Yep. So we'll let... I think that's pretty good. Yep. We'll let that set up. And then we'll come back and knock it down. I love it. The stuff is great. And don't mind not any like spikiness over here. That's all gonna be knocked down. You don't have to... I trust your process and your judgment. We're good. Right. It's great about them as I showed them a picture and they were like... It's duty. We got this stuff. We got this. See it's already... It came back down. It came back to the previous one. See it's white-toned it pretty good. I don't want to knock that because I don't want to chip it. Tether it down. See once it gets hard there's no just trimming it up. So you want to get this thing when it's still pliable. That's when you can cut it. And Travis cleaned it off on the front side while it was still pliable. A little bit malleable. So we're good. So what grid of sandpaper is? 120. 120. If you really want to do some serious knocking down. If you use anything higher than that you're gonna burn through your pads and it's gonna get all gummed up. And I use the Diablo net because you use the paper sand paper on the bondo with the textured edges. It'll tear up pretty good. So we're just gonna kind of make it a little flush on the bottom. That way it's able to hang without the high point. Alcoholic I'm safe. Panic in zero baby. We're kind of guessing. So we're just gonna trace and push it. Ready? Well you just fan it a little bit. I'll come back behind you. And I'll hit the high. Even the color of the bondo gives it some kind of awesome effects. That kind of looks pretty good. Right? It looks ultra legit. They're just dusting on different colors. That looks real. What's this? The clear? Chest number? That's the chest number and then I have the mat. Hey I tell you what. It ain't gonna move much. Ready? You can put on the lighter and then bag it. You can see the texture underneath it. So that's the antique set basically. Yeah. Yeah. So that's gonna pull the light color up and leave the dark color and those recesses. Right. And then. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. We can get a little say darker over that. You got some darker? Yeah. Yeah. Just kind of. Other side. Yeah. I want the brief ventral a little bit. There you go. There you go. Good. Let me think, Erica. You guys are killer. I think that's good. because we're gonna bring up the geode up to the edge. I'll probably put some crystals in some of these areas. Well no, thank you guys. How does it hang on a wall? Does it hang like here? You can hang it however you want to. You can rainbow it or you can half moon it. So like with this part being the bottom side? Look at the edges. Touch up the little burnouts on the corner machine. So for the gold, I can't remember what colors I used to spray this, but it was made out of Bondo first. I'm gonna be using black Montana in the color something since Jeff art it on it. I'm not sure if I can see the. Oh it says it's shake well, but it's gold from Montana. So before it gets started, anyone using spray paint or resin should wear a respirator and being a well ventilated space. These ones are actual quartz, but I'm gonna also include some glass as well for fillings. Thank you very much. So the first color is color obsession snow white. You can use any white. If you decide to use an acrylic or water-based paint to tint your resin, just make sure you adhere to the 10% or less rule. If you're using a paint that's made for resin then you have a lot more. Get on with it. I'm gonna start with my solid white. I'm sure I don't have any dusties on here. Also make sure your surface is level before you do this and make sure wherever it is that you're gonna leave it to set up overnight or however many whatever hours. It's also really level because even the slightest degree off will mess everything up because it's resin self-levels and it's just gonna go to the lowest point. And for geo do you want to keep your lines very consistent and where you need them now? Gina I was waiting for somebody to announce that. So the next thing I do because resin likes to it'll run off if it is over an eighth inch thick on the surface. So I always try to go through and kind of stretch my lines out just slightly at least in the beginning because it'll self level into those areas. And if you move your finger and it pulls some of one color through that's perfectly fine because if you think about it geo's aren't perfect. They're very random. There's really no wrong. And I think the longer or the harder you try to make it perfect the more it won't be what you're looking for in my opinion. I'll probably let it go all the way up to the edge. For this one I'm gonna really take my time pushing it to the edge because I want to keep that rock matte and not resin coated. Now I'm just gonna have to hear me out with these white lines I'm gonna put in. They're gonna settle and look really nice and organic. If I wait like another 30 minutes to pull this line it'll be a lot easier because this resin would have set up however it's okay. Anytime you put resin down you have to add heat. Next I'm gonna use liquid gold by Montana to add some gold linings. I do not carry this color. We can get it on Incon. It will be. In this month's kit we're going to be doing a geo not this geo but a geo that's similar to this but on a 12 inch real world. So for me I like to put some paint out and let it soak up. I'm just dripping this gold on this edge so that it makes sense with the line of gold I'm gonna add because it separates so fast I'm gonna not do my blend out with those edges right away. I'm just gonna go ahead and do all of my trippy work and then I'll go back. I'll have to stop just to know how I'm gonna do this. I'm just taking all the little ways that it is fluffed and like flowered out. I'm just making it not exactly a rounded look. I don't want it to look like little blooms. Well a geo wouldn't be a geo without some glitter glass. So we're gonna go ahead and add our last bit of heat. Thanks Sheila. Have a nice night. Sorry about your reception. The heat before the glitter glass because that may blow some of your glitter glass shards a boot. Again we're just popping bubbles. I'm not trying to create any kind of movement like in Tracy. Okay I'm not gonna just pour this on because I don't want it to come out into my everything else. I'm just going to use my hand and sprinkle it on. They dropped a couple shards so I'm just sinking them. Did he step in it? No. Okay. So what you want to do I'm pretty sure you're gonna want to have this and I don't know if that's gonna work with this. I guess yeah that'll be fine. We're just gonna put this uh t-square. I got a t-square. We got a nice smooth edge right here that's straight. We know it's straight because Paul cut it. Paul from Tool Time Paul. Is it Tool Time Paul or Toolbox Paul? Paul's Toolbox. You're gonna have to lower that camera. That's on your right a little bit. How's that? Yeah. Perfect. All right. I got some grilly glue too just in case. Very heavy duty corrugated box. In fact if they don't bite ankles our cats do though. I marked those so I know where those are going. So we're going to mark those in the drills. Yep. And you use the t-square to just line it up. Got you. And that way if you if something is is off like this so you can't put a t-square in it's hard to make a straight line you know that's level. That way when you put the the wire through there you can balance it a lot easier than trying to balance two different hooks. Hooks. Yeah. So I'm going to take some of this E6000 and just put a little dab here. Where's the wire? Do you like to see it? Is that bad? No not at all. It's not all I'm trying to do that's fine. Where would wire be if I was to need a wire of wireness? If you string? That looks so good you guys. Whoever buys this it's a very very elegant piece. I think I did pretty good on putting those down there. All right so we got some wire. To pinch it and twist it and pop it off the dropper. Let's just take out a little bit too much because I don't know how much we're going to need. What do we want to do? We want to go through here. That would be good. We have two here. Does that seem like it's very a lot? Does it seem like it's very a lot? It's like bunched up right here. Let's try to okay there we go. Pick up that slack. So what I want to do I'm going to tear I want to twist this around here. There you go look at that. It's nice. Do you want me to hold a hook? See if it works. Hold it.